Bernard Pretty Purdie Dedicates Set To His Children Phyllis and Anthony in the house Mikell's Jon Hammond Band
#WATCHMOVIE HERE: Bernard Pretty Purdie Dedicates Set To His Children
Jon's archive Bernard Pretty Purdie Dedicates Set To His Children Phyllis and Anthony in the house Mikell's Jon Hammond Band aka Jon Hammond & The Late Rent Session Men
https://archive.org/details/BernardPurdieDedicationToHisKidsLateRentCloserAtMikells
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New York NY -- Flashback to August 1989 - Studio drummer Bernard Purdie takes the microphone on last set at Mikell's with Jon Hammond and The Late Rent Session Men band to dedicate the performance to his children Phyllis and Anthony. Theme song for the long-running cable TV program The Jon Hammond Show "Late Rent" original composition with
Jon Hammond at his 1959 B3 organ
Bernard Purdie drums
Chuggy Carter percussion
Alex Foster alto saxophone
Barry Finnerty guitar
*Note: This historic clip is photographic proof that the actual location of Mikell's was 760 Columbus Avenue at 97th and not 808 Columbus as the current Whole Foods near the old location claims, highly interesting!
This is some of the rare surviving footage from Mikell's, in the house that night all night long was Hugh Masekela, Cornell Dupree and many musicians as Mikell's was the traditional hang for all New York Studio Musicians until it's closing.
http://en.wikipedia.org/wiki/Mikell's
As seen on The Jon Hammond Show cable TV program now in 34th year
Camera: Joe Berger
http://www.HammondCast.com
mikell's bernard purdie late rent jon hammond b3 organ local 802 musicians union studio session men
Run time 14 minutes 29 seconds
Producer Jon Hammond
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Topics mikell's, bernard purdie, late rent, jon hammond, b3 organ, local 802, musicians union, studio session men
Bernard's wiki https://en.wikipedia.org/wiki/Bernard_Purdie
"
Bernard Purdie
Tyrone Smith and Bernard Purdie.jpg
Purdie (right) with saxophonist
Tyrone Smith, 2009
Background information
Birth name Bernard Lee Purdie
Also known as
Bernard "Pretty" Purdie
Mississippi Bigfoot
Born June 11, 1941 (age 75)
Elkton, Maryland, U.S.
Genres Rock, R&B, Funk, Soul
Occupation(s) Musician
Instruments Drums
Years active 1958–present
Labels A&M, Atco, EMI, Capitol
Associated acts James Brown, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin, Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair, Sgt. Pepper's Lonely Hearts Club Band (soundtrack)
Website www.bernardpurdie.com
Bernard Lee "Pretty" Purdie (born June 11, 1941) is an American groove drummer, and is considered an influential and innovative funk musician.[1] He is known for his precise musical time keeping[2] and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle."[3] He was inducted into the Modern Drummer Hall of Fame in 2013.[4]
Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander's Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander's Ragtime Band sessions. Other solo albums include Purdie Good (1971), Soul Is ... Pretty Purdie (1972) and the soundtrack for the blaxploitation film Lialeh (1973).
In the mid-1990s he was a member of The 3B's, with Bross Townsend and Bob Cunningham.
Contents [hide]
1 Biography
2 Encounter Records
3 Drumming style
4 Discography
4.1 As leader/co-leader
4.2 As sideman
5 References
6 Bibliography
7 External links
Biography[edit]
At an early age Purdie began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. He later took lessons from Heywood and played in Heywood's big band. Purdie's other influences at that time were Papa Jo Jones, Buddy Rich, Gene Krupa, Joe Marshall, Art Blakey,[5] as well as Cozy Cole, Sticks Evans, Panama Francis, Louis Bellson, and Herbie Lovelle.[6]
In 1961 he moved from his home town of Elkton, Maryland, to New York. In order to be able to obtain a licence to perform in public (minimum age 21), Purdie claimed he was born in 1939, while in fact he was born in 1941. There he played sessions with Mickey and Sylvia and regularly visited the Turf Club on 50th and Broadway, where musicians, agents, and promoters met and touted for business. It was during this period that he played for the saxophonist Buddy Lucas (musician), who nicknamed him 'Mississippi Bigfoot'. Eventually Barney Richmond contracted him to play session work.[5] In a 1978 interview, Purdie claimed to have added drum overdubs to "several [tracks] of the Beatles' Hamburg recording" with Tony Sheridan,[7] including "Ain't She Sweet", "Take Out Some Insurance on Me Baby" and "Sweet Georgia Brown",[8] to give them a punchier sound for the US market.[9]
Purdie was contracted by arranger Sammy Lowe to play a session with James Brown in 1965 and recording session records also show that Purdie played on "Ain't That A Groove"[10] at the same session.[5] This was one of several sessions he played with Brown and the track "Kansas City" from Brown's album Cold Sweat (1967), displays one of the most sophisticated and driving shuffles recorded for Brown's catalogue. Purdie is also credited on the albums Say It Loud-I'm Black and I'm Proud (1969)[11] and Get on the Good Foot (1972).[12]
Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years,[1] as well as drumming for Franklin's opening act, King Curtis and The King Pins. In 1970 he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at the Fillmore West (1971) and King Curtis's Live at Fillmore West (1971).[13] His best known track with Franklin was "Rock Steady",[14] on which he played what he described as "a funky and low down beat". Of his time with Franklin he once commented that "backing her was like floating in seventh heaven".[5]
Purdie was credited on the soundtrack album for Sgt. Pepper's Lonely Hearts Club Band (1978) and more recently he was the drummer for the 2009 Broadway revival of Hair and appeared on the associated Broadway cast recording.[15]
Purdie has been a resident of New Jersey, living in Edison, Teaneck and Springfield Township.[16]
Encounter Records[edit]
In 1973 Purdie founded Encounter Records and released five albums
EN 3000: Seldon Powell - Messin' With
EN 3001: Sands of Time - Profile (with Jimmy Owens, Garnett Brown)
EN 3002: East Coast - East Coast (with Larry Blackmon, Gwen Guthrie, Haras Fyre)
EN 3003: Frank Owens - Brown N Serve (with Hugh McCracken) [17]
EN 3004: Harold Vick as "Sir Edward" - The Power of Feeling
Drumming style[edit]
Purdie shuffle variants[18] About this sound Play (help·info).
Purdie shuffle variant[19] About this sound Play (help·info).
Purdie is known as a groove drummer with immaculate timing and makes use of precision half note, backbeats, and grooves.[2] Purdie's signature sixteenth note hi-hat lick pish-ship, pish-ship, pish-ship is distinct.[5] He often employs a straight eight groove sometimes fusing several influences such as swing, blues and funk. He created the now well-known drum pattern Purdie Half-Time Shuffle that is a blues shuffle variation with the addition of syncopated ghost notes on the snare drum.[19] Variations on this shuffle can be heard on songs such as Led Zeppelin's "Fool in the Rain", The Police's Walking on the Moon, Death Cab For Cutie's "Grapevine Fires", and Toto's "Rosanna" (Rosanna shuffle).[19][20] Purdie's shuffle can be heard on Steely Dan's "Babylon Sisters"[21] and "Home At Last".[19]
Discography[edit]
As leader/co-leader[edit]
Soul Drums (Date, 1968)
Purdie Good! (Prestige, 1971) [note: reissued as Legends Of Acid Jazz: Bernard Purdie in 1996]
Stand by Me (Whatcha See Is Whatcha Get) (Mega, 1971) -with The Playboys
Soul Is... Pretty Purdie (Flying Dutchman, 1972)
Shaft (Prestige, 1973) -recorded 1971 [note: reissued as Legends Of Acid Jazz: Bernard Purdie in 1996]
Lialeh (Original Movie Soundtrack) (Bryan, 1974)
Delights Of The Garden (Douglas/Celluloid, 1975) -with The Last Poets
Purdie As A Picture (Kilmarnock, 1993) -with Galt MacDermot's New Pulse Jazz Band
Coolin' 'N Groovin' (A Night At "On-Air") (Lexington/West 47th, 1993)
Bernard Purdie's Jazz Groove Sessions In Toyko (Lexington/West 47th, 1993)
After Hours With The 3B's (3B's Music #3B-001, 1993)
Soothin' 'N Groovin' With The 3B's (3B's Music #3B-002, 1994) -with Houston Person
The Hudson River Rats (3B's Music #3B-003, 1995)
Fatback! The Jazz Funk Masters Featuring Bernard Purdie (Seven Seas, 1995)
Kick 'N Jazz (Drum Beat Blocks, 1996)
Soul To Jazz I (Act, 1996) -with The WDR Big Band
Soul To Jazz II (Act, 1997) -with The WDR Big Band
In The Pocket (P-Vine, 1997)
Get It While You Can (3B's Music #3B-004, 1999) -with The Hudson River Rats
Masters Of Groove Meet Dr. No (Jazzateria, 2000) -with Reuben Wilson, Grant Green Jr., Tarus Mateen
King Of The Beat (3B's Music #3B-005, 2001)
Purdie Good Cookin' (3B's Music #3B-006, 2003) -with Purdie's Powerhouse
Godfathers Of Groove [this is their 2nd album] (18th & Vine, 2005) -with Reuben Wilson, Grant Green Jr., Jerry Jemmott [note: originally released as Masters Of Groove]
Godfathers Of Groove 3 (18th & Vine, 2008) -with Reuben Wilson, Grant Green Jr., Bill Easley
Jersey Blue (Running Rogue, 2009) -with Gene McCormick, Jack Hoban
Selling It Like It Is (Cadence Jazz, 2013) -with David Haney; recorded 2009
As sideman[edit]
Herbie Mann - Our Mann Flute (Atlantic, 1966)
Jack McDuff - A Change Is Gonna Come (Atlantic, 1966)
Freddie McCoy - Funk Drops (Prestige, 1966)
Gábor Szabó - Jazz Raga (Impulse!, 1966)
Benny Golson - Tune In, Turn On (Verve, 1967)
James Brown - Cold Sweat (King, 1967)
King Curtis & His Kingpins - Instant Soul (Atco, 1967)
Nina Simone - Nina Simone Sings the Blues (RCA, 1967)
Phil Upchurch - Feeling Blue (Milestone, 1967)
Tom Rush - The Circle Game (Elektra, 1968)
The Soul Finders - Sweet Soul Music (RCA, 1968)[22]
David "Fathead" Newman - Bigger & Better (Atlantic, 1968),
David "Fathead" Newman - The Many Facets of David Newman (Atlantic, 1969)
Freddie McCoy - Listen Here (Prestige, 1968)
Albert Ayler - New Grass (Impulse!, 1968)
Shirley Scott - Soul Song (Atlantic, 1968)
Jimmy McGriff - Electric Funk (Blue Note, 1969)
James Brown - Say It Loud...I'm Black And I'm Proud (King, 1969)
Sonny Phillips - Sure 'Nuff (Prestige, 1969)
Al Kooper - You Never Know Who Your Friends Are (Columbia, 1969)
Hank Crawford - Mr. Blues Plays Lady Soul (Atlantic, 1969)
Gary Burton - Good Vibes (Atlantic, 1969)
Shirley Scott - Shirley Scott & the Soul Saxes (Atlantic, 1969)
Yusef Lateef - Yusef Lateef's Detroit (Atlantic, 1969)
Boogaloo Joe Jones - Boogaloo Joe (Prestige, 1969)
Johnny "Hammond" Smith - Soul Talk (Prestige, 1969)
Gene Ammons - The Boss Is Back! (Prestige, 1969)
Gene Ammons - Brother Jug! (Prestige, 1969)
Rusty Bryant - Night Train Now! (Prestige, 1969)
Herbie Hancock - Fat Albert Rotunda (Warner Bros., 1969)
Dizzy Gillespie - Cornucopia (Solid State, 1969)
Johnny "Hammond" Smith - Black Feeling! (Prestige, 1969)
Larry Coryell - Coryell (Vanguard, 1969)
Sonny Phillips - Black on Black! (Prestige, 1970)
Johnny "Hammond" Smith - Here It 'Tis (Prestige, 1970)
Boogaloo Joe Jones - Right On Brother (Prestige, 1970)
Boogaloo Joe Jones - No Way! (Prestige, 1970)
B.B. King - Completely Well (ABC, 1970)
Robert Palmer's Insect Trust - Hoboken Saturday Night (Atco, 1970)
Charles Kynard - Afro-Disiac (Prestige, 1970)
Eddie Palmieri - Harlem River Drive (Roulette, 1970)
Five Stairsteps - O-o-h Child (Buddah, 1970)
Charles Kynard - Wa-Tu-Wa-Zui (Beautiful People) (Prestige, 1970)
Houston Person - Houston Express (Prestige, 1970)
Hank Crawford - It's a Funky Thing to Do (Cotillion, 1971)
Boogaloo Joe Jones - What It Is (Prestige, 1971)
Eddie Harris and Les McCann - Second Movement (Atlantic, 1971)
David "Fathead" Newman - Captain Buckles (Cotillion, 1971)
Aretha Franklin - Aretha Live at Fillmore West (Atlantic, 1971)
Oliver Nelson - Swiss Suite (Flying Dutchman, 1971)
King Curtis - Live at Fillmore West (Atlantic, 1971)
Johnny "Hammond" Smith - Wild Horses Rock Steady (Kudu/CTI, 1971)
Larry Coryell - Fairyland (Mega, 1971)
Herbie Mann - Push Push (Embryo/Atlantic, 1971)
Dizzy Gillespie - The Real Thing (Perception, 1971)
Gato Barbieri - El Pampero (Flying Dutchman, 1971)
Gil Scott-Heron - Pieces of a Man (Flying Dutchman, 1971)
Les McCann - Invitation to Openness (Atlantic, 1972)
Hank Crawford - Help Me Make It Through the Night (Kudu/CTI, 1972)
Aretha Franklin - Young, Gifted and Black (Atlantic, 1972)
James Brown - Get On The Good Foot (Polydor, 1972)
Hubert Laws - Wild Flower (Atlantic, 1972)
Aretha Franklin - Amazing Grace (Atlantic, 1972)
Esther Phillips - Alone Again Naturally (Kudu/CTI, 1972)
Miles Davis - Get Up with It (Columbia, 1972)
Ronnie Foster - Sweet Revival (Blue Note, 1972)
Hank Crawford - We Got a Good Thing Going (Kudu/CTI, 1972)
Buddy Terry - Lean on Him (Mainstream, 1973)
David "Fathead" Newman - The Weapon (Atlantic, 1973)
Gato Barbieri - Bolivia (Flying Dutchman, 1973)
B.B. King - Guess Who (ABC, 1973)
Cat Stevens - Foreigner (A&M, 1973)
Hall & Oates - Abandoned Luncheonette (Atlantic, 1973)
Bette Midler - Bette Midler (Atlantic, 1973)
Jimmy McGriff - Come Together (Groove Merchant, 1974)
Gato Barbieri - Yesterdays (Flying Dutchman, 1974)
Joe Cocker - I Can Stand A Little Rain (A&M, 1974)
Rusty Bryant - Until It's Time for You to Go (Prestige, 1974)
Bama The Village Poet - Ghettos Of The Mind (Chess, 1974)[23]
Arif Mardin - Journey (Atlantic, 1974)
Cornell Dupree - Teasin' (Atlantic, 1975)
Todd Rundgren - Initiation (Bearsville, 1975)
Jorge Dalto - Chevere (United Artists, 1976)
Hummingbird - We Can't Go On Meeting Like This (A&M, 1976)
Steely Dan - The Royal Scam (ABC, 1976)
Steely Dan - Aja (ABC, 1977)[5]
Hummingbird - Diamond Nights (A&M, 1977)
Alfred "Pee Wee" Ellis - Home In The Country (Savoy, 1977)
Eddie "Cleanhead" Vinson - You Can't Make Love Alone (Flying Dutchman, 1977)
Joe Cocker - Luxury You Can Afford (Elektra, 1978)
Felix Pappalardi - Don't Worry, Ma (A&M, 1979)
Dizzy Gillespie - Digital at Montreux, 1980 (Pablo, 1980)
Steely Dan - Gaucho (MCA, 1980)
B.B. King - There Must Be a Better World Somewhere (MCA, 1981)
Houston Person - Heavy Juice (Muse, 1982)
Hank Crawford - Mr. Chips (Milestone, 1986)
Flip Phillips and Scott Hamilton - A Sound Investment (Concord, 1987)
Jimmy McGriff - Blue To The 'Bone (Milestone, 1988)
Jimmy Smith - Damn! (Verve, 1995)
Reuben Wilson - Organ Blues (Jazzateria, 2001)
Oliver Darley - Introducing Oliver Darley (East West, 2001)[24]
Elliott Randall - Still Reelin' [EP] (Private Collection Records, 2007)
Larry Coryell - Earthquake at the Avalon, (inakustik, 2009)[25]
Hair - Broadway Cast Recording (Ghostlight/Razor & Tie, 2009)
Chihiro Yamanaka - Reminiscence (Verve, 2011)
Mick Taylor - East Coast Tour appearances (2012) "
Jon's archive https://archive.org/details/JonHammondFunkUnitHEADPHONE
Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1012367882125342
Jon Hammond Funk Unit - NAMM Center Stage, and Bernard Purdie Commercial for his newly released book
https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit "Let The Drums Speak" with illustrations
Performance Info
Location/Stage:
Anaheim C.C.
CenterStage The NAMM Show
Artist Info
Joe Berger: Guitar/Guitarist
Dom Famularo: Drums/Drummer
Alex Budman: Tenor Saxopohone/Saxophonist
Koei Tanaka: Harmonica
Jon Hammond: Organ / Leader
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://facebook.com/jonhammondband
Jon's archive: https://archive.org/details/DomFamularoFeatureOnJonHammondBandNAMMShow1 On the Youtube http://youtu.be/0656E-IWDn8 Center Patio Stage The NAMM Show feature Dom Famularo Power Funk Supreme drums on Jon's tune "Head Phone" - Alex Budman tenor sax, Joe Berger guitar, Koei Tanaka / 田中光栄 - fan site harmonica, Jon Hammond organ - special thanks Sabian, JJ Guitars, Suzuki Musical Instruments Instruments, Bespeco Accessori, Alex Mingmann Hsieh Hsieh, Pmauriat Albest - stage crew Evan, Jennifer, April, cameo appearance by Wolfgang Lücke Director musikmesse Frankfurt am Main Greg Herreman Productions NAMM Organization - #NAMMShow #HammondOrgans #Lunch #Sabian #Pmauriat #ASCAP #BernardPurdie #CableAccess
Jon's archive https://archive.org/details/TrainSongMusikmesseWarmUpParty
CNN iReport http://ireport.cnn.com/docs/DOC-1170664
Youtube http://youtu.be/ibPxc0shd8Y
Jon Hammond original composition "Train Song" performed at Jon's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - Jon Hammond Band: Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond Sk1 Hammond organ - special thanks to Frank Poehl for operating the camera - http://www.HammondCast.com ©JH INTL ASCAP Publishing JON HAMMOND International
Briggs & Riley Travelware added 2 new photos - https://www.facebook.com/BriggsandRiley/posts/10153116135768914
Iconic jazz and blues keyboardist and television/music radio show host and producer (CBS's "Jon Hammond's Afternoon Slide" on KYCY 1550 AM) Jon Hammond writes us: "Nothing like riding the old S-Bahn with my Briggs & Riley Travelware." We do love hearing from you, Mr. Hammond. Happy travels on tour and keep on tinkling those ivories!!
Musician and media personality Jon Hammond in Frankfurt photographing his Briggs & Riley bags.
Keyboard master Jon Hammond on tour.
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Dailymotion http://www.dailymotion.com/video/x1skk2s_train-song-musikmesse-warm-up-party-jon-s-journal_music
Jon's archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand
http://www.jazzkeller.com/programm/nextmonth.htm
Poster: "The FINGERS...are the SINGERS!" Musikmesse "Warm Up Party" Jon Hammond & Band
Cable Access: Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1
Jon's archive https://archive.org/details/6842260314
Youtube http://youtu.be/ElPht5F81xA
Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1- (Mikell's circa 1989) - Blues In Mikell's Night - Jon Hammond Late Rent Session Men
Blues In Mikell's Night - vintage gig in NYC's premier nightspot Mikell's at 760 Columbus Avenue - The Musicians: Leslie J. Carter Chuggy Carter percussion
Bernard Purdie drums
Barry Finnerty guitar
Jon Hammond 1959 B3 organ
camera Joe Berger
http://www.jonhammondband.com/ — Opening Party for The Australian Music Association Convention - AMAC back in Gold Coast Australia, The Jon Hammond Trio with Kerry Jacobson drums, Neil Wickham tenor saxophone, Jon Hammond New B3 organ - opening introduction by Bernie Capicchiano with many special guest in the house, including Larry Morton Chairman of NAMM Show in the USA Delegation and member exhibitors of AMA in Jupiters Casino Hotel Broadbeach Gold Coast AU - AMAC Convention Back In Gold Coast for 2014 - Jon Hammond Organ Group - special thanks Bernies Music Land Team / Musico, Rob Walker, Greg Phillips, Tony Burn - and all the great people of The AMAC!
- The Late Great Joe Franklin with Jon Hammond: Joe Franklin "King Of Nostalgia" Host of Radio & TV who's guests have been entertainers like Bill Cosby to legends like Bing Crosby, Charlie Chaplin,
John Wayne, Marilyn Monroe, Cary Grant, John Lennon, here with Jon Hammond on Jon's daily HammondCast Show on KYOU Radio live in Joe
Franklin's office known as "Memory Lane". Enjoy! ©JON HAMMOND International
CNN iReport http://ireport.cnn.com/docs/DOC-1220892
Vimeo https://vimeo.com/120964118
Jon's archive https://archive.org/details/TVShow0903PreviewJonHammondShow
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Youtube https://youtu.be/-RrQ6pZBtOc
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Manhattan Neighborhood Network Channel 1
Jon’s Big Boxing Match first segment - Chicago IL -- Jon's Big Boxing Match - Behind The Beat soundtrack - special thanks Steven Rosenfeld - Jon Hammond
next up, 2PM Nissan Stage Kick Off - 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center
Roland Barber - trombone, trumpet, sea shell
Cord Martin - tenor saxophone
Chuggy Carter - percussion
Louis Flip Winfield - drums
Lee Oskar - harmonica
Joe Berger - guitar
Jon Hammond - organ + bass
http://www.jonhammondband.com
#NAMMShow #SummerNAMM #NissanStage#HammondOrgan
Next: Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner with NDR Horns Jon Hammond Band
Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner NDR Horns Jon Hammond Band - Auster Jazz Series concert Hamburg Eimsbüttel. Funky Heinz Lichius drums, Michael Leuschner trumpet, Lutz Büchner tenor, Ernst-Friedrich Fiete Felsch alto, Joe Berger guitar, Jon Hammond organ bass - special thanks Nicolai Ditsch for operating the camera, this concert was filmed in High Definition - Frank Blume, Torsten Wendt - Knut Benzner NDR Redaktion - Musik Rotthoff support - Gideon Schier / Baltic Soul Weekender in Auster Bar #LutzBüchner#NDRJazz#MichaelLeuschner
Producer Jon Hammond
Language English
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Published September 2, 2016
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics trombone, trumpet, sea shell, #NAMMShow, #SummerNAMM, #NissanStage, #HammondOrgan
Jon's archive https://archive.org/details/AcousticNationNAMMConcertLydiasTuneInNashvilleTennessee1
by Jon Hammond ©JON HAMMOND International ASCAP
Summer NAMM 2016 https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Jon Hammond Funk Unit
Performance Info
Event Information:
Event Date:
Friday, June 24, 2016 - 2:00pm to 2:40pm
Location:
Music City Center, NAMM Nissan Stage on The Terrace
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Frankfurt -- Lydia's Tune Live in Yachtklub Frankfurt - Hans Romanov Presents
with Dedication to Lutz Büchner long-time member saxophonist of Jon Hammond Band
Lydia's Tune Live in Yachtklub Frankfurt
Hollywood -- Jon's archive https://archive.org/details/InterviewAllisonIrahetaAndMatthewHagerAkaHaloCircus
Youtube https://youtu.be/yGND5modU8Q
Facebook video https://www.facebook.com/hammondcast/videos/10153441552957102/?l=6086248925586335229
Vimeo https://vimeo.com/165043267
Jon's archive https://archive.org/details/6842260423
AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/
JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh
Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.
“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”
THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”
Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”
In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”
Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”
Jon in the early 70s
Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”
When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”
LATE RENT
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.
The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.
Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond
In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”
LIVING ABROAD
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”
In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”
Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.
PRESENT DAY
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”
Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”
Jon has released four CDs
For more info visit www.jonhammondband.com
Jon Hammond Funk Unit https://www.namm.org/summer/2015/events/jon-hammond-funk-unit
JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O'Neill. He also toured the Northeast and Canada with the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show "The Jon Hammond Show" became a Manhattan Cable TV favorite. Jon's "Live on the street" video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it's 30th year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon's show as "The Alternative to MTV". LINK">http://youtu.be/7TApELTO1XI"> http://youtu.be/7TApELTO1XI Head Phone - Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon's Band Featuring Bernard Bernard "Pretty" Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group
funky jazz
http://www.journal-frankfurt.de/funkyjazz
Tuesday, April 5 at 9 PM Musikmesse Warm Up Party celebrating 30 years
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years
Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years
Bernard Pretty Purdie, #Children #Phyllis #Anthony #Mikells #HammondOrgan
Jon's archive Bernard Pretty Purdie Dedicates Set To His Children Phyllis and Anthony in the house Mikell's Jon Hammond Band aka Jon Hammond & The Late Rent Session Men
https://archive.org/details/BernardPurdieDedicationToHisKidsLateRentCloserAtMikells
Views
534
#534
Youtube https://youtu.be/B5qGwUgEyvM
181 views
#181
New York NY -- Flashback to August 1989 - Studio drummer Bernard Purdie takes the microphone on last set at Mikell's with Jon Hammond and The Late Rent Session Men band to dedicate the performance to his children Phyllis and Anthony. Theme song for the long-running cable TV program The Jon Hammond Show "Late Rent" original composition with
Jon Hammond at his 1959 B3 organ
Bernard Purdie drums
Chuggy Carter percussion
Alex Foster alto saxophone
Barry Finnerty guitar
*Note: This historic clip is photographic proof that the actual location of Mikell's was 760 Columbus Avenue at 97th and not 808 Columbus as the current Whole Foods near the old location claims, highly interesting!
This is some of the rare surviving footage from Mikell's, in the house that night all night long was Hugh Masekela, Cornell Dupree and many musicians as Mikell's was the traditional hang for all New York Studio Musicians until it's closing.
http://en.wikipedia.org/wiki/Mikell's
As seen on The Jon Hammond Show cable TV program now in 34th year
Camera: Joe Berger
http://www.HammondCast.com
mikell's bernard purdie late rent jon hammond b3 organ local 802 musicians union studio session men
Run time 14 minutes 29 seconds
Producer Jon Hammond
Audio/Visual sound, color
H.264 download
download 1 file MPEG4 download
download 1 file OGG VIDEO download
download 1 file TORRENT download
download 37 Files
download 4 Original
SHOW ALL
by Jon Hammond
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics mikell's, bernard purdie, late rent, jon hammond, b3 organ, local 802, musicians union, studio session men
Bernard's wiki https://en.wikipedia.org/wiki/Bernard_Purdie
"
Bernard Purdie
Tyrone Smith and Bernard Purdie.jpg
Purdie (right) with saxophonist
Tyrone Smith, 2009
Background information
Birth name Bernard Lee Purdie
Also known as
Bernard "Pretty" Purdie
Mississippi Bigfoot
Born June 11, 1941 (age 75)
Elkton, Maryland, U.S.
Genres Rock, R&B, Funk, Soul
Occupation(s) Musician
Instruments Drums
Years active 1958–present
Labels A&M, Atco, EMI, Capitol
Associated acts James Brown, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin, Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair, Sgt. Pepper's Lonely Hearts Club Band (soundtrack)
Website www.bernardpurdie.com
Bernard Lee "Pretty" Purdie (born June 11, 1941) is an American groove drummer, and is considered an influential and innovative funk musician.[1] He is known for his precise musical time keeping[2] and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle."[3] He was inducted into the Modern Drummer Hall of Fame in 2013.[4]
Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander's Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander's Ragtime Band sessions. Other solo albums include Purdie Good (1971), Soul Is ... Pretty Purdie (1972) and the soundtrack for the blaxploitation film Lialeh (1973).
In the mid-1990s he was a member of The 3B's, with Bross Townsend and Bob Cunningham.
Contents [hide]
1 Biography
2 Encounter Records
3 Drumming style
4 Discography
4.1 As leader/co-leader
4.2 As sideman
5 References
6 Bibliography
7 External links
Biography[edit]
At an early age Purdie began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. He later took lessons from Heywood and played in Heywood's big band. Purdie's other influences at that time were Papa Jo Jones, Buddy Rich, Gene Krupa, Joe Marshall, Art Blakey,[5] as well as Cozy Cole, Sticks Evans, Panama Francis, Louis Bellson, and Herbie Lovelle.[6]
In 1961 he moved from his home town of Elkton, Maryland, to New York. In order to be able to obtain a licence to perform in public (minimum age 21), Purdie claimed he was born in 1939, while in fact he was born in 1941. There he played sessions with Mickey and Sylvia and regularly visited the Turf Club on 50th and Broadway, where musicians, agents, and promoters met and touted for business. It was during this period that he played for the saxophonist Buddy Lucas (musician), who nicknamed him 'Mississippi Bigfoot'. Eventually Barney Richmond contracted him to play session work.[5] In a 1978 interview, Purdie claimed to have added drum overdubs to "several [tracks] of the Beatles' Hamburg recording" with Tony Sheridan,[7] including "Ain't She Sweet", "Take Out Some Insurance on Me Baby" and "Sweet Georgia Brown",[8] to give them a punchier sound for the US market.[9]
Purdie was contracted by arranger Sammy Lowe to play a session with James Brown in 1965 and recording session records also show that Purdie played on "Ain't That A Groove"[10] at the same session.[5] This was one of several sessions he played with Brown and the track "Kansas City" from Brown's album Cold Sweat (1967), displays one of the most sophisticated and driving shuffles recorded for Brown's catalogue. Purdie is also credited on the albums Say It Loud-I'm Black and I'm Proud (1969)[11] and Get on the Good Foot (1972).[12]
Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years,[1] as well as drumming for Franklin's opening act, King Curtis and The King Pins. In 1970 he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at the Fillmore West (1971) and King Curtis's Live at Fillmore West (1971).[13] His best known track with Franklin was "Rock Steady",[14] on which he played what he described as "a funky and low down beat". Of his time with Franklin he once commented that "backing her was like floating in seventh heaven".[5]
Purdie was credited on the soundtrack album for Sgt. Pepper's Lonely Hearts Club Band (1978) and more recently he was the drummer for the 2009 Broadway revival of Hair and appeared on the associated Broadway cast recording.[15]
Purdie has been a resident of New Jersey, living in Edison, Teaneck and Springfield Township.[16]
Encounter Records[edit]
In 1973 Purdie founded Encounter Records and released five albums
EN 3000: Seldon Powell - Messin' With
EN 3001: Sands of Time - Profile (with Jimmy Owens, Garnett Brown)
EN 3002: East Coast - East Coast (with Larry Blackmon, Gwen Guthrie, Haras Fyre)
EN 3003: Frank Owens - Brown N Serve (with Hugh McCracken) [17]
EN 3004: Harold Vick as "Sir Edward" - The Power of Feeling
Drumming style[edit]
Purdie shuffle variants[18] About this sound Play (help·info).
Purdie shuffle variant[19] About this sound Play (help·info).
Purdie is known as a groove drummer with immaculate timing and makes use of precision half note, backbeats, and grooves.[2] Purdie's signature sixteenth note hi-hat lick pish-ship, pish-ship, pish-ship is distinct.[5] He often employs a straight eight groove sometimes fusing several influences such as swing, blues and funk. He created the now well-known drum pattern Purdie Half-Time Shuffle that is a blues shuffle variation with the addition of syncopated ghost notes on the snare drum.[19] Variations on this shuffle can be heard on songs such as Led Zeppelin's "Fool in the Rain", The Police's Walking on the Moon, Death Cab For Cutie's "Grapevine Fires", and Toto's "Rosanna" (Rosanna shuffle).[19][20] Purdie's shuffle can be heard on Steely Dan's "Babylon Sisters"[21] and "Home At Last".[19]
Discography[edit]
As leader/co-leader[edit]
Soul Drums (Date, 1968)
Purdie Good! (Prestige, 1971) [note: reissued as Legends Of Acid Jazz: Bernard Purdie in 1996]
Stand by Me (Whatcha See Is Whatcha Get) (Mega, 1971) -with The Playboys
Soul Is... Pretty Purdie (Flying Dutchman, 1972)
Shaft (Prestige, 1973) -recorded 1971 [note: reissued as Legends Of Acid Jazz: Bernard Purdie in 1996]
Lialeh (Original Movie Soundtrack) (Bryan, 1974)
Delights Of The Garden (Douglas/Celluloid, 1975) -with The Last Poets
Purdie As A Picture (Kilmarnock, 1993) -with Galt MacDermot's New Pulse Jazz Band
Coolin' 'N Groovin' (A Night At "On-Air") (Lexington/West 47th, 1993)
Bernard Purdie's Jazz Groove Sessions In Toyko (Lexington/West 47th, 1993)
After Hours With The 3B's (3B's Music #3B-001, 1993)
Soothin' 'N Groovin' With The 3B's (3B's Music #3B-002, 1994) -with Houston Person
The Hudson River Rats (3B's Music #3B-003, 1995)
Fatback! The Jazz Funk Masters Featuring Bernard Purdie (Seven Seas, 1995)
Kick 'N Jazz (Drum Beat Blocks, 1996)
Soul To Jazz I (Act, 1996) -with The WDR Big Band
Soul To Jazz II (Act, 1997) -with The WDR Big Band
In The Pocket (P-Vine, 1997)
Get It While You Can (3B's Music #3B-004, 1999) -with The Hudson River Rats
Masters Of Groove Meet Dr. No (Jazzateria, 2000) -with Reuben Wilson, Grant Green Jr., Tarus Mateen
King Of The Beat (3B's Music #3B-005, 2001)
Purdie Good Cookin' (3B's Music #3B-006, 2003) -with Purdie's Powerhouse
Godfathers Of Groove [this is their 2nd album] (18th & Vine, 2005) -with Reuben Wilson, Grant Green Jr., Jerry Jemmott [note: originally released as Masters Of Groove]
Godfathers Of Groove 3 (18th & Vine, 2008) -with Reuben Wilson, Grant Green Jr., Bill Easley
Jersey Blue (Running Rogue, 2009) -with Gene McCormick, Jack Hoban
Selling It Like It Is (Cadence Jazz, 2013) -with David Haney; recorded 2009
As sideman[edit]
Herbie Mann - Our Mann Flute (Atlantic, 1966)
Jack McDuff - A Change Is Gonna Come (Atlantic, 1966)
Freddie McCoy - Funk Drops (Prestige, 1966)
Gábor Szabó - Jazz Raga (Impulse!, 1966)
Benny Golson - Tune In, Turn On (Verve, 1967)
James Brown - Cold Sweat (King, 1967)
King Curtis & His Kingpins - Instant Soul (Atco, 1967)
Nina Simone - Nina Simone Sings the Blues (RCA, 1967)
Phil Upchurch - Feeling Blue (Milestone, 1967)
Tom Rush - The Circle Game (Elektra, 1968)
The Soul Finders - Sweet Soul Music (RCA, 1968)[22]
David "Fathead" Newman - Bigger & Better (Atlantic, 1968),
David "Fathead" Newman - The Many Facets of David Newman (Atlantic, 1969)
Freddie McCoy - Listen Here (Prestige, 1968)
Albert Ayler - New Grass (Impulse!, 1968)
Shirley Scott - Soul Song (Atlantic, 1968)
Jimmy McGriff - Electric Funk (Blue Note, 1969)
James Brown - Say It Loud...I'm Black And I'm Proud (King, 1969)
Sonny Phillips - Sure 'Nuff (Prestige, 1969)
Al Kooper - You Never Know Who Your Friends Are (Columbia, 1969)
Hank Crawford - Mr. Blues Plays Lady Soul (Atlantic, 1969)
Gary Burton - Good Vibes (Atlantic, 1969)
Shirley Scott - Shirley Scott & the Soul Saxes (Atlantic, 1969)
Yusef Lateef - Yusef Lateef's Detroit (Atlantic, 1969)
Boogaloo Joe Jones - Boogaloo Joe (Prestige, 1969)
Johnny "Hammond" Smith - Soul Talk (Prestige, 1969)
Gene Ammons - The Boss Is Back! (Prestige, 1969)
Gene Ammons - Brother Jug! (Prestige, 1969)
Rusty Bryant - Night Train Now! (Prestige, 1969)
Herbie Hancock - Fat Albert Rotunda (Warner Bros., 1969)
Dizzy Gillespie - Cornucopia (Solid State, 1969)
Johnny "Hammond" Smith - Black Feeling! (Prestige, 1969)
Larry Coryell - Coryell (Vanguard, 1969)
Sonny Phillips - Black on Black! (Prestige, 1970)
Johnny "Hammond" Smith - Here It 'Tis (Prestige, 1970)
Boogaloo Joe Jones - Right On Brother (Prestige, 1970)
Boogaloo Joe Jones - No Way! (Prestige, 1970)
B.B. King - Completely Well (ABC, 1970)
Robert Palmer's Insect Trust - Hoboken Saturday Night (Atco, 1970)
Charles Kynard - Afro-Disiac (Prestige, 1970)
Eddie Palmieri - Harlem River Drive (Roulette, 1970)
Five Stairsteps - O-o-h Child (Buddah, 1970)
Charles Kynard - Wa-Tu-Wa-Zui (Beautiful People) (Prestige, 1970)
Houston Person - Houston Express (Prestige, 1970)
Hank Crawford - It's a Funky Thing to Do (Cotillion, 1971)
Boogaloo Joe Jones - What It Is (Prestige, 1971)
Eddie Harris and Les McCann - Second Movement (Atlantic, 1971)
David "Fathead" Newman - Captain Buckles (Cotillion, 1971)
Aretha Franklin - Aretha Live at Fillmore West (Atlantic, 1971)
Oliver Nelson - Swiss Suite (Flying Dutchman, 1971)
King Curtis - Live at Fillmore West (Atlantic, 1971)
Johnny "Hammond" Smith - Wild Horses Rock Steady (Kudu/CTI, 1971)
Larry Coryell - Fairyland (Mega, 1971)
Herbie Mann - Push Push (Embryo/Atlantic, 1971)
Dizzy Gillespie - The Real Thing (Perception, 1971)
Gato Barbieri - El Pampero (Flying Dutchman, 1971)
Gil Scott-Heron - Pieces of a Man (Flying Dutchman, 1971)
Les McCann - Invitation to Openness (Atlantic, 1972)
Hank Crawford - Help Me Make It Through the Night (Kudu/CTI, 1972)
Aretha Franklin - Young, Gifted and Black (Atlantic, 1972)
James Brown - Get On The Good Foot (Polydor, 1972)
Hubert Laws - Wild Flower (Atlantic, 1972)
Aretha Franklin - Amazing Grace (Atlantic, 1972)
Esther Phillips - Alone Again Naturally (Kudu/CTI, 1972)
Miles Davis - Get Up with It (Columbia, 1972)
Ronnie Foster - Sweet Revival (Blue Note, 1972)
Hank Crawford - We Got a Good Thing Going (Kudu/CTI, 1972)
Buddy Terry - Lean on Him (Mainstream, 1973)
David "Fathead" Newman - The Weapon (Atlantic, 1973)
Gato Barbieri - Bolivia (Flying Dutchman, 1973)
B.B. King - Guess Who (ABC, 1973)
Cat Stevens - Foreigner (A&M, 1973)
Hall & Oates - Abandoned Luncheonette (Atlantic, 1973)
Bette Midler - Bette Midler (Atlantic, 1973)
Jimmy McGriff - Come Together (Groove Merchant, 1974)
Gato Barbieri - Yesterdays (Flying Dutchman, 1974)
Joe Cocker - I Can Stand A Little Rain (A&M, 1974)
Rusty Bryant - Until It's Time for You to Go (Prestige, 1974)
Bama The Village Poet - Ghettos Of The Mind (Chess, 1974)[23]
Arif Mardin - Journey (Atlantic, 1974)
Cornell Dupree - Teasin' (Atlantic, 1975)
Todd Rundgren - Initiation (Bearsville, 1975)
Jorge Dalto - Chevere (United Artists, 1976)
Hummingbird - We Can't Go On Meeting Like This (A&M, 1976)
Steely Dan - The Royal Scam (ABC, 1976)
Steely Dan - Aja (ABC, 1977)[5]
Hummingbird - Diamond Nights (A&M, 1977)
Alfred "Pee Wee" Ellis - Home In The Country (Savoy, 1977)
Eddie "Cleanhead" Vinson - You Can't Make Love Alone (Flying Dutchman, 1977)
Joe Cocker - Luxury You Can Afford (Elektra, 1978)
Felix Pappalardi - Don't Worry, Ma (A&M, 1979)
Dizzy Gillespie - Digital at Montreux, 1980 (Pablo, 1980)
Steely Dan - Gaucho (MCA, 1980)
B.B. King - There Must Be a Better World Somewhere (MCA, 1981)
Houston Person - Heavy Juice (Muse, 1982)
Hank Crawford - Mr. Chips (Milestone, 1986)
Flip Phillips and Scott Hamilton - A Sound Investment (Concord, 1987)
Jimmy McGriff - Blue To The 'Bone (Milestone, 1988)
Jimmy Smith - Damn! (Verve, 1995)
Reuben Wilson - Organ Blues (Jazzateria, 2001)
Oliver Darley - Introducing Oliver Darley (East West, 2001)[24]
Elliott Randall - Still Reelin' [EP] (Private Collection Records, 2007)
Larry Coryell - Earthquake at the Avalon, (inakustik, 2009)[25]
Hair - Broadway Cast Recording (Ghostlight/Razor & Tie, 2009)
Chihiro Yamanaka - Reminiscence (Verve, 2011)
Mick Taylor - East Coast Tour appearances (2012) "
Jon's archive https://archive.org/details/JonHammondFunkUnitHEADPHONE
Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1012367882125342
Jon Hammond Funk Unit - NAMM Center Stage, and Bernard Purdie Commercial for his newly released book
https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit "Let The Drums Speak" with illustrations
Performance Info
Location/Stage:
Anaheim C.C.
CenterStage The NAMM Show
Artist Info
Joe Berger: Guitar/Guitarist
Dom Famularo: Drums/Drummer
Alex Budman: Tenor Saxopohone/Saxophonist
Koei Tanaka: Harmonica
Jon Hammond: Organ / Leader
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://facebook.com/jonhammondband
Jon's archive: https://archive.org/details/DomFamularoFeatureOnJonHammondBandNAMMShow1 On the Youtube http://youtu.be/0656E-IWDn8 Center Patio Stage The NAMM Show feature Dom Famularo Power Funk Supreme drums on Jon's tune "Head Phone" - Alex Budman tenor sax, Joe Berger guitar, Koei Tanaka / 田中光栄 - fan site harmonica, Jon Hammond organ - special thanks Sabian, JJ Guitars, Suzuki Musical Instruments Instruments, Bespeco Accessori, Alex Mingmann Hsieh Hsieh, Pmauriat Albest - stage crew Evan, Jennifer, April, cameo appearance by Wolfgang Lücke Director musikmesse Frankfurt am Main Greg Herreman Productions NAMM Organization - #NAMMShow #HammondOrgans #Lunch #Sabian #Pmauriat #ASCAP #BernardPurdie #CableAccess
Jon's archive https://archive.org/details/TrainSongMusikmesseWarmUpParty
CNN iReport http://ireport.cnn.com/docs/DOC-1170664
Youtube http://youtu.be/ibPxc0shd8Y
Jon Hammond original composition "Train Song" performed at Jon's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - Jon Hammond Band: Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond Sk1 Hammond organ - special thanks to Frank Poehl for operating the camera - http://www.HammondCast.com ©JH INTL ASCAP Publishing JON HAMMOND International
Briggs & Riley Travelware added 2 new photos - https://www.facebook.com/BriggsandRiley/posts/10153116135768914
Iconic jazz and blues keyboardist and television/music radio show host and producer (CBS's "Jon Hammond's Afternoon Slide" on KYCY 1550 AM) Jon Hammond writes us: "Nothing like riding the old S-Bahn with my Briggs & Riley Travelware." We do love hearing from you, Mr. Hammond. Happy travels on tour and keep on tinkling those ivories!!
Musician and media personality Jon Hammond in Frankfurt photographing his Briggs & Riley bags.
Keyboard master Jon Hammond on tour.
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Dailymotion http://www.dailymotion.com/video/x1skk2s_train-song-musikmesse-warm-up-party-jon-s-journal_music
Jon's archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand
http://www.jazzkeller.com/programm/nextmonth.htm
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"The FINGERS...are the SINGERS!"
Musikmesse "Warm Up Party" Jon Hammond & Band Jon Hammond - organ Joe Berger - guitar Peter Klohmann - saxophone Giovanni Gulino - drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ "Classic Hammond Sound...In A Suitcase!" The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound - 100% organic jonhammondband.com/music More Jon Hammond, klick: http://behindthebeat |   |
Poster: "The FINGERS...are the SINGERS!" Musikmesse "Warm Up Party" Jon Hammond & Band
Cable Access: Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1
Jon's archive https://archive.org/details/6842260314
Youtube http://youtu.be/ElPht5F81xA
Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1- (Mikell's circa 1989) - Blues In Mikell's Night - Jon Hammond Late Rent Session Men
Blues In Mikell's Night - vintage gig in NYC's premier nightspot Mikell's at 760 Columbus Avenue - The Musicians: Leslie J. Carter Chuggy Carter percussion
Bernard Purdie drums
Barry Finnerty guitar
Jon Hammond 1959 B3 organ
camera Joe Berger
http://www.jonhammondband.com/ — Opening Party for The Australian Music Association Convention - AMAC back in Gold Coast Australia, The Jon Hammond Trio with Kerry Jacobson drums, Neil Wickham tenor saxophone, Jon Hammond New B3 organ - opening introduction by Bernie Capicchiano with many special guest in the house, including Larry Morton Chairman of NAMM Show in the USA Delegation and member exhibitors of AMA in Jupiters Casino Hotel Broadbeach Gold Coast AU - AMAC Convention Back In Gold Coast for 2014 - Jon Hammond Organ Group - special thanks Bernies Music Land Team / Musico, Rob Walker, Greg Phillips, Tony Burn - and all the great people of The AMAC!
- The Late Great Joe Franklin with Jon Hammond: Joe Franklin "King Of Nostalgia" Host of Radio & TV who's guests have been entertainers like Bill Cosby to legends like Bing Crosby, Charlie Chaplin,
John Wayne, Marilyn Monroe, Cary Grant, John Lennon, here with Jon Hammond on Jon's daily HammondCast Show on KYOU Radio live in Joe
Franklin's office known as "Memory Lane". Enjoy! ©JON HAMMOND International
CNN iReport http://ireport.cnn.com/docs/DOC-1220892
Vimeo https://vimeo.com/120964118
Jon's archive https://archive.org/details/TVShow0903PreviewJonHammondShow
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Youtube https://youtu.be/-RrQ6pZBtOc
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Manhattan Neighborhood Network Channel 1
Jon’s Big Boxing Match first segment - Chicago IL -- Jon's Big Boxing Match - Behind The Beat soundtrack - special thanks Steven Rosenfeld - Jon Hammond
next up, 2PM Nissan Stage Kick Off - 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center
Roland Barber - trombone, trumpet, sea shell
Cord Martin - tenor saxophone
Chuggy Carter - percussion
Louis Flip Winfield - drums
Lee Oskar - harmonica
Joe Berger - guitar
Jon Hammond - organ + bass
http://www.jonhammondband.com
#NAMMShow #SummerNAMM #NissanStage#HammondOrgan
Next: Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner with NDR Horns Jon Hammond Band
Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner NDR Horns Jon Hammond Band - Auster Jazz Series concert Hamburg Eimsbüttel. Funky Heinz Lichius drums, Michael Leuschner trumpet, Lutz Büchner tenor, Ernst-Friedrich Fiete Felsch alto, Joe Berger guitar, Jon Hammond organ bass - special thanks Nicolai Ditsch for operating the camera, this concert was filmed in High Definition - Frank Blume, Torsten Wendt - Knut Benzner NDR Redaktion - Musik Rotthoff support - Gideon Schier / Baltic Soul Weekender in Auster Bar #LutzBüchner#NDRJazz#MichaelLeuschner
Producer Jon Hammond
Language English
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download 34 Files
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Published September 2, 2016
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics trombone, trumpet, sea shell, #NAMMShow, #SummerNAMM, #NissanStage, #HammondOrgan
Jon's archive https://archive.org/details/AcousticNationNAMMConcertLydiasTuneInNashvilleTennessee1
by Jon Hammond ©JON HAMMOND International ASCAP
Summer NAMM 2016 https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Jon Hammond Funk Unit
Performance Info
Event Information:
Event Date:
Friday, June 24, 2016 - 2:00pm to 2:40pm
Location:
Music City Center, NAMM Nissan Stage on The Terrace
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Frankfurt -- Lydia's Tune Live in Yachtklub Frankfurt - Hans Romanov Presents
with Dedication to Lutz Büchner long-time member saxophonist of Jon Hammond Band
Lydia's Tune Live in Yachtklub Frankfurt
Hollywood -- Jon's archive https://archive.org/details/InterviewAllisonIrahetaAndMatthewHagerAkaHaloCircus
Youtube https://youtu.be/yGND5modU8Q
Facebook video https://www.facebook.com/hammondcast/videos/10153441552957102/?l=6086248925586335229
Vimeo https://vimeo.com/165043267
Jon's archive https://archive.org/details/6842260423
AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/
JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh
Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.
“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”
THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”
Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”
In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”
Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”
Jon in the early 70s
Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”
When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”
LATE RENT
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.
The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.
Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond
In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”
LIVING ABROAD
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”
In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”
Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”
Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.
PRESENT DAY
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”
Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”
Jon has released four CDs
For more info visit www.jonhammondband.com
Jon Hammond Funk Unit https://www.namm.org/summer/2015/events/jon-hammond-funk-unit
JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O'Neill. He also toured the Northeast and Canada with the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show "The Jon Hammond Show" became a Manhattan Cable TV favorite. Jon's "Live on the street" video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it's 30th year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon's show as "The Alternative to MTV". LINK">http://youtu.be/7TApELTO1XI"> http://youtu.be/7TApELTO1XI Head Phone - Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon's Band Featuring Bernard Bernard "Pretty" Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group
funky jazz
http://www.journal-frankfurt.de/funkyjazz
Tuesday, April 5 at 9 PM Musikmesse Warm Up Party celebrating 30 years
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years
Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years
Bernard Pretty Purdie, #Children #Phyllis #Anthony #Mikells #HammondOrgan
hammondcast - 5. Sep, 17:09
