Donnerstag, 3. November 2016

Clip: Suzuki Headquarters and factory concert Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica

#WATCHMOVIE HERE: Clip: Suzuki Headquarters and factory concert Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica


Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3

Looking forward to playing with my good friend again, Koei Tanaka | Chromatic Harmonica & Blues Harp master!
*Clip: Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica
http://www.tanakakoei.com/?p=2502
11月のスケジュール
Filed under: ライブ情報 — koei @ 23:28:47
詳細は「ライブ・セミナー情報」まで。
みなさまのご来場お待ちしております!
11月 3日 (木・祝)
新宿「Hammond orgasm」Jon Hammondセッション
アメリカからJon Hammondが楽器フェアで来日するので、
前日にセッションします♫
11月 4日 (金)〜6日(日)
東京ビッグサイト「楽器フェア」スズキブースにてデモ演奏
各日、ハモンドオルガンの河合代介さんとJon Hammondとそれぞれデュオで演奏します♫
11月 11日 (金)
沼袋「Organ Jazz 倶楽部」河合代介(ハモンドオルガン)Duo
楽器フェアでも一緒だった河合さんとデュオでライブします♫
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Facebook video https://www.facebook.com/hammondcast/videos/10153860489207102/



Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro 'Tachi' Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Part 3 of 3 "Mercy Mercy" in Hamamatsu Japan.
Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team ©JHINTL

Suzuki Musical Instruments Hamamatsu partial group shot after Koei and Jon played




Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union

**Folks, RIP Bob Cranshaw - very sad news! I thought Bob would live to 100 at least, he looked so young for his age in his 80's - dig my interview with Bob Cranshaw a few years ago:
https://vimeo.com/56844662



- we lost one of the greats, RIP Bob!
Jon Hammond


Jon's archive https://archive.org/details/CookingAtTheAusterBarJonHammondBandWithNDRHorns


Views
242
#242


Youtube https://youtu.be/BqtFWKBeC0c



202 views
#202


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Cooling in Hamburg, NDR Horn Section, Blues, Jazz, Uptempo, Saxophones, Trumpet, Hammond Organ, NDR Radio, MNN TV, Musicians Union, Local 802



Absolutely cooking session in Hamburg Germany - Jon Hammond Band with The NDR Horns until the last minute when music must stop 10PM / 22:00 Auster Bar is in residential quarter of Eimsbüttel HH, The Musicians: Heinz Lichius drums, Joe Berger guitar, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Michael Leuschner musical director / trumpet, Jon Hammond organ + bass - special thanks Nicolai Ditsch for operating the camera - Auster Bar Team Frank Blume, Torsten Wendt, Musik Rotthoff support, Knut Benzner NDR Redaktion - as seen on MNN TV The Jon Hammond Show http://www.HammondCast.com

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Producer Jon Hammond
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Frankfurt Germany -- Jon Hammond flanked by Ivana Petrof / Ivana Petrofová and Zuzana Petrof / Zuzana Ceralová Petrofová Celebrating 150
years Petrof Pianos Excellence! - Musikmesse Frankfurt




Mill Valley CA -- Marla Hunt Hanson and Julius Karpen at special gathering celebrating life of Ron Polte who was the manager of Ace of Cups and Quicksilver Messenger Service. Marla Hunt original organist of Ace of Cups and Julius Karpen manager of Big Brother and The Holding Company band with Janis Joplin - long-time associate friend of Chet Helms - photo by Jon Hammond




Port of Richmond at Dusk - Jon Hammond




My Mom's Rose plant - Jon Hammond




-- RIP my friend Ron Polte - manager of Quicksilver, Ace of Cups, Wild West Fest - Jon Hammond

(my band opened for Copperhead on one of the very few live gigs they played in 1972 at The Longbranch Saloon)

Tam Junction and Piatti Mill Valley Restaurant - Breakfast with Ron, rest in peace Ron Polte - Jon Hammond : *Note: We had a lot of fun in

the old days at 759 Harrison Street San Francisco when we shared rehearsal space with The Quicksilver Messenger Service at Bruce Hatch's San

Francisco Radical Laboratories aka SF Rad Lab in years 1968 / 1969 (not to be confused with radiation lab folks! I am still in touch with

QSM guitarist Gary Duncan, sending my condolences Gary! - JH




*Note: This was Ron's big project some years ago folks:
http://jonhammondband.com/blog.html/jon_hammond_reflections_on_wild_west_festival/
JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL - LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened - it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the "Wild West Festival" (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street - Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project - Jon Hammond Band​
photo by Jon Hammond​ - breakfast with Ron
I just saw Ron's obit by Paul Liberatore​ in the Marin IJ:
http://www.marinij.com/article/NO/20160916/NEWS/160919827
"Quicksilver Quicksilver Messenger Service - Band​ manager Ron Polte dies in Mill Valley at 84"
" By Paul Liberatore, Marin Independent Journal

Posted: 09/16/16, 5:53 PM PDT | Updated: 6 hrs ago



Ron Polte, who managed the psychedelic rock band Quicksilver Messenger Service and the all-female quintet the Ace of Cups during the glory days of the San Francisco Sound, died Wednesday at his longtime home in Mill Valley. He was 84.

Mr. Polte had been suffering from multiple health problems and had been under Hospice care since May, said his wife of 20 years, Sally Robert.

“He was a good man,” said Quicksilver band member David Freiberg, speaking by phone from Florida while on tour with the Jefferson Starship. “I could always trust him to do what he thought was right.”

Born on the south side of Chicago into a family of nine children, Mr. Polte had a tough childhood, but managed to turn his life around after being in and out of trouble with the law as a teenager, his wife said.

In Chicago, he became friends with blues singer-songwriter Nick Gravenites (“Born in Chicago,” “Buried Alive in the Blues”) when they were teenagers and followed him out to San Francisco in the early 1960s. They were the first of the Chicago blues crowd, including Mike Bloomfield, Elvin Bishop and Mark Naftalin of the Paul Butterfield Blues Band, to relocate in the Bay Area, most of them settling in Marin and Sonoma counties.

In 1967, Mr. Polte took over management of Quicksilver and the Ace of Cups after their original manager, Ambrose Hollingworth, was seriously injured in a car crash near Muir Beach.

“When we needed somebody, there he was,” Freiberg said.

Quicksilver was the last of the San Francisco hippie bands to ink a major label deal when they signed with Capitol Records in late 1967.

“He took it slow and steady and wouldn’t take a deal if he didn’t think it was right,” Freiberg recalled. “It took a while, but we got a really good deal with Capitol.”

Mr. Polte was known as a dutiful and resourceful manager who did what he could to meet the needs of the young musicians in his bands. Freiberg remembered that when he and his Quicksilver bandmates were living together in a house in Mill Valley, they informed him of their desire to move onto a farm in the country with a barn where they could rehearse. Mr. Polte wasted no time making that wish come true.

“Within a week and a half, we were living on an old dairy farm in Olema,” Freiberg recalled, chuckling. “He really cared about making sure everybody was taken care of.”
Diane Vitalich of Novato, drummer for the Ace of Cups, recalled that when she and her bandmates needed transportation, Mr. Polte went to an auction of state vehicles at San Quentin and bought cars for all of them.

“He bought us five 1963 Dodge Darts,” she said. “They were all blue and all looked the same.”

During this time, Mr. Polte started Westpole, a booking agency that handled Big Brother and the Holding Company with Janis Joplin, the Sons of Champlin and other seminal Bay Area rock groups.

He’s also credited with inspiring the name of the band Electric Flag, a short-lived supergroup formed by Bloomfield, Gravenites, keyboardist Barry Goldberg, bassist Harvey Brooks and drummer Buddy Miles. According to Gravenites, Quicksilver had somehow come into possession of a light-up electric flag after a gig at a veterans hall.

“He brought it over to where we were all living and rehearsing in Tam Valley,” he recalled. “We plugged it in and it lit up and started waving. We said, ‘Hey, look at that. Let’s call ourselves the Electric Flag.’”

Eventually, Mr. Polte escaped from the hard living and tumult of the music business, spending time on a remote lodge in the New Mexico wilderness owned by Frank Werber, the charismatic manager of the Kingston Trio and owner of the Trident, a legendary Sausalito restaurant.

Through it all, he never lost the values that defined the ‘60s generation in San Francisco.

“All the altruistic thinking that came out of that era he agreed with a thousand percent,” Gravenites said. “He remained a firm defender of all the idealism from those years.”

In addition to his wife, Mr. Polte is survived by two daughters, Pamela Polte of Sutter Creek, Amador County, and Patti Ann Lindecker of Chicago; two sons, Thomas Polte of Chicago and Jeremy Polte of Dunsmuir, Siskiyou County, and two sisters, Marilyn McMinn and Nancy Brunanchon of Pine Grove, Amador County."



JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL - LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html


Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened - it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the "Wild West Festival" (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street - Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project - Jon Hammond *long-time member Local 6 Musicians Union (but not then!)

Jon Hammond meeting Mr. Manji Suzuki President Founder of Suzuki Musical Instruments Company



Playing again, Koei Tanaka, Jon Hammond, Suzuki Chromatic Harmonica master, #Harmonica #Japan #Suzuki #HammondOrgan

Montag, 31. Oktober 2016

Jon Hammond Show For 11 5 From NAMM And Frankfurt Musikmesse

#WATCHMOVIE HERE: Jon Hammond Show For 11 5 From NAMM And Frankfurt Musikmesse


Jon's archive https://archive.org/details/JonHammondShowFor115FromNAMMAndFrankfurtMusikmesse


Youtube https://youtu.be/BP0JcvVhiDs


Vimeo https://vimeo.com/189545672


Jon Hammond Show for 11 05 from NAMM and Frankfurt musikmesse



Segment number one:
Jon Hammond Funk Unit
https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit
NAMM CenterStage presented by Pioneer DJ
"Lydia's Tune" ©JON HAMMOND International ASCAP
Joe Berger: Guitar/Guitarist
Chuggy Leslie J. Carter: Percussion
Dom Famularo: Drums/Drummer
Alex Budman: Tenor Saxophone/Saxophonist
Koei Tanaka: Harmonica
Jon Hammond: Organ / Leader
Note, next NAMM Showcase coming January 20, 2017 at 4PM Jon Hammond Funk Unit
Segment number 2:
Shooting the Bridges in Full High Definition with Jon Hammond
https://www.facebook.com/hammondcast/videos/10153816720072102/ - San Francisco CA - from HammondCast radio program, Jon's camera voice and music
Segment number 3:
Late Rent the Jon Hammond Show Theme Song live in jazzkeller Frankfurt, Jon's annual 30th year musikmesse Warm Up Party - Jon Hammond Band:
"Helloooo New York!" from audience!
Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis http://www.HammondCast.com


Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM

Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/

The NAMM Show
Anaheim, California

NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit

Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL



Genre: Funky Jazz and Blues
Hometown: New York City

FB https://www.facebook.com/jonhammondband/posts/

Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow


Views
57
#57


Youtube https://youtu.be/63ErHjQcRGU


32 views
#32


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802



Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA







<img border="0" src="https://1.bp.blogspot.com/-HwBhkZPXZng/WBI-



Jon Hammond Show, Music, Travel, Soft News, HammondCast, chromatic harmonica, saxophone, drums, #Harmonica #NAMMShow #Musikmesse #PioneerDJ #HammondOrgan

Sonntag, 30. Oktober 2016

NAMM Showcase Lunch Set CenterStage Jon Hammond Funk Unit

#WATCHMOVIE HERE: NAMM Showcase Lunch Set CenterStage Jon Hammond Funk Unit


Jon's archive https://archive.org/details/LydiasTuneNAMMLunchSetJonHammondFunkUnit


Lydia's Tune NAMM Lunch Set Jon Hammond Funk Unit
Jon Hammond Funk Unit https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit
Performance Info
Set Time: 12:00pm
Friday, January 23, 2015 "Lydia's Tune" ©JON HAMMOND International ASCAP
Joe Berger: Guitar/Guitarist
Chuggy Leslie J. Carter: Percussion
Dom Famularo: Drums/Drummer
Alex Budman: Tenor Saxophone/Saxophonist
Koei Tanaka: Harmonica
Jon Hammond: Organ / Leader — with Jon Hammond Organ Group and 3 others at The NAMM Show. #TheNAMMShow



Producer Jon Hammond
Language English

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Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM

Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/

The NAMM Show
Anaheim, California

NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit

Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL



Genre: Funky Jazz and Blues
Hometown: New York City

FB https://www.facebook.com/jonhammondband/posts/

Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow


Views
57
#57


Youtube https://youtu.be/63ErHjQcRGU


32 views
#32


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802



Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA









Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM

Jon Hammond Funk Unit WINTER NAMM EVENT DATE Friday, January 20, 2017 - 4:00pm

WINTER NAMM LINK: https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit

Facebook Event https://www.facebook.com/events/970048696439945/

Jon Hammond Funk Unit
San Francisco CA
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba








Jon Hammond Funk Unit
San Francisco CA
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond
Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic
Harmonica Player Joe Berger Guitar / more band members tba - Photos by
Lawrence Gay co-producer West Coast Live Radio Program


Performance Info 


Event Date:
Friday, January 20, 2017 - 
4:00pm to 4:40pm
Location:
CenterStage 

Jon Hammond Funk Unit

San Francisco  
 
CA 
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar 
Genre: Rock Endorsed By: Hammond Suzuki http://www.jonhammondband.com/bio.html Description: "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith. The show has universal appeal Music Samples: https://itunes.apple.com/us/album/late-rent/id30945539https://itunes.apple.com/us/album/hammonds-bolero/id4308341iTunes FEED (free): https://itunes.apple.com/us/podcast/jon-hammond-band-official/id352184978 Links to Social Media Posts: https://www.facebook.com/jonhammondband/videos/1339829652712495/https://www.facebook.com/jonhammondband/videos/1331953710166756/Video: https://youtu.be/wENSMW6-jps Times You/We Are Available: Every Day and Night of Winter NAMM 2017

Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak


Views
45
#45


Youtube https://youtu.be/o2--TIC-frk


24 views
#24


Usage Attribution-Noncommercial-No Derivative Works 3.0
Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues



Note from Jon Hammond
Video: Tino Pavlis​
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi​ Jon Hammond Band​


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Producer Jon Hammond
Language English


Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS

Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond's TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder

Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage

on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:


Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:


AMPEX 354 Tape Deck in KRE dubbing studio:


CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:


Sony TC-366 project machine:


http://www.archive.org/details/HammondCast_19_1

HammondCast 19 starts out in Frankfurt Germany recording in AFN Europe Headquarters on one big tube microphone featuring Hungarian tenor saxophone star TONY LAKATOS, now a member of the HR Radio Big Band. And a slow rainy day Blues featuring guitarist JOE BERGER and RAY GRAPPONE drums, Jon on the XB-2 organ/bass. Also a 35 year-old recording of my old rock band HADES and a shout out to the bass player STEVE WRIGHT who is recuperating from a stroke and heart attack but is now starting to speak again, get better Steve! From there to 1995 recording in LE BAR BAT NYC playing Jon's tune "Pocket Funk". A song I recorded with Eddie Money that is close to Eddie's heart: "I've Been Lovin' You Too Long" for all the Eddie Money freaks out there. I just saw Eddie in NY and he's doin' fine, still touring in a city near you! And finally ending up back in AFN Europe Headquarters playing Jon Hammond's theme song: "LATE RENT", dedicated to YOU of KYOU the your Rent will never be Late! http://www.HammondCast.com

HADES R to L: Steve Wright bass vocals, Jimmy Thorsen guitar vocals, Dave Danza drums, Jon Hammond organ electric piano


Earlier version of Hades Blues Works L to R: Jim Thorsen, Jon Hammond Greg Boykin drums R.I.P. Eddie Sanchez, Steve Wright picture outside Carlson Blvd. Richmond rehearsal space, Jerry Figone was manager at that time, road crew - Kent & Gary Leone:


Sk1 James and Wes Blues Jon Hammond Band Jon Hammond on Hammond Sk1 World's First Road Test of ultra-portable Hammond Sk1 with Jon Hammond Band in Germany at Jon's annual Musikmesse-Session in Jazzkeller Hofheim April 8, 2011 Special Thanks Suzuki Musical Instruments, Ken Atsumi, Waichiro 'Tachi' Tachikawa, Hiromitsu Ono, Yu Beniya, Shigeyuki Ohtaka, Shuji Suzuki, Bernie Capicchiano, Malc Deakin Hammond Suzuki UK Europe, Michael Falkenstein Hammond Suzuki Germany, camera: Jennifer Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond Sk1 Hammond Stage Keyboard http://www.jonhammondband.com Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan Category: Music Tags: Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan

*WATCH THE VIDEO: Sk1 James and Wes Blues Jon Hammond Band

http://www.archive.org/details/JonHammondSk1JamesandWesBluesJonHammondBand/

http://www.youtube.com/watch?v=o8tItPfKVOQ



Pioneer DJ, CenterStage, NAMM Show, #Showcase #PioneerDJ #Funk #HammondOrgan #NAMMShow

Samstag, 29. Oktober 2016

http://hammondcast.livejournal.com/530358.html

#WATCHMOVIE HERE: NDR Horns play funky HEAD PHONE


Jon's archive https://archive.org/details/AusterJazzHeadPhoneNDRHornsFunkyHeinz

Views
135
#135

Auster Jazz Head Phone NDR Horns Funky Heinz - 3 + 3



Jon Hammond Band Live in Auster Bar Hamburg with funky Heinz Lichius drums, NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor sax, Fiete Felsch alto sax, Joe Berger guitar, Jon Hammond organ + bass - http://www.HammondCast.com/ Note: Joe Berger is playing Futhark Guitars -Jon Hammond - Hammond organ made by Suzuki Musical Instruments - special thanks to our friend and excellent drummer Nicolai Ditsch for operating the camera! & Auster Bar Team Frank Blume & Torsten Wendt


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Funky Jazz, Hamburg, Auster Bar, NDR Horns, Jon Hammond, Sk1, Organ, Trumpet, Saxophones, Guitar, drums, Head Phone, ASCAP Composer

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Producer Jon Hammond
Language English

Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond

Courtesy of Installation AV integration in a networked world

LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/

Photo: Dave Robinson --Sennheiser audio solutions



- Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones -

Installation AV Says: "Sennheiser has announced a new collaboration with the Victoria and Albert Museum (V&A) in London for the forthcoming exhibition You Say You Want a Revolution? Records & Rebels 1966 – 1970.

The exhibition will open to the public on 10 September 2016 and run until 26 February 2017, following which it will tour internationally. Sennheiser will provide immersive sound utilising its AMBEO 3D audio technology delivered through a guidePORT audio guide system.

Curated by Geoffrey Marsh and Victoria Broackes, the curatorial team behind the V&A’s David Bowie is, the new exhibition is designed in six distinct sections. It will explore the late 1960s through hundreds of exhibits from the V&A’s extensive collections alongside a selection of loans that range from design, music, film, fashion and consumer products to photography, posters and books. It is designed by Nissen Richards Studio, with video content designed by Fray studio, and sound design by Carolyn Downing.

Music will play a key role in the exhibition, said Broakes: “The music running through You Say You Want a Revolution will represent the backbone and heart of the exhibition; it will be an object in itself. Therefore, we are delighted to be working with Sennheiser once again. Their expertise in 3D immersive audio will push the limits of the sound experience still further.”

Working closely with the exhibition’s sound designer Carolyn Downing, the Sennheiser team, led by system designer Norbert Hilbich (left of picture), will be setting up two AMBEO 3D audio soundscapes. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s while the other will recreate a live concert atmosphere with upmixed audio material from the period.

Hilbich told Installation that the new exhibition will contain a lot more music than David Bowie is. “We have quite a big bunch of songs that they think we should transfer to 3D audio, but the process is not finished. There are plenty of ideas – we now have to [think about] how we put it into operation, what will it sound like, which part of the songs we should take and so on.”

After being set up in the studio, Hilbich added, the mix will be adjusted on site to suit the acoustics of the venue – as was also done with the Bowie exhibition.

Visitors will be accompanied through the exhibition by a Sennheiser audio guide system. The guidePORT system will deliver hundreds of personal, automatically triggered stereo feeds simultaneously. It will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the late 1960s. The system at the V&A will comprise 750 receiver units with high-quality headphones, along with several transmission and trigger units that will be hidden from sight.

Robert Genereux (right of picture), business director system design at Sennheiser, said: “The headphone part [using the guidePORT system] will be similar, but along the way they are going to create ‘disturbances’ in the headphone experience in different sections. This will be a little bit of a difference [from] the guidePORT experience for Bowie, which is uniform all the way from the beginning to the ‘show moment’.”

Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones – commented: “We are absolutely thrilled to cooperate with the Victoria and Albert Museum on yet another fantastic project. The V&A is uniquely positioned to curate an exhibition about this transformational time in our more recent history. The artistic quality of the exhibition together with spectacular exhibits and an innovative state-of-the-art sound experience, featuring Sennheiser’s AMBEO 3D audio technology, will make this exhibition a truly immersive experience.”


Photo courtesy of PSN Europe: Dave Robinson

"Bag O’Nails staircase pic: Sennheiser’s Robert Genereux (business director system design, strategic collaborations); Daniel Sennheiser, holding the reproduction HD414s; Eric Clapton(!) c. 1968; Norbert Hilbich (Sennheiser director spectrum affairs & system design)"



PSN Europe Says: "Sennheiser to play major role at Sgt Pepper exhibition"

LINK http://www.psneurope.com/sennheiser-to-play-major-role-at-sgt-pepper-exhibition/

"Shards from Jimi Hendrix’s and Pete Townshend’s shattered guitars… The brown fringe jacket Roger Daltrey wore at Woodstock…. Handwritten lyrics for Lucy in the Sky with Diamonds by the Beatles… The suits worn by John Lennon and George Harrison on the cover of Sgt. Pepper’s Lonely Hearts Club Band…

All of these incredible artefacts are to be included in a major cultural retrospective to be held at the Victoria & Albert (V&A) Museum in September 2016. Called You Say You Want a Revolution? Records and Rebels 1966–70, the exhibition will explore the era-defining significance and impact of the late 1960s upon life today.

It follows the success of 2013’s David Bowie Is – the most popular exhibition ever held at the V&A – and once again, Sennheiser technology, including the guidePORT system and the emerging AMBEO 3D environment, will play a major part in the presentation and production of the show.

You Say You Want a Revolution? Records and Rebels 1966–70 will “investigate the upheaval, the explosive sense of freedom, and the legal changes that took place resulting in a fundamental shift in the mindset of the Western world”, say the curators, Victoria Broakes and Geoffrey Marsh. More than 350 objects from the period, encompassing photography, posters, literature, music, design, film, fashion, and performance, have been procured for the show: even a moon rock, and an Apple 1 computer (of which there are only four working models in the world).

Details of Record and Rebels 1966-70 – which will run from September 2016 to February 2017 – were revealed at former legendary ’60s bar (now a private club) the Bag O’ Nails, just off London’s Carnaby Street, at the end of February. Martin Roth, director of the V&A, said it was one of the most important exhibitions the museum had curated. Broakes and Marsh agreed that the Sgt Pepper suits were some of the most difficult objects to secure – but they were items considered essential to the show.

Levi’s and Sennheiser are key sponsors of the event, along with outfitter Fenwick and stylist Sassoon.

“I knew some of the concept, but not all of it until today, so and I think it’s going to be a really, really exciting exhibition!” Sennheiser co-CEO Daniel Sennheiser told PSNEurope at the launch. He noted that one of the show themes – how the 1960s have shaped how we think today – is very much in tune with his company philosophy.

In an introductory speech at the Bag O’Nails, Daniel spoke of how his grandfather’s business had mass-produced the HD414 headphones starting in 1968, and how it had gone on to be the “most sold headphone in the world”. Later, while clutching a pair based on the original ’60s design, Daniel told PSNEurope that the phones were never planned as a product but came about when some of the Sennheiser engineers were “playing around with microphone capsules” and noticed the transparency of the sound when they were placed close to the ear.

“My grandfather [Fritz Sennheiser] said, OK, let’s make a product out of it. He asked the distributor at the time how many they could sell. But no one could imagine having a hi-fi sound ‘in your head’. The distributor said, maybe 500 worldwide! But grandfather said, to make it work financially, I need to make 5,000.

“So he made 5,000 – and it was sold out in three months. And today, more than 12m pieces have been produced. And we can still sell you replacement earpads for a 1968 pair!” revealed Daniel.

Working with the exhibition’s sound designer Carolyn Downing, the Sennheiser team (led by system designer Norbert Hilbich) will be setting up two AMBEO 3D audio soundscapes at the museum. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s; the other will recreate a live concert atmosphere with upmixed audio material from the period.

Of AMBEO 3D – demonstrated in London last year but launched official at CES earlier in 2016 – Daniel says: “The idea is to transport you into a different place.

“We’re still learning how to use it and what we [can] do with it. It’s not just one technology, it’s about the capturing, the mixing, the creation of the spacial audio, then the processing and the playback. [But] that’s where Sennheiser is uniquely positioned [at the V&A]: to provide the 3D audio and create an emotional experience in an exhibition which is already emotive in its content, so it’s a really good case study and demonstration for us.”

Visitors will be accompanied through the exhibition by Sennheiser’s guidePORT system, as they were for David Bowie Is…. GuidePORT can deliver hundreds of personal, automatically triggered stereo feeds simultaneously, and will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the period. The V&A implementation will comprise 750 receiver units with premium headphones (though Daniel didn’t know which models at the time), along with several transmission and trigger units, hidden from the public eye.

David Bowie Is has been on tour ever since the March 2013 V&A launch: it’s visited Toronto, Sao Paolo, Chicago, Melbourne, the Netherlands and is about to open in Tokyo. Daniel remarks, “If [Records and Rebels] is successful, I would love it to go on tour – but that is the V&A’s decision.”

Is Daniel a big fan of music from the era? “I would have loved to have been alive at that time. I’m a big fan of Zappa, Hendrix, Bob Dylan. I play guitar and piano – but I have more passion than talent!”

www.sennheiser.com

http://www.vam.ac.uk/content/exhibitions/exhibition-you-say-you-want-a-revolution-records-and-rebels-1966-70/ "

Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song



Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over):
Monophonic High fidelity Folks! True Hi-fi




Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old




Front and Back Jon Hammond's 1968 Gibson Byrdland




Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso!



Jon Hammond 1965 Fender Bandmaster Blackface on the bench



Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom




Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser




foto by Christian Burkert:



Sennheiser to open Soundscape Showroom in the Westfield World Trade Center
http://www.nydailynews.com/new-york/manhattan/daniel-sennheiser-open-soundscape-showroom-nyc-article-1.2815943 - Jon Hammond
"Daniel and Andreas Sennheiser who run the blossoming Sennheiser company, an audio business based in Germany. (CHRISTIAN BURKERT)"
BY
EBENEZER SAMUEL
NEW YORK DAILY NEWS
Monday, October 3, 2016, 2:47 PM
"Daniel Sennheiser knows exactly what he's up against.

Along with his brother Andreas, Daniel Sennheiser runs the blossoming Sennheiser company, a blossoming audio business based in Germany. But he's watched and admired New York City for a long time, come to appreciate the business challenges of the Big Apple.

And along the way, Sennheiser says, he's come to view New York City as a pivotal battleground for any business ready to go global.

"New York has been the beginning of a lot of things," Sennheiser says. "This is a melting pot, that has brought up so many things, brought up Broadway. New York is very fast-living. And that's positive in a sense that they're quick to pick up new trends and things.
"But that also means you need to make a certain amount of noise."

And now, it's time for Sennheiser to make some noise. In late October, the company will take up residence in the Big Apple, opening the Sennheiser Soundscape Showroom in the Westfield World Trade Center.

It's a venue that will be filled with Sennheiser's unique products, but the focus isn't on selling. Instead, Sennheiser is focused on introducing New Yorkers to its distinctive audio, part of a first step in establishing the company as a sound powerhouse in a nation that's spent the last few years in the midst of a great headphone awakening.

"We believe it's the right time for us to make a big splash to share our version of the future of audio with New York," says Andreas.

It's an intriguing vision from a company that's long delivered high-quality sound but has consistently lacked the profile of the bigger names in the industry. Beats by Dre and Bose own the majority of U.S. mindshare, and both companies are highly visible, utilized by both celebrities and major sports franchises.
Sennheiser has never had such presence, and that's mostly by choice. Look closely during your next NBA on TNT broadcast, and you may notice Sennheiser headsets on the play-by-play guys. But the company has historically done little marketing, preferring to let its devices shine on their own merits.

The Soundscape Showroom isn't the start of some massive ad campaign, either. But it is part of a company-wide initiative to be more visible in the United States, to draw more notice to an underrated line of products. Just a few years ago, the company set up a small pop-up store on the East Side. With the Soundscape Showroom, it's going bigger, aiming to be a national presence.

"It's to raise a little awareness. We're just not present enough," Daniel says, before talking proudly of Sennheiser's lore. "Sennheiser is the inventor of the hi-fi headphone. Not a lot of people know that."

Indeed, few realize just how potent Sennheiser products truly are. It was Sennheiser that released the first pair of open headphones way back in 1968, and it's Sennheiser that's continued to chase perfect, pure sound throughout the last few decades.

And it's Sennheiser that last year debuted the HE1 Orpheus, a handcrafted set of headphones powered by a massive amplifier built from marble and driven by gold-vaporized electrodes and platinum vaporized-diaphragms. It's a device that costs tens of thousands of dollars and is hardly for use with your iPad on the train - but it's a device that showcases Sennheiser's pursuit of high-level sound.

"Sennheiser has been on the forefront of audio strategy for years," says Daniel. "We just added the sexy aesthetics after we did the sound."

Sound remains the company's top priority, but in recent years, it's been pushing to match the more attractive headphones delivered by the likes of Beats and Bose. There's the Momentum line of headphones, a sharp-looking line of headphones with rugged leather bands that seem tailor made for the stylish Manhattanite.

And just this summer, Sennheiser released the PXC 550, a noise-canceling Bluetooth pair of cans designed to go head-to-head with Bose's QuietComfort line, but with touch controls built onto the earcups.
These products, says Daniel Sennheiser, are examples of Sennheiser's ability to adapt to culture, proof that the company's products truly can fit the New Yorker. The Sennheiser aesthetic is unique, and the Momentums are especially eye-catching units, as fashion-conscious as they come.

The hope is that consumers enter the Soundscape Showroom and see these products, falling in love with a new brand of headphone.

"The qualities (of Sennheiser headphones) are great — the material, the leather, the steal," Daniel says. "But you also have to have the opportunity to touch it. In our experience, audio is something you can't describe. You have to put it on your head.

"Sennheiser is not a brand for everyone. I think we're a brand for people who are in the know, who are creative, who really look for special things. That's why I think a place like New York is the place to be."

And that's precisely why Sennheiser is finally here, with the Soundscape Showroom as its first truly potent portal in the United States. The goal is to build from here, Andreas says, to finally aggressively cultivate the Sennheiser brand in the U.S.

It won't be easy, not with Beats and Bose dominant. But Sennheiser arrives prepared.

"We have a serious plan, but we're also nimble enough to adjust," says Daniel. "As Frank Sinatra said, 'If you can make it here, you can make it everywhere.'"

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4


Sennheiser (headphones) Momentum series




with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1



NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri

Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0


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144
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Youtube https://youtu.be/Faq_A58v4sE


275 views
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Usage Attribution-NonCommercial-NoDerivs
Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker



Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0


Views
144
#144


Youtube https://youtu.be/Faq_A58v4sE


275 views
#275


Usage Attribution-NonCommercial-NoDerivs
Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker



Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs)

512KB MPEG4 download
download 1 file MPEG4 download
download 1 file TORRENT download
download 45 Files
download 4 Original
Producer Jon Hammond

Alex Hsieh NAMM Oral History https://www.namm.org/library/oral-history/alex-hsieh


Alex Hsieh is the CEO of P.Mauriat Paris, a brass instrument maker in Taiwan that specializes in saxophones, trumpets and accessories. Their saxophone line of instruments are inspired by the late French orchestra leader Paul Mauriat (1925-2006) who was known in America for a series of pop recordings. Alex created the environment to ensure quality instruments were developed that could produce the sounds and tones used in Mr. Mauriat’s recordings. The results of these efforts have been a well-regarded product line and innovative models such as the PMST Saxophone and the Professional Bb Trumpet.



Interview Date:
January 24, 2014
Job Title:
CEO
Company:
P.Mauriat Paris
Tags:
Taiwanese Music Industry
Music Manufacturing
Saxophones
Music Accessories
Trumpets
Woodwinds
Brass Instruments
Band and Orchestra




Jon's archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55


Youtube https://youtu.be/uFFMVHCkZ8w

Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours



Joe Berger
Interview Date: January 20, 2012
Job Title: Musician, Product Endorser - short version here also
http://www.namm.org/library/oral-history/joe-berger
Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and "ear", Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show.
Tony Arambarri, Dan Del Fiorentino - NAMM Historians
Categories:
concert production
electric guitars
Guitars-Amps-Fretted
Jon Hammond
mixing consoles
Musicians
Musik Messe Frankfurt
NAMM Show
New York City NY
product endorsers


Run time 55 minutes 4 seconds
Audio/Visual sound




Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller


Alpha Jon Hammond - http://hammondcast.tumblr.com




Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt - Jon Hammond Band performs at 9PM

Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide

FULL HIGH DEFINITION VERSION
29th Year! Jon Hammond's musikmesse Warm Up Party jazzkeller - Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed!




Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html

MY HOME AWAY FROM HOME

Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.

JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das - mit einer Sondergenehmigung des US Militärs - durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

Interview: Detlef Kinsler



Jon Hammond - organ Joe Berger - guitar Peter Klohmann - saxophone Giovanni Gulino - drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ "Classic Hammond Sound...In A Suitcase!" The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound - 100% organic




As seen on MNN TV Cable TV Show The Jon Hammond Show 32nd year -- Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Journal Frankfurt, Journalkalendar, Jon Hammond, musikmesse, Warm Up Party, Hammond Organs, Frankfurt, Blues, Jazz, Soft News, MNN TV Channel 1 - Jazz Party of The Year! #JazzParty #CNNiReport

Producer Jon Hammond
Language English


Jon's archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond


by Jon Hammond

48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions!
"Head Phone" by Jon Hammond arranged by Todd Anderson
"Lydia's Tune" by Jon Hammond arranged by Todd Anderson
"Late Rent" by Jon Hammond arranged by Todd Anderson
"Pocket Funk" by Jon Hammond arranged by Todd Anderson
"Have a Nice Day Blues" by Todd Anderson arranged by Todd Anderson
*Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond's teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show "The Jon Hammond Show" still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan's East Side, 230 year old school K - 12th grade. Top sight reading musicians gather weekly - more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI


Photographs Courtesy of Elmar Lemes



L to R Joe Berger, Heinz Lichius, Michael Leuschner, Lutz Büchner, Fiete Felsch, Jon Hammond



NDR Horns, Head Phone, Funk Band, #NDRHorns #Headphone #FunkBand #HammondOrgan

Freitag, 28. Oktober 2016

Jon Hammond Broadcasting with Joe Franklin

#WATCHMOVIE HERE: Jon Hammond Broadcasting with Joe Franklin


Jon's archive https://archive.org/details/Jon_Hammond_Show_Podcast_HammondCast_wJOE_FRANKLIN


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1,448
#1448


My first Vlogging attempt..check it out!! - Jon Hammond



download 1 file 512KB MPEG4 download
download 1 file OGG VIDEO download
download 1 file QUICKTIME download
download 1 file TORRENT download
download 20 Files
download 5 Original


Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM

Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/

The NAMM Show
Anaheim, California

NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit

Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL



Genre: Funky Jazz and Blues
Hometown: New York City

FB https://www.facebook.com/jonhammondband/posts/

Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow


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57
#57


Youtube https://youtu.be/63ErHjQcRGU


32 views
#32


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802



Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA







Jon's archive https://archive.org/details/1001JonHammondShowMNNTVChannel1MusicTravelSoftNews


Youtube https://youtu.be/vSE3_5x-t5Y


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Jon Hammond Show, MNN TV, NDR Horns, Original Music, Chicago Blues, Sennheiser evolution microphone, #Sennheiser #Evolution #ChicagoBlues #NDRJazz #HammondOrgan

The Musicians



Jon Hammond flanked by Bernard Purdie and bassist Jerry Jemmott rhythm section finally reunites historic night



Baggage to the Gig - Jon Hammond flies with Briggs & Riley luggage - Marc Baum and Jon Hammondd



Jon Hammond Show #1001 first segment: NDR Horn Section plays Jon Hammond's No X-Cess Baggage Blues in Hamburg
Jon Hammond Band special dedication to Lufthansa and NDR "No X-Cess Baggage Blues" live performance of track from NDR SESSIONS Projekt album featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ + bass - concert in Auster Bar Auster Jazz Series - special thanks Nicolai Ditsch for operating the camera - the incredible NDR Musicians and Knut Benzner & Jazz Redaktion Team, Lufthansa Technik Hamburg
2nd segment: Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan
Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan - Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast
3rd segment: Chicago Blues Festival Director Barry Dolins Interview with Jon Hammond in Chicago - presenting the Hoochie Coochie Boys
later that day.
4th segment: Cooking With The NDR Horns Uptempo Blues Shuffle Auster Bar Hamburg
Absolutely cooking session in Hamburg Germany - Jon Hammond Band with The NDR Horns until the last minute when music must stop 10PM / 22:00 Auster Bar is in residential quarter of Eimsbüttel HH, The Musicians: Heinz Lichius drums, Joe Berger guitar, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Michael Leuschner musical director / trumpet, Jon Hammond organ + bass - special thanks Nicolai Ditsch for operating the camera - Auster Bar Team Frank Blume, Torsten Wendt, Musik Rotthoff support, Knut Benzner NDR Redaktion - as seen on MNN TV The Jon Hammond Show http://www.HammondCast.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 27 Files download 5 Original Producer Jon Hammond
Usage Attribution-Noncommercial-No Derivative Works 3.0 ©JON HAMMOND International All Rights Reserved


Producer Jon Hammond
Language English

Jon Hammond Baggage on the Tracks - Dammtor Bahnhof Hamburg Germany



30th consecutive year Jon Hammond concerts in Frankfurt - all baggage arrived, ready to rock!




Beverly Ann cabin cruiser Port of Oakland San Francisco Bay



Frankfurt Hauptbahnhof - Jon Hammond on the move




Mill Valley CA — Marla Hunt Hanson and Julius Karpen at special gathering celebrating life of Ron Polte who was the manager of Ace of Cups and Quicksilver Messenger Service. Marla Hunt original organist of Ace of Cups and Julius Karpen manager of Big Brother and The Holding Company band with Janis Joplin – long-time associate friend of Chet Helms – photo by Jon Hammond:



Jon's archive https://archive.org/details/JonHammondJonHammondBandannualMusikmesseWarmUpParty2013Blues


Views
290
#290


Youtube https://youtu.be/zQBZ1N-xq9Y


262 views
#262


Jon Hammond Band Musikmesse Warm Up Party 2013 Blues
MY HOME AWAY FROM HOME



Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller



Jon Hammond Music Travel and Soft News
http://minicasts.podomatic.com/play/1030803/8180711
By Jon Hammond's Podcast
3m 46s

- 
JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht. 
Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Totó Giovanni Gulino, diesen tollen Schlagzeuger, Und das unterziehe ich jetzt einen echten Härttest (lacht).
27. März 2013 Interview: Detlef Kinsler
http://www.jonhammondband.com — with Tony Lakatos, Joe Berger, Totó Giovanni Gulino, Pmauriat Albest, Jon Hammond Band and P Mauriat HQ at Jazzkeller..

Podomatic http://minicasts.podomatic.com/play/1030803/8180711


Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak


Youtube https://youtu.be/o2--TIC-frk


Vimeo https://vimeo.com/166375459


Facebook video https://www.facebook.com/hammondcast/videos/10153459987517102/


Note from Jon Hammond
Video: Tino Pavlis​
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi​ Jon Hammond Band​




Frankfurt to Nashville With Detour to Hollywood Musikmesse ASCAP Expo Summer NAMM Show http://kernelpanichammondcast.blogspot.com/2016/05/frankfurt-to-nashville-with-detour-to.html


Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer



Joe Franklin, Vlogging, Broadcasting, #Radio #TV #Microphone #HammondOrgan

Donnerstag, 27. Oktober 2016

Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM

Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM

Friday, January 20, 2017 at 4 PM - 4:40 PM https://www.facebook.com/events/970048696439945/

The NAMM Show
Anaheim, California

NAMM LINK https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit

Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba - Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL



Genre: Funky Jazz and Blues
Hometown: New York City

FB https://www.facebook.com/jonhammondband/posts/

#WATCHMOVIE HERE: Behind The Beat LATE RENT - ASCAP BTB Piece Jon Hammond Multimedia Story


Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow


Views
57
#57


Youtube https://youtu.be/63ErHjQcRGU


32 views
#32


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802



Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA









Funk Unit, Winter NAMM, Presented by Pioneer DJ, #NAMMShow #CenterStage #HammondOrgan

Jon Hammond Funk Unit WINTER NAMM EVENT DATE Friday, January 20, 2017 - 4:00pm Presented by Pioneer DJ

Jon Hammond Funk Unit CenterStage Presented by Pioneer DJ @NAMM

Jon Hammond Funk Unit WINTER NAMM EVENT DATE Friday, January 20, 2017 - 4:00pm

WINTER NAMM LINK: https://www.namm.org/thenammshow/2017/events/jon-hammond-funk-unit

Facebook Event https://www.facebook.com/events/970048696439945/

Jon Hammond Funk Unit
San Francisco CA
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar / more band members tba








Jon Hammond Funk Unit
San Francisco CA
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond
Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic
Harmonica Player Joe Berger Guitar / more band members tba - Photos by
Lawrence Gay co-producer West Coast Live Radio Program


Performance Info 


Event Date:
Friday, January 20, 2017 - 
4:00pm to 4:40pm
Location:
CenterStage 

Jon Hammond Funk Unit

San Francisco  
 
CA 
Band bio: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Artist Info Jon Hammond Organ+bass / Organist Leader Koei Tanaka Harmonica / Master Chromatic Harmonica Player Joe Berger Guitar 
Genre: Rock Endorsed By: Hammond Suzuki http://www.jonhammondband.com/bio.html Description: "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith. The show has universal appeal Music Samples: https://itunes.apple.com/us/album/late-rent/id30945539https://itunes.apple.com/us/album/hammonds-bolero/id4308341iTunes FEED (free): https://itunes.apple.com/us/podcast/jon-hammond-band-official/id352184978 Links to Social Media Posts: https://www.facebook.com/jonhammondband/videos/1339829652712495/https://www.facebook.com/jonhammondband/videos/1331953710166756/Video: https://youtu.be/wENSMW6-jps Times You/We Are Available: Every Day and Night of Winter NAMM 2017
*WATCH THE MOVIE HERE: Lydia's Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480 Jon's archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage480Lydia's Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480 by Jon Hammond Youtube https://youtu.be/qKjYrk0fOFw Facebook video https://www.facebook.com/hammondcast/videos/10153615680412102/Full HighDef But Web Friendly Movie: First song: Lydia’s Tune - Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit Nashville Tennessee Nissan Stage Summer NAMM Show -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit - The NAMM Show Summer NAMM Show Nissan Stage - Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. - all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter Producer Jon Hammond Language English Jon's archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center Roland Barber - trombone, trumpet, sea shell Cord Martin - tenor saxophone Chuggy Carter - percussion Louis Flip Winfield - drums Lee Oskar - harmonica Joe Berger - guitar Jon Hammond - organ + bass http://www.jonhammondband.com ‪#‎NAMMShow‬ ‪#‎SummerNAMM‬ ‪#‎NissanStage‬ 


*WATCH THE FILM HERE: "White Onions" by Jon Hammond NAMM Show Center Stage Jon Hammond Funk Unit FULL HIGH DEF, let it load

Jon's archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase


#TheNAMMShow White Onions Jon Hammond Funk Unit NAMM Showcase

by Jon Hammond


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics NAMM Show, Lunch set, Bernard Purdie, Jon Hammond, Onions, Funky Jazz, Hercules folding stands, KHS America, Hammond Organ


#‎TheNAMMShow‬ “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit
23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – congratulations KHS America: Announces Acquisition of Hohner Inc. USA


Producer Jon Hammond
Audio/Visual sound, color
Language English

Youtube http://youtu.be/EKavYAXYYw4


‪#‎TheNAMMShow‬ "White Onions" Jon Hammond Funk Unit NAMM Showcase


 Photos by Lawrence Gay co-producer West Coast Live Radio Program ©JHINTL


Presented by, Pioneer DJ, Winter NAMM Show, CenterStage, #FunkUnit #NAMMShow #CenterStage #HammondOrgan

Mittwoch, 26. Oktober 2016

2017 ProLight + Sound and Musikmesse Kicking Off with Jon Hammond Next April

2017 ProLight + Sound and Musikmesse Kicking Off with Jon Hammond Next April

Dankeschön Johannes Weber and Ilona Schlesinger-Jakoby for the Press Release & New Poster - also Natalia Kryukova Prolight + Sound NAMM Russia 2017



"news +++ Prolight + Sound


Prolight + Sound 2017 continues on its successful course
following recent conceptual developments

Attractive setting for product presentations, business and recruiting

Comprehensive overview of the sector in the eastern part of Frankfurt Fair and Exhibition Centre"

Johannes Weber, Christopher Sparkes and Jon Hammond



"Prolight + Sound has been strengthened by the recent conceptual developments and will maintain and continue to develop the new components for the next edition in 2017. Thus, from 4 to 7 April 2017, the International Fair of Technologies and Services for Entertainment, Integrated Systems and Creation will once again be the meeting place for the industry and the showcase for the latest products and trends in the sector. By moving to the eastern part of Frankfurt Fair and Exhibition Centre in 2016, the fair was able to expand the spectrum of products and services on show and, as in the past, all key players will be represented at Prolight + Sound 2017, many of them with even bigger presentations than before. The shift in the days of opening to Tuesday to Friday was given a positive reception this year and will be retained next year. A wide-ranging seminar programme covering all business segments will be held on all four days of the fair. A special focal point of Prolight + Sound 2017 will be on promoting young people and creating areas of contact between companies and skilled personnel.

“With the highly successful première of the new concept, we executed a decisive change in course for the future of Prolight + Sound as the world’s foremost business platform and showcase for the sector”, says Michael Biwer, Group Show Director of the Entertainment, Media & Creative Industries Business Unit of Messe Frankfurt Exhibition GmbH. “In close cooperation with companies from the sector, we aim to continue this success story at the coming Prolight + Sound and further optimise the fair in the future." 

High degree of exhibitor interest sends out positive signals

Prolight + Sound visitors have the chance to obtain an unrivalled overview of the latest products, trends and technologies on the global market. The leading brands of all branches of the event-technology industry have already registered to exhibit at the coming Prolight + Sound. The key players that have confirmed their participation in the event include Adam Hall, Altman, Amptown, Audio-Technica, Ayrton, Chain Master, Chauvet, Clay Paky, Coda Audio, dbTechnologies, Digico, DPA Microphones, ETC – Electronic Theatre Controls, FBT Elettronica, Gerriets, GLP German Light Products, JB-Lighting, Klotz, L-Acoustics, Lawo, MA Lighting, Martin Professional, Meyer Sound, Monacor International, Music & Lights, nivtec-flexibel, Panasonic, Prolyte Group, Riedel, ROBE Lighting, Sennheiser and SGM Light. Additionally, Georg Neumann GmbH will have its own stand at Prolight + Sound 2017.

Unchanged hall layout, optimised visitor orientation

The seven exhibition halls and the extensive outdoor exhibition area in the eastern section of Frankfurt Fair and Exhibition Centre provide the space required for the targeted presentation of the individual product groups. Prolight + Sound is split into the following sections: Audio + Sound (Hall 3.1, Hall 4.1), Light + Stage (Hall 3.0), Light + Multimedia (Hall 4.0), Light + Entertainment (Hall 5.0) and Education + Associations (Forum.0). Additionally, the outdoor exhibition space makes it possible to demonstrate new products under realistic, open-air conditions. In 2017, the Concert Sound Arena, which presents PA systems in action, will be centrally located on the Agora, in the heart of the eastern section. At the same time, the Live Sound Arena, close to the City entrance, will showcase mobile PA systems. Also on the outdoor area will be mobile stages, tent systems and LED walls.

An improved visitor-guidance system compared to last year will make it easier for visitors to find the individual product groups. Moreover, there will be separate, clearly laid-out brochures for ‘special interest’ product groups, which bring together the appropriate exhibitors from the various segments. These ‘Quickfinders’ will be available for the ‘Broadcast, Production & Recording’, ‘Stage & Theatre’, ‘Media Technology & System Integration’ and ‘Event & Congress’ product segments. Exhibitors from the individual ‘special interest’ segments can also be found directly via the online search engine of the Prolight + Sound website and the Prolight + Sound app.

High-grade seminar programme with broad thematic spectrum

The shift to four workdays enabled Prolight + Sound to further hone its profile as the fair for professionals and, in the course of this process, to extend the range of professional-development events to all four days. Next year, as in the past, renowned speakers will pass on expertise revolving around technical innovations, new areas of application and marketing and management.

The professional-development programme is split into three seminar blocks. The Prolight + Sound Conference is characterised by a wide spectrum of disciplines covering all aspects of professional event and AV media technology. The conference has two main sections, Basic and Advanced, and is aimed at both newcomers and experienced personnel. It offers an opportunity to refresh the basics, learn from experts and exchange ideas and information with colleagues. The second block, the Eventplaza Conference, will be held for the seventh year running. Aimed in particular at event and incentive managers, HR managers and congress and conference organisers, it tackles subjects such as event safety, progressive event production and effective event communication. The third seminar block, the Manufacturers’ Forum was launched at the last Prolight + Sound and is to be continued in 2017. There, leading companies from the sector present technological trends with reference to specific projects.

Prolight + Sound brings together companies and young people

Against the background of continuous growth in demand for well-trained personnel, Prolight + Sound offers a range of special services for students and trainees. Additionally, there will be a new area to promote contacts between companies wanting to recruit new staff and newcomers and experienced personnel looking for new jobs.

In line with this, the Tuesday of the fair will take place under the motto Future Talents Day and include an attractive programme for young and aspiring personnel with guided tours of the fair, special lectures and workshops. The Job Forum in Forum.0 is a platform that puts companies wanting to recruit staff from the event and media-technology sector in touch with suitable applicants. It represents a point of contact for all visitors interested in taking up new challenges in the sector.

Renowned awards spotlight outstanding achievements

Successful projects are the result of a perfect partnership between man and technology. Prolight + Sound is the venue for important award ceremonies, which draw attention to outstanding achievements in the field of event and media technology.
Opus – German Stage Award – has been given for excellent achievements in the fields of lighting design, technical realisation, stage design, video and sound design since 2002. It is one of the most important awards for the creative use of professional event technology. A new set of rules for 2017 now makes it possible to select individual and team achievements. In other words, the winners can be personalities, project teams or companies. Parallel to Opus, Sinus – System Integrations Award – honours projects distinguished by the innovative and pioneering use of media technology and systems integration. The sponsors of this honorary award are Messe Frankfurt, the The German Entertainment Technology Association (Verband der Medien- und Veranstaltungstechnik - VPLT) and the European Association of Event Centers (Europäischer Verband der Veranstaltungs-Centren - EVVC). The expert jury is composed of members of the associations, experts from the sector and representatives of the media and Messe Frankfurt. The awards will be presented in ‘Saal Europa’ of Frankfurt Fair and Exhibition Centre on 5 April 2017.

Three-day overlap with Musikmesse

Together with Musikmesse, International Trade Fair for Musical Instruments, Sheet Music, Music Production and Music Business Connections, Prolight + Sound represents the world’s biggest get-together for the music and event industry. Changing the days of Musikmesse to Wednesday to Sunday means the valuable synergistic effects between the two events will be strengthened compared to 2016 with Musikmesse and Prolight + Sound being held concurrently on three days. Altogether, the two trade fairs attracted well over 100,000 visitors from 130 countries and around 2,000 exhibitors from 60 countries in 2016.
Further information about Prolight + Sound at www.prolight-sound.com

Follow us on our social media, too:
Facebook: www.facebook.com/prolightsoundfrankfurt
Twitter: www.twitter.com/plsfrankfurt
#pls2017 @plsfrankfurt

Background information on Messe Frankfurt
Messe Frankfurt is one of the world’s leading trade fair organisers, generating around €648 million in sales and employing 2,244 people. The Messe Frankfurt Group has a global network of 30 subsidiaries and 55 international Sales Partners, allowing it to serve its customers on location in 175 countries. Messe Frankfurt events take place at approx. 50 locations around the globe. In 2015, Messe Frankfurt organised a total of 133 trade fairs, of which more than half took place outside Germany.
Comprising an area of 592,127 square metres, Messe Frankfurt’s exhibition grounds are home to ten exhibition halls. The company also operates two congress centres. The historic Festhalle, one of the most popular venues in Germany, plays host to events of all kinds. Messe Frankfurt is publicly owned, with the City of Frankfurt holding 60 percent and the State of Hesse 40 percent.
For more information, please visit our website at: www.messefrankfurt.com "

It's my tune dammit - Jon Hammond






Michael Biwer Group Show Director and Jon Hammond



Betty Heywood Director of International Affairs at NAMM and Jon Hammond



Jon Hammond and James Carter saxophonist session - P.Mauriat Saxophones



Greg Osby System 76 P.Mauriat and Jon Hammond session



Music China article Holda Paoletti-kampl and Focus AFM writer Bob Popyk mention in Accordions Worldwide megasite



Ralph Voggenreiter / Voggenreiter Verlag and Jon Hammond



Bring back the musikmesse stickers! Jon Hammond's well traveled XB-2 Hammond Organ plastered with some of the past stickers attended



Charly Hosenseidl! Dr. Peters, Sabine Nold, Cordelia von Gymnich - Jon Hammond Press Conference



Jon Hammond with Ivana and Zuzana Petrof - 150 Years Petrof Pianos!



Keep practicing, we'll put him to work on tenor sax! - Jon Hammond - P.Mauriat saxophones



Jon Hammond at Console Hammond Organ



Jon Hammond - Moscow Russia



Wolfgang Lücke Director Musikmesse and Jon Hammond



Jon Hammond with David from Shanghai Radio Eastern @ ProLight + Sound Shanghai China



Joe Berger, Koei Tanaka, Jon Hammond



#WATCHMOVIE HERE: Behind The Beat LATE RENT - ASCAP BTB Piece Jon Hammond Multimedia Story


Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow


Views
57
#57


Youtube https://youtu.be/63ErHjQcRGU


32 views
#32


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802



Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA



Jon Hammond in concert Behind the Beat with Landesjugendjazzorchester Mecklenburg-Vorpommern in Zeughaus Wismar



Hillary took the Trump Chump to the Shed last night! No doubt about it:



Jon Hammond television interview with the great Roy Clark in Nashville!




Jon Hammond: Late Rent
by Steve Rosenfeld
Jon Hammond says "the fingers are the singers.’" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.
Late Rent
Label: Ham-Berger-Friz Records
Genre: Jazz
All Jon Hammond profiles…
The Late Rent Story
Jon Hammond waited half his life to make this CD – starting with being an underground TV host.
Swingin’ Funky Jazz & Blues
Jon Hammond describes his style of music and how he learned to play it.
Two Hot Tracks
Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session.
Sonny’s Advice
A little advice on melody from a great sax player went a long way.
http://behindthebeat.com/2004/12/jon-hammond-late-rent/


H.264 download
download 1 file MPEG4 download
download 1 file OGG VIDEO download
download 1 file TORRENT download
download 28 Files
download 5 Original
Producer Jon Hammond
Audio/Visual sound, color
Language English

Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak


Views
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#45


Youtube https://youtu.be/o2--TIC-frk


24 views
#24


Usage Attribution-Noncommercial-No Derivative Works 3.0
Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues


HammondCast MEDIA Behind The Beat LATE RENT Jon @HammondCast courtesy of Steven @srose14 Funky Jazz #suchanastywoman #badhombres Sonny Stitt @bernardpurdie

Jon Hammond ‏@HammondCast 23m23 minutes ago

WALL OF LESLIE SPEAKER SOUND 2215 HIGH POWER 3300 WOOD #suchanastywoman #hammondorgan Suzuki Musical Instrument Jon @HammondCast Koei Tanaka



Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0


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144
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Youtube https://youtu.be/Faq_A58v4sE


275 views
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Usage Attribution-NonCommercial-NoDerivs
Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker



Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs)

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Producer Jon Hammond

Alex Hsieh NAMM Oral History https://www.namm.org/library/oral-history/alex-hsieh


Alex Hsieh is the CEO of P.Mauriat Paris, a brass instrument maker in Taiwan that specializes in saxophones, trumpets and accessories. Their saxophone line of instruments are inspired by the late French orchestra leader Paul Mauriat (1925-2006) who was known in America for a series of pop recordings. Alex created the environment to ensure quality instruments were developed that could produce the sounds and tones used in Mr. Mauriat’s recordings. The results of these efforts have been a well-regarded product line and innovative models such as the PMST Saxophone and the Professional Bb Trumpet.



Interview Date:
January 24, 2014
Job Title:
CEO
Company:
P.Mauriat Paris
Tags:
Taiwanese Music Industry
Music Manufacturing
Saxophones
Music Accessories
Trumpets
Woodwinds
Brass Instruments
Band and Orchestra




Jon's archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55


Youtube https://youtu.be/uFFMVHCkZ8w

Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours



Joe Berger
Interview Date: January 20, 2012
Job Title: Musician, Product Endorser - short version here also
http://www.namm.org/library/oral-history/joe-berger
Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and "ear", Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show.
Tony Arambarri, Dan Del Fiorentino - NAMM Historians
Categories:
concert production
electric guitars
Guitars-Amps-Fretted
Jon Hammond
mixing consoles
Musicians
Musik Messe Frankfurt
NAMM Show
New York City NY
product endorsers


Run time 55 minutes 4 seconds
Audio/Visual sound




Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller


Alpha Jon Hammond - http://hammondcast.tumblr.com




Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt - Jon Hammond Band performs at 9PM

Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide

FULL HIGH DEFINITION VERSION
29th Year! Jon Hammond's musikmesse Warm Up Party jazzkeller - Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed!




Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html

MY HOME AWAY FROM HOME

Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.

JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das - mit einer Sondergenehmigung des US Militärs - durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

Interview: Detlef Kinsler





ProLight + Sound, Jon Hammond, Shanghai, Moscow, Frankfurt, #2017 #Musikmesse #ProLight+Sound #HammondOrgan

Dienstag, 25. Oktober 2016

802 Club Room Early Bird Musicians Jazz Standards Session Swingin' the house!

#WATCHMOVIE HERE: 802 Club Room Early Bird Musicians Jazz Standards Session Swingin' the house!


Jon's archive https://archive.org/details/JonHammond802EarlyBirdsMondayNightJazzSessionHD1080p


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#309


Youtube https://youtu.be/XXpkFBd2pSc


383 views
#383

This video takes place in the Local 802 Musicians Union New York City with organist Jon Hammond and Richard Clements at the piano. Later joined on drums by Rudy Lawless. Traditional Monday night Jazz session, early birds warming up the bandstand in 802 Club Room. Early bird gets the worm...and the second mouse gets the cheese!




http://www.HammondCast.com/ — at Associated Musicians of Greater New York, Local 802 AFM


Attribution-NonCommercial-NoDerivs
Early Birds, Local 802, Musicians Union, Jon Hammond, Traditional Jazz, Session, Sk1 organ, Piano, Drums, Richard Clements, Rudy Lawless

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Jon's archive https://archive.org/details/SixYearItchByJonHammond


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#197


Youtube https://youtu.be/TaCYavcSZs8


59 views
#59




Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Six Year Itch, Louisville Kentucky, Jon Hammond Band, Organ, Soul Jazz



Jon Hammond original composition "Six Year Itch" from Jon's album
"Hammond's Bolero" - here in Louisville Kentucky at soundcheck
with Ronnie Smith Jr. drums
Alex Budman tenor saxophone
John Bishop guitar
Jon Hammond organ
http://www.jonhammondband.com
JH INTL ASCAP


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Run time 4 minutes 30 seconds
Producer Jon Hammond
Audio/Visual sound

ENCORES: Louisville Kentucky Jazz Factory – JON HAMMOND Band Jazzin By Martin Z. Kasdan Jr. Last year San Francisco-based organist Jon Hammond joined his buddy, Louisville guitarist John Bishop, for a night at the Jazz Factory. Hammond has just released Late Rent, on Ham-Berger-Friz Records, available at http://www.cityhallrecords.com/artist/HAMMOND,%20JON.htm if you can’t find it locally. In an e-mail to me, Hammond described this as “a record that took me 25 years to put together. The disc opens with “Late Rent,” a loping swinger and is followed by “Pocket Funk,” with a slightly Latin feel. “Late Rent” is reprised in a live take at the end of the CD. Lee Morgan’s funky “The Sidewinder” is the only cover tune on the album, although, as Hammond acknowledges in his liner notes, “White Onions” is “a bluesy Hammond/Finnerty composition reminiscent of `Green Onions.'” In closing, happy holidaze to one and all. You can send greetings to me at mzkjr@yahoo.com


AFM Local 6 Member Profile JON HAMMOND: "WHERE'S THE GIG?" -- by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”


“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”


Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.


Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond


n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs



Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center -- photo by Cheryl Fippen Local 6



Jon's archive https://archive.org/details/JonHammondMelodyWithoutName2010jazzkellerFrankfurt


Views
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#637


Youtube https://youtu.be/bt6M2YbdqO4


323 views
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Annual 2010 Musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band
Tony Lakatos tenor sax
Jon Hammond XK-1 organ and remarks
Giovanni Gulino drums
Melody Without Name 2010 jazzkeller Frankfurt
aka Hungarian Soul Stew



special thanks Eugen Hahn Jazzkeller Frankfurt Team, Musikmesse, Waichiro Tachikawa Suzuki Hammond, Michael Maier Falkenstein Hammond Deutschland, Video Camera by Jennifer http://www.jonhammondband.com
Note: This is Jon Hammond's 24th consecutive Musikmesse. Jon's next Musikmesse Warm Up Party in jazzkeller Frankfurt will be Tuesday night April 5, 2011 - April 4th 2017 on Tuesday night always
25-jähriges Firmenjubiläum!

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by Jon Hammond

Usage Attribution-NonCommercial-NoDerivs
Topics Musikmesse, Warm Up Party, Jazzkeller, Frankfurt, Joachim Hildebrand, TecAmp, Thomas Eich, Waichiro Tachikawa, XK-1, XK-3c, Organ, HammondCast, ASCAP, KYOU Radio, Local 802 Musicians Union

Producer Jon Hammond

Jon's archive https://archive.org/details/MarshallStaxSpinsJonHamondBandOnKALX90.7FM


Youtube https://youtu.be/HOLGBg5TORU


Marshall Stax host of "Next Big Thing" program spins "Pocket Funk" by Jon
Hammond Band on KALX 90.7 FM - Musicians: Lutz Büchner saxophone,
Ernst-Friedrich Fiete Felsch saxophone, Michael Leuschner trumpet, Joe
Berger guitar, Heinz Lichius drums, Jon Hammond organ http://www.HammondCast.com/
Hosted by Marshall Stax. Every Monday night from 6 pm to 7 pm http://kalx.berkeley.edu/




Jon's archive https://archive.org/details/JonHammondBandAtXK5OrganDebutHammondOrganUSAPartySoundCheckNashville


Youtube of https://youtu.be/Zse4xuv6-eg



Jon Hammond Band at XK-5 Organ Debut Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and SoundCheck Nashville
LLC, Nashville - Event: "the first public showing of Hammond’s new XK-5
organ and Heritage Series expanded systems, which represent the cutting
edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3.

Music Director Mark Prentice will lead a top Nashville-based rhythm
section (Charlie Morgan and Mike Severs) supporting the Hammond Artist
All-Stars, including the living jazz legend Dr. Lonnie Smith, Grammy
nominee Paul Brown, Red Young, Jon Hammond, Peter Gallinari, Kevin
McKendree (Brian Setzer, Joe Bonamassa) and Yates McKendree, the
Reverend Jimmie Smith, and Kim Tibbs. Robby Robinson (musical director
for Frankie Valli) will be on hand, as will Jim Alfredson, Gary Swan,
Christian Matthew Cullen, and this year’s DownBeat Critic’s Choice Poll
winner Brian Charette, and more.
It’s very rare that this many
accomplished Hammond organists get to play together, so the excitement
level among the musicians is as high as it is for the audience. It’s
even rarer to experience players from different genres jamming together.
As in past years, some surprise guests are sure to turn up. Four years
after the first Sound Soul Summit, attendees still remember it as a
highlight of their NAMM experience." http://www.HammondCast.com

Producer Jon Hammond
Language English

Vimeo https://vimeo.com/172604621


FaceBook Video https://www.facebook.com/hammondcast/videos/10153555094272102/



Club Room, Associated Musicians of Greater New York, Local 802, AFM, Early Bird, #JazzPiano #JazzOrgan #Standards #HammondOrgan
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