hammondcast

#WATCHMOVIE HERE: Cruising With Jon Hammond Shooting The Bridges

Jon's archive https://archive.org/details/CruisingWithJonHammondShootingTheBridges

Youtube https://youtu.be/va1nZK5JFR4

Vimeo https://vimeo.com/187586562

Facebook video https://www.facebook.com/jonhammondband/videos/1431024293593030/

Marin County Line on the Golden Gate Bridge Northbound lane from San Francisco

Very popular to walk across the Golden Gate Bridge!

Robin Williams Bridge Rainbow Entrance!

Richmond Bridge and 101 North Split at Larkspur Landing

It's raining finally! - Lower Deck Richmond Bridge aka Richmond San Rafael Bridge -

Shooting The Bridges with Jon Hammond to HammondCast Show on the radio http://www.HammondCast #GoldenGateBridge #RichmondSanRafael #Radio #JonHammond #HammondOrgan
Music Travel Soft News *Note: Finally some rain in San Francisco Bay Area! Enjoy the music and the view - Jon Hammond

Lawrence Fredson 2 of the 3 giant bridges that make up the Bay Area, San Francisco - Marin County / Golden Gate Bridge -and Richmond Bridge

Dashcam, San Francisco Bay Area, Radio broadcasting, Rain, Hammond organ, Blues music, Jazz music, Golden Gate Bridge

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Producer Jon Hammond
Language English

Jon's archive https://archive.org/details/TheMoscowConcertsLydiasTuneByJonHammond

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Youtube https://youtu.be/4t4AIMAK5pw

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#22

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Moscow Concerts, #JonHammond #IgorButman #HammondOrgan #Lydia #BossaNova #ASCAP

Moscow Russia -- "Lydia's Tune" by Jon Hammond - Jon Hammond Trio: Eduard Zizak drums, Igor Butman tenor saxophone, Jon Hammond organ http://www.HammondCast.com ©JON HAMMOND International
- Member ASCAP, AFM Local 6, Associated Musicians of Greater New York, Local 802 AFM

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Producer Jon Hammond
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Jon's archive https://archive.org/details/Hammondcast202TheJonHammondShowAudioFromJonsRadioShow

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#493

Youtube https://youtu.be/aJzR5uizk6Y

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HammondCast 202 The Jon Hammond Show audio from Jon Hammond's radio program special retrospective with audio from a recording he made while on the house band led by Lou Colombo at The Wychmere Harbor Club in Harwich Port Cape Cod MA in 1978. Jon made the recording with his Nakamichi 550 tape deck, it is a remarkable recording of the Lou Colombo Band which played nightly for luminaries such as Speaker of The House Tip O'Neill for all his private parties and the Kennedy Clan.

Visuals from Jon Hammond Show long-running cable access TV program in New York City personally shot by Mr. Hammond with Video by LORI special graphics and FX. Kick back and enjoy! http://www.HammondCast.com
For full audio of HammondCast 202:
AUDIO: http://www.archive.org/details/JonHammondHammondCast202KYOURadio
HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser 'California Here I Come', then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking "In The Mood" taking it home with Jon's "Lydia's Tune" and some of Sidewinder - Â©JH INTL

Music
Tags:
Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club

Run time 14 minutes 58 seconds
Producer Jon Hammond
Audio/Visual sound

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by Jon Hammond

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Topics Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O'neill, Kennedy clan, cape cod, private club

Folks, something told me I had better get on down to see my main man Lou Colombo last week

in Fort Myers FL, I played on Lou's band for 2.5 years in Cape Cod at the Wychmere Harbor Club

and Thompson's Clam Bar in Harwich Port MA. It was an important time of my life and career and

he was always very generous to me, kept me on my toes throwing tunes at me in all keys the music

never stopped once we hit.

I just saw Lou a few days ago in Fort Myers FL at the gig he was playing at his Daughter Sherri's restaurant

and hub Marc Neeley - Roadhouse Cafe, he was at the top of his game, playing great as ever and looking like a

million dollars. I am deeply saddened to receive terrible tragic news this morning from Lou's fine trombonist

Nelson E. Foucht that Lou was tragically killed last night just 4 blocks from Roadhouse Cafe coming home from the

gig. My deepest condolences to the Colombo Family, Lou's Wife Noel, daughters Lori, Sherri, David all his 6 kids, extended

Family of friends and musicians. I am totally blown away, thankful that I had the opportunity to know him and play with

him nightly back in the 70's and then to see and hear him again at the end of his life, thanks Lou!

Here are some photos from just a few days taken by my long-time great girlfriend Jennifer and myself at his gig,

R.I.P. Big Lou - Louis Colombo the greatest trumpet player bandleader baseball slugger and golfer ever!

I used to go with Lou to the golf course where he had the snack concession in Yarmouth just to watch him drive

balls in to outer space. I couldn't believe how far and hard he could hit the ball. Lou would put on black

executioner gloves and hit the ball and it would disappear, just keep on sailing in to the sky like Lou's spirit

must be now. His music and great memories will live on forever.

Sincerely,

Jon Hammond - Member AFM Local 802 and Local 6 Musicians Union

*Note: Lou's band the other night at Roadhouse Cafe were so great, I'm so sorry cats:

Nelson Foucht on trombone, F.L. "Woody" Brubaker piano and keyboard bass, Richard Iannuzzi drums and Gil DiBenedetto tenor saxophone and clarinet.

Jon Hammond and Lou Colombo

**Note: Lou Colombo and my neighbor Leo Ball (R.I.P.) also a fine trumpet player member of Local 802 were born on the same day in Brockton MA

*Note: Lou called me on my cell phone when I was at the airport just about to fly out of Tampa TPA Airport, he told me he really dug

my album that I had given him "NDR SESSIONS Projekt" my first record of mostly standards, it was inspired much by him actually. Lou

was talking about the horn players on it, Lutz Buechner and Joe "Jo" Gallardo, he really dug them and he told me we were going to do

something back up in the Cape for sure. I was very touched by his call and he had called me on my previous birthday last year, I got

all choked up when he told me that. Thanks a million Lou!

Jon Hammond

http://www.archive.org/details/JonHammondLouColomboMoviebyJonHammond

Lou Colombo and Jon Hammond - 02/23/2012

1978 Photo of Lou Colombo Band with Jon Hammond on B3 organ House Band at private club Wychmere Harbor Club in Harwich Port Cape Cod MA
L to R: Frank Shea drums, Lou Colombo trumpet, Jack Pena guitar, Jon Hammond B3 organ

http://www.youtube.com/watch?v=JkqBaFIAXn4

Jon's archive https://archive.org/details/CafeKLEMMFlashbackGigForHansRomanovNowTheCafeCrumble

Youtube http://youtu.be/1CD4XABvE4Y

CNN iReport http://ireport.cnn.com/docs/DOC-1194867

Vimeo http://vimeo.com/113770094

Dailymotion http://www.dailymotion.com/video/x2bvkdp_cafe-klemm-flashback-gig-for-hans-romanov-now-the-cafe-crumble_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=948891765139621

Frankfurt Bockenheim -- Jon Hammond Flashback Gig for Hans Romanov in the Café KLEMM now called Café Crumble Kiesstraße 41 60486 Frankfurt am Main, Germany - Jon Hammond Band featuring some fine tenor saxophone playing by Harry Petersen, Heiko Himmighoffen drums / schlagzeug - Jon Hammond at the organ & bass through a Marshall Amp courtesy of a friend of Hans - special thanks dankeschön Stefan Klemm and Hans Romanov

http://www.HammondCast.com/ - Jon Hammond Band — with Jon Hammond, Harry Petersen, Heiko Himmighoffen and Hans Romanov at Café Crumble.

Flashback: Jam with Hary Lin & Joe Berger!

Jon Hammond at Frankfurt musikmesse — with Joe Berger and Hary Lin

Jon's archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara's Hammond Sk2 organ with house musicians - Kenichi Toyoda piano

- special thanks to Nico, Shannon, Letitia - Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ - Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

Jon's archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon's birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ - Late Rent is the theme song for Jon's long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com - special thanks to Frank Poehl for operating the camera - Jon Hammond Band

Jon's archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon's birthday

Dashcam, San Francisco Bay Area, Radio broadcasting, #GoldenGateBridge #RichmondBridge #Dashcam #HammondOrgan

hammondcast - 17. Okt, 07:56

Sonntag, 16. Oktober 2016

Musik Rotthoff Beatles Bought Guitars Here - In Store Playing from Jon Hammond and Joe Berger

#WATCHMOVIE HERE: Musik Rotthoff Beatles Bought Guitars Here - In Store Playing from Jon Hammond and Joe Berger

Jon's archive https://archive.org/details/LegendaryHamburgMusikRotthoff1

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Youtube https://youtu.be/DzFN8BAJpgw

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Jon Hammond and Joe Berger In-store performance in the legendary Hamburg music shop 'Musik Rotthoff' - world-renowned for having sold The Beatles their most famous guitars and musical equipment and also supplied the equipment for The Star Club, Top Ten Club and still going strong as a supplier of both new and rare vintage instruments, amplification, sound reinforcement, lighting and all accessories - located in St. Pauli Hamburg Germany http://www.musik-rotthoff.de/ - Joe Berger is playing Futhark Guitars - Jon Hammond is playing Hammond Sk1 organ made by Suzuki Musical Instruments - special thanks to Hr. Claus-Dieter Rotthoff and his sonMaik Rotthoff - JH — with Jon Hammond, Joe Berger and Maik Rotthoff inSt. Pauli.

The Father Son: Maik Rotthoff and Claus-Dieter Rotthoff - Claus' father sold Paul McCartney his famous Höfner 'Beatle Bass' and other gear for The Beatles - keeping the legacy going in St. Pauli Hamburg! - Jon Hammond

L to R Claus-Dieter Rotthoff, Joe Berger, Jon Hammond - in-store Musik Rotthoff

Musik Rotthoff, Musical Instruments, The Beatles, St. Pauli, Hamburg, Legendary Music Store, Blues, Hammond Organ, In Store, HD 720p

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Producer Jon Hammond
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Jon's archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast

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#612

Youtube https://youtu.be/7W1zinL5iCQ

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#4257

Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND'S HammondCast: Hear Scott Muni tell Jazzbeaux about his days at "WABeatlesC"

on the date commemorating when the Beatles first hit the shores of USA!
As previously broadcast on Jon's TV show The Jon Hammond Show (24th year) and HammondCast on CBS' KYCY/KYOU 1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006

Usage Attribution-NonCommercial-NoDerivs
Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC
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Producer Jon Hammond

Scott Muni wiki https://en.wikipedia.org/wiki/Scott_Muni

Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him "legendary"
Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading "Dear John" letters over Radio Guam. After leaving the Corps and having considered acting as a career, he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked in Kankakee, Illinois.

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Youtube https://youtu.be/mN36dsQEFPo

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#149

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Meckelnburg Vorpommern, Landesjugendjazzorchester, NDR Archive, Big Band, Michael Leuschner, Heinz Lichius, Camera, Zeughaus Wismar, Landesmusikrat, Jon Hammond, #HammondOrgan #Jazz #Wismar

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Organ Meets Bigband in The Zeughaus Wismar - Camera: Heinz Lichius Am 30.07.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond in der Hansestadt Wismar zu Gast.

https://www.facebook.com/events/1625578051045838/
Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Grey - eine Leihgabe aus dem Archiv der NDR-Bigband.

Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith.

Programm: "Organ meets Bigband"
Leitung: Michael Leuschner
Donnerstag, d. 30.07.2015, 19:00 Zeughaus Wismar
with Elli Soosz, Jan Rolle, Daniel Be, Leon Saleh, Gabriel Rosenbach, Michael Leuschner, Heinz Lichius, Matthis Rasche, Hörni Thorun, Paul Gramkow, Marie Birkholz, Jan Boge, Ole Si, Elisabeth Guericke, Nane Schüßler, Henning Schiewer, Noah Jens, Oliver Herlitzka, Anne-Katrin Meyer and Al Tobias at Zeughaus Wismar

Producer Jon Hammond
Language German

Jon's archive https://archive.org/details/6842260423

AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs

For more info visit www.jonhammondband.com

Jon's archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller

Youtube http://youtu.be/hozrJpHvV-4

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story

Dankeschön / Thanks for the flowers Musikmesse Team! and all my friends who came out for this very special evening - Jon Hammond
Chocolate on Chocolate Cake at Jon Hammond's annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. "Charly" Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team!
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Totò Gulino drums
Jon Hammond - XB-2 Hammond Organ - special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times

"Late Rent" Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network
Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich - Puma Combo bass amp powering Jon Hammond's organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt,
Saray Pastanesı Baeckerei & Konditorei for Chocolate on Chocolate
25 Years Musikmesse Celebration Cake - Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt
http://www.HammondCast.com/

Journal Frankfurt Article by Detlef Kinsler, LINK: http://journal-frankfurt.de/funkyjazz

Musik Rotthoff, Beatles Bought Guitars, In Store Performance, Jon Hammond Band, #Rotthoff #Beatles #HammondOrgan

hammondcast - 16. Okt, 19:23

Samstag, 15. Oktober 2016

Public Access TV Show Preview 1022 Jon Hammond Show Music Travel Soft News

#WATCHMOVIE HERE: Public Access TV Show Preview 1022 Jon Hammond Show Music Travel Soft News

Jon's archive https://archive.org/details/PublicAccessTVShowPreview1022JonHammondShowMusicTravelSoftNews

Youtube https://youtu.be/YCKEAEe-xjA

Musikmesse Warm Up Party - 30th year! - Jon Hammond

Bernie in the house from Bernies Music Land Australia! - Jon Hammond - jazzkeller Frankfurt

Massive chocolate chocolate cake for Jon Hammond's 30th year musikmesse Warm Up Party / combo Jon's birthday from best bakery in Frankfurt
Saray Pastanesi - great party again!

Public Access TV Show Preview 1022 Jon Hammond Show Music Travel Soft News - first segment:
High Definition Movie: Get Back in The Groove - Jon Hammond's annual musikmesse Warm Up Party - Jazzkeller
http://www.kyouradio.org/blog.html/jon_hammond_tribute_to_victims_of_911_get_back_in_the_groove/
- Jon Hammond Band:
Giovanni Totò Gulino drums
Peter Klohmann tenor sax
Joe Berger guitar
Jon Hammond Sk1 Hammond organ + bass powered by Markbass amp
Second segment:
First song: Lydia’s Tune - Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit
Nashville Tennessee Nissan Stage Summer NAMM Show -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee - The NAMM Show Summer NAMM Show Nissan Stage - Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. - all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter

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Producer Jon Hammond
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Jon's archive https://archive.org/details/MarshallStaxSpinsJonHamondBandOnKALX90.7FM

Youtube https://youtu.be/HOLGBg5TORU

Marshall Stax host of "Next Big Thing" program spins "Pocket Funk" by Jon
Hammond Band on KALX 90.7 FM - Musicians: Lutz Büchner saxophone,
Ernst-Friedrich Fiete Felsch saxophone, Michael Leuschner trumpet, Joe
Berger guitar, Heinz Lichius drums, Jon Hammond organ http://www.HammondCast.com/
Hosted by Marshall Stax. Every Monday night from 6 pm to 7 pm http://kalx.berkeley.edu/

AUDIO:
Jon's archive http://kyouradio.org/music-15.html

"Head Phone" with Marc Baum on tenor sax, recorded at Victor Owens' DIGISONIC STUDIOS in Berkeley California, "Canonball '99...one more time!" from "Hammond's Bolero" album with introduction by Corey James of Red Jazz on KYOU Radio San Francisco.
HammondCast 8 goes from Moscow Russia to Harlem with special guests Igor Butman (sax), Eduard Zizak (drums) Jon Hammond (organ) live at Le Club in Moscow Russia.

*Photo in Showmans Lounge circa 1990, Jon Hammond at the B3 organ with Cindy Blackman (now Cindy Blackman Santana) Wallace Roney, Gary Bartz, Charlie Epps

In Harlem at Showmans Lounge the legendary organ lounge on 125th St. with Cindy Blackman (drums, Wallace Roney (trumpet), Gary Bartz (sax), Charlie Epps (guitar) & Percy France announcing.

The mystery continues...who is the 'child' who's not a child anymore? I checked with
Lawrence Ferlinghetti and he thought it was Sylvia Beach Whitman daughter of the late great George Whitman and now manager of Shakespeare and Company shop in St. Michel Paris - but the folks at Shakespeare and Company say no that's not Sylvia - one of my best photos! I shot it with my (then new) Nikon F3 with motor, my first trip to Europe - Jon Hammond *anybody who knows or knows who the (then) child is give me a shout - JH ©JON HAMMOND International

*Note: George Whitman was the founder of Shakespeare and Company book shop at Ground Zero Paris across the street from the famous Notre Dame
https://en.wikipedia.org/wiki/George_Whitman
George Whitman (December 12, 1913 – December 14, 2011) was the proprietor of the Shakespeare and Company bookstore in Paris, which continues to be a popular tourist attraction.[1][2] He was a contemporary of such Beat poets as Jack Kerouac and Allen Ginsberg.
Whitman was born in East Orange, New Jersey, United States, and while he was still an infant the family moved to Salem, Massachusetts.[3][4] In 2006 Whitman was awarded the "Officier de l’Ordre des Arts et des Lettres" medal by the French government for his contribution to the arts over the previous fifty years.
Born December 12, 1913
East Orange, New Jersey, United States
Died December 14, 2011 (aged 98)
Paris, France
Occupation Proprietor
Children Sylvia Beach Whitman

Whitman founded his bookstore in 1951 and named it Le Mistral, then later named it after Sylvia Beach's earlier Paris bookstore "Shakespeare and Company".[6] His shop, located at 37 rue de la Bûcherie in Paris, was opened in August 1951 (two years before a sister bookshop City Lights was opened in San Francisco by Lawrence Ferlinghetti) by George Whitman with an inheritance from his aunt. He called the shop "Le Mistral" after his first French girlfriend. From the very first night he allowed travellers, young writers, poets and artists to lodge in exchange for a hand in cleaning the shop, building shelves and selling books. Sylvia Beach, whose famous shop was on 12, rue de l'Odéon, was still in Paris and came to Le Mistral to see the writers of the new generation, whom Anaïs Nin called Xerox artists,[citation needed] read aloud their new work. Whitman modeled his shop after Sylvia Beach's and, in 1958 while dining with George, she publicly announced that she was handing the name to him for his bookshop.[7] As it was the only free English-language lending library in Paris, the Beats who arrived at the Beat Hotel on rue Git-le-Coeur quickly found their way to the small bookshop and made a place for themselves there. In 1962, Sylvia Beach died, willing to Whitman a good deal of her private books and the rights to the name Shakespeare and Company. In 1964, Le Mistral was renamed Shakespeare and Company.

Location:
NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage
Jon Hammond Funk Unit

Event Date:
Thursday, January 21, 2016 - 9:00pm to 9:40pm
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://www.facebook.com/jonhammondband
Add to Calendar
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Artist Info
Jon
Jon Hammond
Organ / Organist Leader
Joe
Joe Berger
guitar / guitarist

#TheNAMMShow #HammondOrgan #NAMM #Sheraton - The NAMM Show

Event Date:
Thursday, January 21, 2016 - 9:00pm to 9:40pm
Add to Calendar

Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

Jon's archive https://archive.org/details/OrganMeetsBigbandInRostockKlostergartenLaJazzOMVAndFullLandesjugendjazzorchester

Youtube https://youtu.be/qbEi22pr_5E

CNN iReport http://ireport.cnn.com/docs/DOC-1264040

Facebook Video: https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1109081885787274/?type=3&theater

by Jon Hammond

Published August 14, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Landesjugendjazzorchester, LaJazzO MV, Organ Meets Bigband, Late Rent, Rostock, Baltic Sea, Michael Leuschner, #NDRJazz #HammondOrgan Steve Gray, Landesjugendorchester Mecklenburg Vorpommern

(FULL HIGH DEFINITION VERSION) Jazz Movie: "Organ Meets Bigband" in Rostock Klostergarten LaJazzO MV and full Landesjugendjazzorchester on the Baltic Sea, live very special concert - Leader Michael Leuschner's concept here realized on a perfect evening - big thank you to Hr. Leuschner, the great young musicians of LaJazzO MV Landesjugendorchester Mecklenburg Vorpommern and projekt leaders, NDR archive arrangements by the late great Steve Gray - watch these young musicians, they are the future folks! Sincerely, Jon Hammond
http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon's archive https://archive.org/details/FunkyJamesPrestonThrowbackSmileysJonHammondBandGig

Youtube https://youtu.be/pdHLRcwsODg

Funky James Preston drums on Smiley's Schooner Saloon Jon Hammond Band gig
Jon Hammond - organ
Barry Finnerty - guitar
Bennett Friedman - tenor
James Preston - drums
http://www.HammondCast.com/
Smiley's Schooner Saloon Bolinas CA - West Marin County - AFM Local 6 — with James Preston, Barry Finnerty, Jon Hammond Band, Bennett Friedman and Jon Hammond Organ Group at Smiley's Schooner Saloon.

Keith Emerson and Koei Tanaka at the New B3 Portable Organ - Jon Hammond

Public Access TV, Jon Hammond Show, #Music #Travel #NAMM #jazzkeller #Musikmesse #HammondOrgan

hammondcast - 15. Okt, 10:33

Freitag, 14. Oktober 2016

High Definition Movie: Get Back in The Groove - Jon Hammond's annual musikmesse Warm Up Party

#WATCHMOVIE HERE: High Definition Movie: Get Back in The Groove - Jon Hammond's annual musikmesse Warm Up Party

Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604

Views
41
#41

Youtube https://youtu.be/Tm2ZFE5V4As

25 views
#25

Get Back in The Groove by Jon Hammond in Jazzkeller Frankfurt

Selfie! Peter Klohmann cops a selfie onstage with Giovanni Totò Gulino while Jon Hammond talks on the microphone - High Definition Movie: Get Back in The Groove - Jon Hammond's annual Musikmesse Warm Up Party - Jazzkeller
http://www.kyouradio.org/blog.html/jon_hammond_tribute_to_victims_of_911_get_back_in_the_groove/

Musikmesse Warm Up Party - It's my Tune dammit - "Get Back in The Groove"

Jon Hammond at the bakery!

Soul Music, Hammond Organ, Jazzkeller, Frankfurt, Musikmesse, Party, Jon Hammond Band, #HammondOrgan

Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm
Up Party - "Get Back in The Groove" - Peter Klohmann tenor saxo, Joe
Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond
Sk1 organ with many special friends in the house jonhammondband.com - video Tino Pavlis

Attribution-Noncommercial-No Derivative Works 3.0
Producer Jon Hammond
Language English
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Producer Jon Hammond
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Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak

Views
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#45

Youtube https://youtu.be/o2--TIC-frk

24 views
#24

Usage Attribution-Noncommercial-No Derivative Works 3.0
Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues

Note from Jon Hammond
Video: Tino Pavlis
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years
Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi Jon Hammond Band

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Producer Jon Hammond
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Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS

Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond's TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder

Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage

on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:

Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:

AMPEX 354 Tape Deck in KRE dubbing studio:

CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:

Sony TC-366 project machine:

Jon's archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage

Views
22
#22

Youtube https://youtu.be/qKjYrk0fOFw

61 views
#61

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lydia, Head Phone, Late Rent, Funk Band, Jon Hammond, Lee Oskar, Harmonica, Hammond Organ, Nashville, NAMM Show, Nissan

First song: Lydia’s Tune - Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit
Nashville Tennessee Nissan Stage Summer NAMM Show -- Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee - The NAMM Show Summer NAMM Show Nissan Stage - Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. - all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter

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Producer Jon Hammond
Language English

Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

Vimeo https://vimeo.com/163154149

Jon's archive https://archive.org/details/HammondPartyNightPocketFunkShakingOutTheNewXK5OrganInNashville

Vimeo https://vimeo.com/hammondcast

Jon Hammond Band at the Hammond Party for the new XK-5 Hammond organ, playing Jon's tune Pocket Funk in Full HighDef on the new prototype organ with Kayleigh Moyer on the Sleishman Drum Co Mothertone drums, Chuggy Carter congas GON BOPS, Joe Berger guitar, Jon Hammond at the XK5 (plays just like a B3 with Multi Contact keys!)

first night of Summer NAMM Show Nashville, Tennessee

at the famous studios of SoundCheck Nashville- Pocket Funk as seen on Jon's TV show Jon Hammond Show 34 years on Manhattan Neighborhood Network channel 1 - special thanks to Hammond Organ USA Gregory Gronowski & Scott May, Ray Gerlich long-time Hammond Technical Supervisor since 1976! also Mark Prentice M.D. for the evening, known as "Sound Soul Summit V" fine players all night long on the new org - Thanks to my friend Chuck Rainey the great studio bassist for coming and hanging with us all night long! And the Suzuki Musical Instruments Team makers of Hammond Organs and Leslie Speakers *from Hamamatsu-shi, Shizuoka, Japan http://www.HammondCast.com ‪#‎XK5‬ ‪#‎NAMMShow‬ ‪#‎Nashville‬ ‪#‎SummerNAMM‬ ‪#‎HammondOrgan‬

Producer Jon Hammond
Language English

Youtube https://youtu.be/Ng5WijIR7h8

Facebook video https://www.facebook.com/hammondcast/videos/10153597145217102/

Jon Hammond's annual musikmesse Warm Up Party in jazzkeller

Get Back in The Groove, High Definition Movie, Chocolate Cake, #Jazzkeller #Musikmesse #NAMMShow #HammondOrgan

hammondcast - 14. Okt, 14:36

Brisbane Australia Jon Hammond Organ Music Workshopt at Ellaways Music Store

#WATCHMOVIE HERE: Brisbane Australia Jon Hammond Organ Music Workshopt at Ellaways Music Store

Views
163
#163

Youtube https://youtu.be/sQXwmbWoSX8

54 views
#54

"Jon Hammond tells the story about traveling on PIA - Pakistan International Airlines with excessive baggage..."

AMAC Bernies Music Land Hammond Action - moving out the Sk1 organs like Hot Cakes! - Jon Hammond

Breakfast with Bernies Music Land Team at AMAC Gold Coast - Jon Hammond

Jon Hammond tells the story about traveling on PIA - Pakistan International Airlines with excessive baggage, no problem on PIA

for Mr. Hammond! A special thanks to the PIA folks with this tune "No X-Cess Baggage Blues" played live and solo on the Sk1 Hammond

Organ in Ellaways Music Shop

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Ellaways Music, Hammond Organ, Sk1, Brisbane Australia, Funky Jazz Blues, Jon Hammond, Workshop, Local 802, Musicians Union

Brisbane Australia -- Ellaways Music Workshop with Jon Hammond at the Sk1 Hammond organ, special pre AMAC presentation, special thanks Bernies Music Land and Ellaways Music Team http://www.HammondCast.com

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Jon's archive https://archive.org/details/TVShow0903PreviewJonHammondShow

Views
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#0

Youtube https://youtu.be/-RrQ6pZBtOc

3 views
#3

Manhattan Neighborhood Network Channel 1
Jon’s Big Boxing Match first segment - Chicago IL -- Jon's Big Boxing Match - Behind The Beat soundtrack - special thanks Steven Rosenfeld - Jon Hammond

next up, 2PM Nissan Stage Kick Off - 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center
Roland Barber - trombone, trumpet, sea shell
Cord Martin - tenor saxophone
Chuggy Carter - percussion
Louis Flip Winfield - drums
Lee Oskar - harmonica
Joe Berger - guitar
Jon Hammond - organ + bass
http://www.jonhammondband.com
‪#NAMMShow ‪#SummerNAMM ‪#NissanStage#HammondOrgan

Next: Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner with NDR Horns Jon Hammond Band
Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner NDR Horns Jon Hammond Band - Auster Jazz Series concert Hamburg Eimsbüttel. Funky Heinz Lichius drums, Michael Leuschner trumpet, Lutz Büchner tenor, Ernst-Friedrich Fiete Felsch alto, Joe Berger guitar, Jon Hammond organ bass - special thanks Nicolai Ditsch for operating the camera, this concert was filmed in High Definition - Frank Blume, Torsten Wendt - Knut Benzner NDR Redaktion - Musik Rotthoff support - Gideon Schier / Baltic Soul Weekender in Auster Bar #LutzBüchner#NDRJazz#MichaelLeuschner

Producer Jon Hammond
Language English

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Published September 2, 2016
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics trombone, trumpet, sea shell, #NAMMShow, ‪#SummerNAMM, ‪#NissanStage, #HammondOrgan

Jon's archive https://archive.org/details/AcousticNationNAMMConcertLydiasTuneInNashvilleTennessee1

by Jon Hammond ©JON HAMMOND International ASCAP

Summer NAMM 2016 https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Jon Hammond Funk Unit

Jon's archive https://archive.org/details/LeoFenderWithJonHammondAndJoeBerger

Youtube https://youtu.be/Xgzz9pZMDUQ

Frankfurt 1988 -- TWA Flight with Leo Fender, Phyllis Fender, Joe Berger, Jon Hammond - Leo's long-time business partner Dale Hyatt and Richard Nixon's lighter! - Happy Birthday Leo Fender August 10th! - Jon Hammond Band
Coming back from musikmesse in March of 1988

- http://www.HammondCast.com

Facebook video https://www.facebook.com/hammondcast/videos/10153646305977102/

TWA 747 Jumbo Jet, waiting to board for flight from Frankfurt to Kennedy Airport - March 1988 returning from Musikmesse

Leo Fender, Dale Hyatt, Phyllis Fender, Joe Berger, Jon Hammond, TWA Airlines, Frankfurt Musikmesse - Leo Fender's birthday today August 10th!

Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604

by Jon Hammond

Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm
Up Party - "Get Back in The Groove" - Peter Klohmann tenor saxo, Joe
Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond
Sk1 organ with many special friends in the house jonhammondband.com - video Tino Pavlis

Producer Jon Hammond
Language English

Youtube https://youtu.be/Tm2ZFE5V4As

Vimeo https://vimeo.com/164279506

Facebook video https://www.facebook.com/jonhammondband/videos/1271197279575733/

Getting ready for my 10th ASCAP "I Create Music" EXPO - Hollywood CA!
Jon Hammond

#ASCAPExpo ASCAP Audio Portrait: Jon Hammond http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx

Jon Hammond
Late Rent
Jon Hammond says "the fingers are the singers.'" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.

Jon Hammond Rent
The Late Rent Story
Swingin' Funky Jazz & Blues
Two Hot Tracks
Sonny's Advice

Jon Hammond in Australia - AMAC Convention and In-Stores

Ellaways Music, Jon Hammond, Brisbane Australia, #AirlinesStory #FunkyBlues #Sk1 #HammondOrgan

hammondcast - 14. Okt, 05:02

Donnerstag, 13. Oktober 2016

Hammond Party Night - Shaking Out The New XK-5 Organ from Hammond Suzuki

#WATCHMOVIE HERE: Hammond Party Night - Shaking Out The New XK-5 Organ from Hammond Suzuki

Jon's archive https://archive.org/details/JonHammondBandAtXK5OrganDebutHammondOrganUSAPartySoundCheckNashville

Views
190
#190

Youtube https://youtu.be/Zse4xuv6-eg

5,891 views
#5891

Full High Definition Film:
Jon Hammond Band at XK-5 Hammond Organ Debut with Introduction by "Gregg" Gregory Gronowski the late great Marketing and Sales Genius for Hammond Suzuki USA -

Jon Hammond at the XK-5 aka XK5 new Hammond Organ, Kayleigh Moyer drums - POCKET FUNK

*Note: For a short time Top Secret Organ project was referred to also as Flexi-B - but not for long! It is The XK-5 Hammond Organ Folks! - JH

Good to see my friend Jason'tae Blackmun again, excellent young player folks! - Jon Hammond #NAMMShow #Blackmun

Jon Hammond with Suzuki Musical Instruments Team from Hamamatsu at Hammond Party - makers of Hammond Organs and Leslie Speaker Products #HammondSuzuki

Leslie "Chuggy" Carter on Jon Hammond Band at Hammond Party playing Gon Bops congas - Soundcheck Nashville #GonBops #Chuggy

Jon Hammond with young Hammond wiz Jayden Arnold aka Maestro ! - #HammondParty #Maestro

Jon Hammond XK5 Hammond Organ shakeout - Kayleigh Moyer drums #XK5 #Kayleigh #KayleighMoyer

Masato Tomie Chief Engineer XK5 Hammond Organ Project - photo by Jon Hammond *Note: Tomie is guitarist with Black Market Band! #Tomie #BlackMarket

"Gregg" Gregory Gronowski the late great Sales and Marketing Genius for Hammond Suzuki and Zenith introducing Jon Hammond at Hammond Party
#Gregg #HammondParty #Marketing #Genius

"Gregg" Gregory Gronowski the late great Sales and Marketing Genius for Hammond Suzuki and Zenith - photo by Jon Hammond #Gronowski

*Note: Very very sadly soon after this piece was filmed in Nashville Gregg Gregory Gronowski passed away suddenly on August 19th of 2016 - Remembering Gregg Grownoski folks, R.I.P. Gregg! - Jon Hammond -
Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard Magazine and SoundCheck Nashville - Event: "the first public showing of Hammond’s new XK5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3.
Special thanks HSUSA Hammond Organ USA Team Gregg Gronowski, Scott May, Ray Gerlich - Suzuki Musical Instruments Team who came directly from Hamamatsu-shi, Shizuoka, Japan Suzuki World Headquarters to the party - Mrs. Suzuki, Masuo Terada, Shigeyuki Ohtaka, Shuji Suzuki Team - Summer NAMM Show Team - as seen on Jon Hammond Show MNN TV Channel 1, 34th year in Manhattan New York City greater New York area and streaming worldwide. #XK5 #HammondOrgan
#NAMMShow #SummerNAMM #HammondOrgan - The NAMM Show

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics NAMM Show, Summer NAMM, Hammond Organ, XK-5 Hammond, Funk Band, Kayleigh Moyer, drums, SoundCheck Nashville, Hammond Organ USA

Ray Gerlich long-time Hammond Organ Service Supervisor and Jon Hammond - Nashville Summer NAMM Show #HammondOrgan #Service #Gerlich

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Producer Jon Hammond
Audio/Visual sound, color
Language English

Jon's archive https://archive.org/details/GetBackInTheGroove1981VersionByJonHammond

by Jon Hammond

Published October 9, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics 1981 Soul Music, 1965 Hammond B3, Jon Hammond, ASCAP Composer, #HammondOrgan

CNN iReport http://ireport.cnn.com/docs/DOC-1276063

Vimeo https://vimeo.com/142036587

Youtube https://youtu.be/gtS5gcODsS4

Facebook video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1141905649171564/?type=3&theater

Get Back in The Groove 1981 Version by Jon Hammond with vocal for DTI Records http://www.jonhammondband.com Jon Hammond Band - Jon Hammond Organ Group ©JON HAMMOND International ASCAP

Producer Jon Hammond
Language English

Jon's archive https://archive.org/details/OrganMeetsBigbandInTheZeughausWismar

Jon's archive https://archive.org/details/NAMMBelieveInMusicAwardsAndPurdieShuffleBrunchSet

#TheNAMMShow #HammondOrgan #NAMM #Sheraton - The NAMM Show

Event Date:
Thursday, January 21, 2016 - 9:00pm to 9:40pm
Add to Calendar

Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

CNN iReport http://ireport.cnn.com/docs/DOC-1263982

Youtube https://youtu.be/2AX5CRnBWkA

Producer Tino's Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis - by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary

Jon's archive https://archive.org/details/RoyClarkTelevisionInterviewWithJonHammond

Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show - Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame - Roy's wiki https://en.wikipedia.org/wiki/Roy_Clark

Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre.
During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark is highly regarded and renowned as a guitarist and banjo player, and is also skilled on classical guitar and several other instruments. Although he has had hit songs as a pop vocalist (e.g., "Yesterday, When I Was Young" and "Thank God and Greyhound"), his instrumental skill has had an enormous effect on generations of bluegrass and country musicians. He has been a member of the Grand Ole Opry, since 1987[1][2] and The Country Music Hall of Fame. BIOGRAPHY: Born in Meherrin, Virginia, Clark lived as a teenager in southeast Washington, D.C., where his father worked at the Washington Navy Yard. At 14, Clark began playing banjo, guitar, and mandolin, and by age 15 he had already won two National Banjo Championships[3] and world banjo/guitar flatpick championships. He was simultaneously pursuing a sporting career, first as a baseball player and then as a boxer, before dedicating himself solely to music. At 17, he had his first appearance on the Grand Ole Opry.
At the age of 23, Clark obtained his pilot's license and then bought a 1953 Piper Tri-Pacer (N1132C), which he flew for many years. This plane was raffled off on December 17, 2012, to benefit the charity Wings of Hope.[4] He has owned other planes, including a Mitsubishi MU-2, Stearman PT-17[5] and Mitsubishi MU-300 Diamond 1A bizjet.[6]
By 1955, he was a regular on Jimmy Dean's Washington, D.C., television program. Dean, who valued punctuality among musicians in his band, the Texas Wildcats, fired Clark for habitual tardiness, telling him, "You're the most talented person I've ever fired." Clark married Barbara Joyce Rupard on August 31, 1957.[7] In 1960, Clark went out to Las Vegas, where he worked as a guitarist in a band led by former West Coast Western Swing bandleader-comedian Hank Penny. During the very early 1960s, he was also prominent in the backing band for Wanda Jackson—known as the Party Timers—during the latter part of her rockabilly period.[8]
When Dean was tapped to host The Tonight Show in the early 1960s, he asked Clark to appear, introducing him to a national audience for the first time. Subsequently, Clark appeared on The Beverly Hillbillies as a recurring character (actually two: he played businessman Roy Halsey and Roy's mother, Myrtle). Once, on an episode of the Sunday evening Jackie Gleason Show dedicated to country music, Clark played a blistering rendition of "Down Home". Later, he appeared on an episode of The Odd Couple wherein he played "Malagueña".[9]
In 1963, Clark signed to Capitol Records and had three top ten hits. He switched to Dot Records and again scored hits. He later recorded for ABC Records, which had acquired Dot, and MCA Records, which absorbed the ABC label.
Clark as "Myrtle Halsey" on The Beverly Hillbillies, 1968.
In the mid '60s, he co-hosted, along with Buck Owens, a weekday daytime country variety series for NBC entitled "Swingin' Country", which was cancelled after two seasons. In 1969, Clark and Buck Owens were the hosts of Hee Haw. The show was dropped by CBS Television in 1971 but continued to run in syndication for twenty-one more years. During its tenure, Clark was a member of the Million Dollar Band and participated in a host of comedy sketches. In 1983, Clark opened the Roy Clark Celebrity Theatre in Branson, Missouri, becoming the first country music star to have his own venue there, thus beginning a trend which led to Branson becoming a center of live music performance, as it is today. Many of the celebrities who play in Branson first performed at the Roy Clark Celebrity Theatre.
Clark frequently played in Branson during the 1980s and 1990s. He has since sold the venue (now owned by the Hughes Brothers and renamed the Hughes American Family Theatre) and gone back to a fairly light touring schedule, which usually includes a performance with Ramona Jones and the Jones Family Band at their annual tribute to Clark's old Hee Haw co-star Grandpa Jones in Mountain View, Arkansas.[citation needed]
In addition to his musical skill, Clark has often displayed his talents as a comedian and actor. During his years on Hee Haw, Clark entertained with numerous comedy sketches, including a recurring feature where he played the clerk of the "Empty Arms Hotel". Clark released several albums of his comedic performances, to varying critical acclaim and commercial success. Clark is one of the few surviving regular male cast members from the show.[citation needed]
Clark has endorsed Mosrite, Gretsch, and many other brands of guitars during his career. He currently endorses Heritage Guitars, which makes a Roy Clark model. On August 22, 1987, Clark was made a member of the Grand Ole Opry. He plays an annual benefit concert at Longwood University in Farmville, Virginia, the proceeds of which go to fund scholarships for aspiring musicians.[citation needed]
For many years Clark has made his home in Tulsa, Oklahoma. Roy Clark Elementary School in Tulsa's Union School District was named in his honor in 1978. Fellow Oklahoma resident Mickey Mantle arranged for Clark to sing "Yesterday When I Was Young" at his funeral (which Clark did in 1995).[10]
On May 17, 2009, Clark was inducted into the Country Music Hall of Fame along with Barbara Mandrell and Charlie McCoy. On September 23, 2010, Clark sang "God Bless America" during the seventh-inning stretch at Dodger Stadium in a game featuring the Los Angeles Dodgers versus the San Diego Padres. On April 12, 2011, Clark was honored by the Oklahoma House of Representatives. He will be honored by the Oklahoma Music Hall of Fame as Oklahoma's Music Ambassador for Children and will be presented with a commendation from Oklahoma Governor Mary Fallin.

Producer Jon Hammond
Language English

Roy Clark and Jon Hammond in Nashville Tennessee at the American Eagle Awards

American Eagle Awards, Roy with awardees Vince Gill & Emmylou Harris, Vince Gill - John Conlee from Grand Ole Opry

Roy Clark playing his famous Gibson Byrdland

Jon Hammond playing his famous Gibson Byrdland

Flip Wilson (December 8, 1933 – November 25, 1998) and Roy Clark

Jon Hammond and Roy Clark in the Green Room at American Eagle Awards

Facebook video

https://www.facebook.com/hammondcast/videos/10153558221872102/

Youtube https://youtu.be/dPFiUlSe-98

Jon's archive https://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3

Views
1,311
#1311

Youtube https://youtu.be/1Uok7LV6OZk

Facebook video https://www.facebook.com/hammondcast/videos/10153664601472102/

Concert in Suzuki Musical Instruments Headquarters Hamamatsu-shi, Shizuoka, Japan #浜松市 #TBT
First time together Koei Tanaka Chromatic Suzuki Harmonica - Official Facebook Page Master and Jon Hammond at Digital New B3 Organ, special concert for Manji Suzuki President Founder of Suzuki Musical Instruments makers of Hammond Organs and Leslie Speakers products and everybody in the company at end of work day in special Suzuki Hall, soulful performance

Hamamatsu (浜松市 Hamamatsu-shi?, lit. "Coast Pine Tree") is a city located in western Shizuoka Prefecture, Japan
https://en.wikipedia.org/wiki/Hamamatsu
As of September 1, 2015, the city had an estimated population of 789,407, making it the prefecture's largest city and a population density of 507 persons per km2. The total area was 1,558.06 km2 (601.57 sq mi).

On July 1, 2005, Hamamatsu absorbed the cities of Tenryū and Hamakita, the town of Haruno (from Shūchi District), the towns of Hosoe, Inasa and Mikkabi (all from Inasa District), the towns of Misakubo and Sakuma, the village of Tatsuyama (all from Iwata District), and the towns of Maisaka and Yūtō (both from Hamana District) to become the current and expanded city of Hamamatsu. It became a city designated by government ordinance on April 1, 2007

- http://www.HammondCast.com

Jon's archive https://archive.org/details/JazzFunkTributeToCannonballAdderlyWithNDRHornsJonHammondBand

Full High Definition #HighDef

#Youtube https://youtu.be/ihMErpJ_J9A

Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner NDR Horns Jon Hammond Band - Auster Jazz Series concert Hamburg Eimsbüttel. Funky Heinz Lichius drums, Michael Leuschner trumpet, Lutz Büchner tenor, Ernst-Friedrich Fiete Felsch alto, Joe Berger guitar, Jon Hammond organ bass - special thanks Nicolai Ditsch for operating the camera, this concert was filmed in High Definition - Frank Blume, Torsten Wendt - Knut Benzner NDR Redaktion - Musik Rotthoff support - Gideon Schier / Baltic Soul Weekender http://www.HammondCast.com in Auster Bar #LutzBüchner #NDRJazz #MichaelLeuschner

Rest In Peace Lutz Büchner 5. August 1968 in Bremen; † 11. März 2016 in Tokio, Japan deutscher Jazzsaxophonist

Producer Jon Hammond
Audio/Visual sound, color
Language English

Jon Hammond and Gregg Gronowski discussing music and Hammond organs - miss you Gregg! - Jon Hammond

Big honor to be introduced by "Gregg" Gregory Gronowski at special Hammond Party playing the new Hammond XK-5 Organ in Nashville, RIP Gregg Gronowski sadly! - Jon Hammond

Gregg Gronowski, Hammond Party, XK-5 Hammond, Top Secret Organ, #Gronowski #HammondOrgan #Project #Funk #Nashville #NAMMShow

hammondcast - 13. Okt, 15:23

Mittwoch, 12. Oktober 2016

Jon Hammond Show Theme Song LATE RENT

#WATCHMOVIE HERE: Jon Hammond Show Theme Song LATE RENT

Jon's archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand

Views
404
#404

Youtube https://youtu.be/WO1OIENql1A

105 views
#105

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics jazz, blues, musikmesse, frankfurt, tenor saxophone, hammond organ, tony lakatos, late rent, local 802, musicians union

Late Rent at Jon Hammond's annual Musikmesse Warm Up Party -- Jon Hammond Band plays the theme song for long-running New York TV Show
The Jon Hammond Show at Jon's annual Musikmesse Warm Up Party in the famous old Jazzkeller Frankfurt:
Tony Lakatos tenor saxophone
TotÃ³ Giovanni Gulino drums
Joe Berger guitar
Jon Hammond organ
Â©JH INTL ASCAP - Late Rent - Behind The Beat
THE LATE RENT STORY: http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx

Run time 8 minutes 41 seconds
Producer Jon Hammond
Audio/Visual sound, color

Jon's archive https://archive.org/details/6842260613

Views
156
#156

Youtube https://youtu.be/e3qMWeXdqkA

47 views
#47

Youtube Jon Hammond Band XK5 Organ Debut introduction by "Gregg" Gregory Gronowski https://youtu.be/Zse4xuv6-eg

4,982 views
#4982

Full High Definition Film:
Jon Hammond Band at XK-5 Organ Debut with Introduction by "Gregg" Gregory Gronowski the late great Marketing and Sales Genius for Hammond Suzuki USA -
*Note: Very very sadly soon after this piece was filmed in Nashville Gregg Gregory Gronowski passed away suddenly on August 19th of 2016 - Remembering Gregg Grownoski folks, R.I.P. Gregg! - Jon Hammond -
Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ - Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and Soundcheck LLC, Nashville - Event: "the first public showing of Hammond’s new XK5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3. #NAMMShow #SummerNAMM #HammondOrgan

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Video by Lori, Late Rent (Music), Jon Hammond Show, MNN TV, #HammondOrgan ASCAP Composer, Musicians Union, Local 802, Local 6, Public Access TV, 32nd year

Yes that's Andy Warhol on The Jon Hammond Show folks! #AndyWarhol

Jon Hammond Show Preview 06/13 MNN TV Ch 1 - Original Music, Travel and Soft News - beginning with Jon Hammond classic theme song Late Rent with video by Lori *Note: Every frame is heavily embedded with i.d. information and copyright protected ©JON HAMMOND International - next Bernard Purdie plays Jon Hammond's original Pocket Funk with Jon Hammond Band with Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor, Bernard Purdie drums, Jon Hammond at the Sk1 Hammond organ onstage at NAMM Anaheim CA. Next Hoodman and then Scott Cooper flies in vintage NAB movie production. Next Jon Hammond's composition Lydia's Tune played in Hamburg Germany with the NDR Horns - Michael Leuschner trumpet, Fiete Felsch alto, Lutz Büchner tenor, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ and covering bass. Outtake to Jon's theme song Late Rent with images of Jon Hammond Show moments, now in 32nd year on New York Cable every Friday night late (Sat. morning) 1:30AM on MNN TV Channel 1 http://www.HammondCast.com

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Producer Jon Hammond
Language English

New York NY -- Joe Berger doing an Apple Logic Pro X - Apple Tutorial at The Beacon School -

Hmm...I don't know what happened to Mark Via, Joe Berger and I came and played a session with his kids at The Beacon School and never heard back again from him. I hope he's OK - maybe I should check with Richard Carter and see if any signs of life around Fifth Ave. pehaps? - Jon Hammond — with Mark Via, Khaya Lee, Joe Berger and The Beacon School at The Beacon School.

Jon's archive https://archive.org/details/TrainSongMusikmesseWarmUpParty

Views
269
#269

Youtube https://youtu.be/ibPxc0shd8Y

104 views
#104

Jon Hammond original composition "Train Song" performed at Jon's annual musikmesse Warm Up Party in the world famousJazzkeller Frankfurt

- Jon Hammond Band: Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond Sk1 Hammond organ - special thanks to Frank Poehl for operating the camera - http://www.HammondCast.com/ ©JH INTL ASCAP Publishing JON HAMMOND International

Producer Jon Hammond
Language English

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Train, Song, Hammond organ, Warm Up Party, Jon Hammond, jazzkeller, Frankfurt, Jazz, musikmesse, Peter Klohmann, Giovanni Totò Gulino, Joe Berger, ASCAP Composer

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Jon's archive https://archive.org/details/JonHammond_TributetoVictimsof9_11_JONHAMMONDBand

Views
560
#560

Youtube https://youtu.be/OzRVyWFhkek

2,955 views
#2955

TONY LAKATOS-tenor sax HEINZ LICHIUS-drums JOE BERGER-guitar JON HAMMOND-XB-2 Organ/Bass *at JAZZKELLER Frankfurt
Special Thanks Eugen Hahn jazzkeller

Get Back in The Groove composed by Jon Hammond ©JH INTL Jon Hammond International ASCAP

Jon's archive https://archive.org/details/JonHammondJazzKneipeFrankfurtJonHammondBandFunkyHeadPhone

Views
643
#643

Youtube https://youtu.be/uwm1evylatI

3,226 views
#3226

Rare Footage from inside Jazz Kneipe Frankfurt!

I played 207 gigs in the famous JAZZ KNEIPE Frankfurt at Berlinerstr. 70 until Regina the boss finally closed the doors and moved to Spain a few years ago, usually in Duo, sometimes as Trio but more often than not as Solo. This was a special occasion because my bandmates from California came over so I had them on the gig with addition of Sgt. Al Wittig of U.S. Air Force on tenor, James Preston of Sons of Champlin band drums, Barry Finnerty gtr., myself Jon Hammond at XB-2 Hammond organ. This was a very special place frequented by all the musicians after there gigs. A 5 hour gig until wee hours of the morning, Live Music 7 days a week in rotation with musicians like Piano George, Izio Gross, Wilson de Oliveira and members of HR Bigband. Regina introduced me to Tony Lakatos the Hungarian tenor saxophonist who I play with still today. The club was not large but it had a great atmosphere and was always a safe place to hang out until as late as 5AM. Sadly the Jazz Kneipe is still shuttered there on Berlinerstr. directly behind the Frankfurter Hof Hotel. All musicians tip their hat when they pass by. There's a lot of music in those walls!

Jon Hammond Band original composition "Head Phone" with Atilla Zoller (RIP) in the house that night. ©)JHIntl. Jon Hammond International http://www.HammondCast.com

Facebook video https://www.facebook.com/hammondcast/videos/10150741062342102/

Usage Attribution-NonCommercial-NoDerivs
Topics Jazz Kneipe, Head Phone, Funky, Hammond Artist, Jon Hammond, Frankfurt, Al Wittig, James Preston, ASCAP, KYOU Radio Musikmesse

Jon's archive https://archive.org/details/YachtklubLifeJamesWesOpenerJonHammondBand

Yachtklub Life James Wes Opener Jon Hammond Band - Hans Romanov Presents
Peter Klohmann tenor saxo
Joe Berger guitar
Giovanni Totò Gulino drums
Jon Hammond Sk1 Hammond organ & bass
Video Tino Pavlis
Audio Johannes Napp, Silvio Cappucci
On the Main River - Frankfurt am Main

TV Theme Song, Late Rent, Jon Hammond Show, #LATERENT #ThemeSong #Jazzkeller #HammondOrgan

hammondcast - 12. Okt, 23:52

Jon's Blue Angels Clip + Driving Home From Solo Organ Music Gig

#WATCHMOVIE HERE: Jon's Blue Angels Clip + Driving Home From Solo Organ Music Gig

Jon's archive https://archive.org/details/JonsBlueAngelsClipDrivingHomeFromSoloOrganMusicGig

Youtube https://youtu.be/fa5w_WUICe0

NMB Live Presents...
Hi Jon - was this from San Francisco Fleet Week this last weekend? If so, it was being streamed live right here on NMB.

NMB LIVE aka NuMuBu https://www.nmblive.com/153010-profile-jon-hammond.html

https://youtu.be/fa5w_WUICe0?t=10

Tue., Oct. 11, 2016 - 11:27 PM

Jon Hammond
Thanks very much cats! Yes SF CA here, music from yesterday, I played 3 gigs in hospitals - recorded in Monophonic HiFi, back to Mono - glad you dug it...felt pretty good, I was ready to play 3 more gigs after the 3rd! Merci, best wishes from sunny California - sun just went down here, Jon

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Air Show, Blue Angels, San Francisco Bay, Golden Gate Bridge, Jon Hammond, Solo Organ gig, Hammond Organ

The Blue Angels: Aerial Shower Effect - Jon Hammond

Northbound on famous Golden Gate Bridge at dusk in the suicide lane - Jon Hammond

Jon Hammond at the organ onstage at the famous The Fillmore

Jon Hammond photo by Holda Paoletti-kampl - 30th year at Frankfurt musikmesse - appeared in Accordions Worldwide megasite
"Musikmesse Mythe from USA Jon Hammond coming for the 30th year"
LINK: http://www.accordions.com/frankfurt2016/7-april.html

Jon Hammond's Blue Angels Clip + Driving From Solo Organ Gig Music by the San Francisco Bay - Jon Hammond at the Sk1 Hammond Organ http://www.HammondCast.com

Winter NAMM Show, L to R Jon Hammond, Masuo Terada, Shuji Suzuki - Suzuki Musical Instruments makers of Hammond Organs and Leslie Speaker products - soon will be appearing in Tokyo at Music Fair in Tokyo 2016

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Producer Jon Hammond
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Jon's archive https://archive.org/details/BlueAngels2012FleetWeekAirShowAtSfoWithMusicFromJonHammondBand

Views
542
#542

Youtube https://youtu.be/2C3KtLtMVm8

2,004 views
#2004

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Blue Angels, Fleet Week, 2012, SFO, United Airlines, F-22 Raptor, America's Pride, Jon Hammond Band, Airport, US Navy flight demonstration squadron, McDonnell Douglas F/A-18 Hornet

America's pride The Blue Angels here at SFO to perform fearlessly in honor of Fleet Week 2012 with support from United Airlines Team at United Family Day very special annual event, special thanks to all these fine folks it takes to make it happen. From the Firefighters, to the Mechanics, Air Controllers, Crew, Food Preparations even the Imperial Storm Troopers from Star Wars were on hand for this very special family day - with music here from The Jon Hammond Band with special guest Lee Oskar harmonica, recent performance in Frankfurt Germany at the famous Jazzkeller "Tribute to 9/11 - Get Back In The Groove" Tony Lakatos tenor sax, Giovanni Gulino drums, Joe Berger guitar, Jon Hammond at Sk1 organ, enjoy folks! Sincerely, Jon Hammond http://www.HammondCast.com

Blue Angels, Fleet Week, SFO, United Airlines, F-22 Raptor, America's Pride, Jon Hammond Band, Airport
"The mission of the United States Navy Flight Demonstration Squadron is "to showcase the pride and professionalism of the United States Navy and Marine Corps by inspiring a culture of excellence and service to country through flight demonstrations and community outreach."
Lockheed C-130 Hercules "Fat Albert"

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Run time 11 minutes 23 seconds
Producer Jon Hammond
Audio/Visual sound

Jon's archive https://archive.org/details/JonHammondFleetWeek2010AirShowvideoandmusicbyJonHammond

Views
832
#832

Jon's archive https://archive.org/details/HeadPhoneFunkMasterpieceJonHammondBandWithBernardPurdieSideCamera

Views
173
#173

Youtube https://youtu.be/VfGi_QFZalc

189 views
#189

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Funk, Head Phone, NAMM Show, Bernard Purdie, Drums, Hammond Organ, Jon Hammond, Band, B3 organ

Allowed on Timeline
Side Camera - thanks Tino Pavlis & Joachim Wiesel
Jon Hammond Band showcase for Hammond Organ USA / Suzuki Musical Instruments at The NAMM Show in honor of 80th anniversary of Hammond Organs on the Sound Soul Summit program - Jon Hammond original funk composition "Head Phone" featuring legendary Fatback Funk drummer Bernard "Pretty" Purdie and Jon's long-time colleague Joe Berger on guitar, from Tokyo Japan Koei Tanaka Suzuki Harmonica artist Suzuki Harmonica - Alex Budman tenor saxophone and Jon Hammond at the B3mk2 organ and high-power model 3300 Leslie Speaker with FOH mix by Brian English Audio Denny Mack - MC Stephen Fortner & Scott May

Side Camera - thanks Tino Pavlis & Joachim Wiesel
Jon Hammond Band showcase for Hammond Organ USA / Suzuki Musical Instruments at The NAMM Show in honor of 80th anniversary of Hammond Organs on the Sound Soul Summit program *Note: Jon Hammond Band played immediately before the late great KEITH EMERSON on the program, Keith was up next - Jon Hammond original funk composition "Head Phone" featuring legendary Fatback Funk drummer Bernard "Pretty" Purdie and Jon's long-time colleague Joe Berger on guitar, from Tokyo Japan Koei Tanaka Suzuki Harmonicas artist Suzuki Harmonica - Alex Budman tenor saxophone and Jon Hammond at the B3mk2 organ and high-power model 3300 Leslie Speaker with FOH mix by Brian English Audio Denny Mack - Youtube LINK: https://youtu.be/1r0SSgNoJXU - MC Stephen Fortner and Scott May

Producer Jon Hammond
Language English

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri

Jon's archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0

Views
144
#144

Youtube https://youtu.be/Faq_A58v4sE

275 views
#275

Usage Attribution-NonCommercial-NoDerivs
Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker

Jon's archive https://archive.org/details/JonHammondJonHammondBandannualMusikmesseWarmUpParty2013Blues

Views
290
#290

Youtube https://youtu.be/zQBZ1N-xq9Y

262 views
#262

Jon Hammond Band Musikmesse Warm Up Party 2013 Blues MY HOME AWAY FROM HOME 

Jon Hammond zum 27. Mal auf der Musikmesse Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller

Jon Hammond Music Travel and Soft News
http://minicasts.podomatic.com/play/1030803/8180711
By Jon Hammond's Podcast
3m 46s

-  JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller? Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.  Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren? Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.  Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.  Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren? Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Totó Giovanni Gulino, diesen tollen Schlagzeuger, Und das unterziehe ich jetzt einen echten Härttest (lacht). 27. März 2013 Interview: Detlef Kinsler http://www.jonhammondband.com — with Tony Lakatos, Joe Berger, Totó Giovanni Gulino, Pmauriat Albest, Jon Hammond Band and P Mauriat HQ at Jazzkeller..

Podomatic http://minicasts.podomatic.com/play/1030803/8180711

Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak

Youtube https://youtu.be/o2--TIC-frk

Vimeo https://vimeo.com/166375459

Facebook video https://www.facebook.com/hammondcast/videos/10153459987517102/

Note from Jon Hammond
Video: Tino Pavlis
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years
Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi Jon Hammond Band

Frankfurt to Nashville With Detour to Hollywood Musikmesse ASCAP Expo Summer NAMM Show http://kernelpanichammondcast.blogspot.com/2016/05/frankfurt-to-nashville-with-detour-to.html

Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond

Courtesy of Installation AV integration in a networked world

LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/

Photo: Dave Robinson --Sennheiser audio solutions

- Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones -

Installation AV Says: "Sennheiser has announced a new collaboration with the Victoria and Albert Museum (V&A) in London for the forthcoming exhibition You Say You Want a Revolution? Records & Rebels 1966 – 1970.

The exhibition will open to the public on 10 September 2016 and run until 26 February 2017, following which it will tour internationally. Sennheiser will provide immersive sound utilising its AMBEO 3D audio technology delivered through a guidePORT audio guide system.

Curated by Geoffrey Marsh and Victoria Broackes, the curatorial team behind the V&A’s David Bowie is, the new exhibition is designed in six distinct sections. It will explore the late 1960s through hundreds of exhibits from the V&A’s extensive collections alongside a selection of loans that range from design, music, film, fashion and consumer products to photography, posters and books. It is designed by Nissen Richards Studio, with video content designed by Fray studio, and sound design by Carolyn Downing.

Music will play a key role in the exhibition, said Broakes: “The music running through You Say You Want a Revolution will represent the backbone and heart of the exhibition; it will be an object in itself. Therefore, we are delighted to be working with Sennheiser once again. Their expertise in 3D immersive audio will push the limits of the sound experience still further.”

Working closely with the exhibition’s sound designer Carolyn Downing, the Sennheiser team, led by system designer Norbert Hilbich (left of picture), will be setting up two AMBEO 3D audio soundscapes. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s while the other will recreate a live concert atmosphere with upmixed audio material from the period.

Hilbich told Installation that the new exhibition will contain a lot more music than David Bowie is. “We have quite a big bunch of songs that they think we should transfer to 3D audio, but the process is not finished. There are plenty of ideas – we now have to [think about] how we put it into operation, what will it sound like, which part of the songs we should take and so on.”

After being set up in the studio, Hilbich added, the mix will be adjusted on site to suit the acoustics of the venue – as was also done with the Bowie exhibition.

Visitors will be accompanied through the exhibition by a Sennheiser audio guide system. The guidePORT system will deliver hundreds of personal, automatically triggered stereo feeds simultaneously. It will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the late 1960s. The system at the V&A will comprise 750 receiver units with high-quality headphones, along with several transmission and trigger units that will be hidden from sight.

Robert Genereux (right of picture), business director system design at Sennheiser, said: “The headphone part [using the guidePORT system] will be similar, but along the way they are going to create ‘disturbances’ in the headphone experience in different sections. This will be a little bit of a difference [from] the guidePORT experience for Bowie, which is uniform all the way from the beginning to the ‘show moment’.”

Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones – commented: “We are absolutely thrilled to cooperate with the Victoria and Albert Museum on yet another fantastic project. The V&A is uniquely positioned to curate an exhibition about this transformational time in our more recent history. The artistic quality of the exhibition together with spectacular exhibits and an innovative state-of-the-art sound experience, featuring Sennheiser’s AMBEO 3D audio technology, will make this exhibition a truly immersive experience.”

New: "PXC 550 WIRELESS
TRANSFORM YOUR JOURNEY. UPGRADE TO FIRST CLASS." - Jon Hammond

You’ve travelled a lot, in every class, but nothing compares to the experience of travelling with the PXC 550 Wireless. You’re on the move but always stay in touch. When moving in between places the PXC 550 Wireless is your ideal companion, keeping you connected and comfortable.

Photo courtesy of PSN Europe: Dave Robinson

Blue Angel Rocketing Straight Up in To The Skies - Jon Hammond

All 6 Blue Angels in formation headed back to OAK after successful Air Show for Fleet Week 2016 San Francisco! - Jon Hammond

Blue Angels, Dashcam, Fleet Week, Jon Hammond, Solo Organ, #Gig #BlueAngels #GoldenGate #HammondOrgan

hammondcast - 12. Okt, 17:31

Samstag, 8. Oktober 2016

Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond

Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond

Courtesy of Installation AV integration in a networked world

LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/

Photo: Dave Robinson --Sennheiser audio solutions

- Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones -

Installation AV Says: "Sennheiser has announced a new collaboration with the Victoria and Albert Museum (V&A) in London for the forthcoming exhibition You Say You Want a Revolution? Records & Rebels 1966 – 1970.

The exhibition will open to the public on 10 September 2016 and run until 26 February 2017, following which it will tour internationally. Sennheiser will provide immersive sound utilising its AMBEO 3D audio technology delivered through a guidePORT audio guide system.

Curated by Geoffrey Marsh and Victoria Broackes, the curatorial team behind the V&A’s David Bowie is, the new exhibition is designed in six distinct sections. It will explore the late 1960s through hundreds of exhibits from the V&A’s extensive collections alongside a selection of loans that range from design, music, film, fashion and consumer products to photography, posters and books. It is designed by Nissen Richards Studio, with video content designed by Fray studio, and sound design by Carolyn Downing.

Music will play a key role in the exhibition, said Broakes: “The music running through You Say You Want a Revolution will represent the backbone and heart of the exhibition; it will be an object in itself. Therefore, we are delighted to be working with Sennheiser once again. Their expertise in 3D immersive audio will push the limits of the sound experience still further.”

Working closely with the exhibition’s sound designer Carolyn Downing, the Sennheiser team, led by system designer Norbert Hilbich (left of picture), will be setting up two AMBEO 3D audio soundscapes. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s while the other will recreate a live concert atmosphere with upmixed audio material from the period.

Hilbich told Installation that the new exhibition will contain a lot more music than David Bowie is. “We have quite a big bunch of songs that they think we should transfer to 3D audio, but the process is not finished. There are plenty of ideas – we now have to [think about] how we put it into operation, what will it sound like, which part of the songs we should take and so on.”

After being set up in the studio, Hilbich added, the mix will be adjusted on site to suit the acoustics of the venue – as was also done with the Bowie exhibition.

Visitors will be accompanied through the exhibition by a Sennheiser audio guide system. The guidePORT system will deliver hundreds of personal, automatically triggered stereo feeds simultaneously. It will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the late 1960s. The system at the V&A will comprise 750 receiver units with high-quality headphones, along with several transmission and trigger units that will be hidden from sight.

Robert Genereux (right of picture), business director system design at Sennheiser, said: “The headphone part [using the guidePORT system] will be similar, but along the way they are going to create ‘disturbances’ in the headphone experience in different sections. This will be a little bit of a difference [from] the guidePORT experience for Bowie, which is uniform all the way from the beginning to the ‘show moment’.”

Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones – commented: “We are absolutely thrilled to cooperate with the Victoria and Albert Museum on yet another fantastic project. The V&A is uniquely positioned to curate an exhibition about this transformational time in our more recent history. The artistic quality of the exhibition together with spectacular exhibits and an innovative state-of-the-art sound experience, featuring Sennheiser’s AMBEO 3D audio technology, will make this exhibition a truly immersive experience.”

Photo courtesy of PSN Europe: Dave Robinson

"Bag O’Nails staircase pic: Sennheiser’s Robert Genereux (business director system design, strategic collaborations); Daniel Sennheiser, holding the reproduction HD414s; Eric Clapton(!) c. 1968; Norbert Hilbich (Sennheiser director spectrum affairs & system design)"

PSN Europe Says: "Sennheiser to play major role at Sgt Pepper exhibition"

LINK http://www.psneurope.com/sennheiser-to-play-major-role-at-sgt-pepper-exhibition/

"Shards from Jimi Hendrix’s and Pete Townshend’s shattered guitars… The brown fringe jacket Roger Daltrey wore at Woodstock…. Handwritten lyrics for Lucy in the Sky with Diamonds by the Beatles… The suits worn by John Lennon and George Harrison on the cover of Sgt. Pepper’s Lonely Hearts Club Band…

All of these incredible artefacts are to be included in a major cultural retrospective to be held at the Victoria & Albert (V&A) Museum in September 2016. Called You Say You Want a Revolution? Records and Rebels 1966–70, the exhibition will explore the era-defining significance and impact of the late 1960s upon life today.

It follows the success of 2013’s David Bowie Is – the most popular exhibition ever held at the V&A – and once again, Sennheiser technology, including the guidePORT system and the emerging AMBEO 3D environment, will play a major part in the presentation and production of the show.

You Say You Want a Revolution? Records and Rebels 1966–70 will “investigate the upheaval, the explosive sense of freedom, and the legal changes that took place resulting in a fundamental shift in the mindset of the Western world”, say the curators, Victoria Broakes and Geoffrey Marsh. More than 350 objects from the period, encompassing photography, posters, literature, music, design, film, fashion, and performance, have been procured for the show: even a moon rock, and an Apple 1 computer (of which there are only four working models in the world).

Details of Record and Rebels 1966-70 – which will run from September 2016 to February 2017 – were revealed at former legendary ’60s bar (now a private club) the Bag O’ Nails, just off London’s Carnaby Street, at the end of February. Martin Roth, director of the V&A, said it was one of the most important exhibitions the museum had curated. Broakes and Marsh agreed that the Sgt Pepper suits were some of the most difficult objects to secure – but they were items considered essential to the show.

Levi’s and Sennheiser are key sponsors of the event, along with outfitter Fenwick and stylist Sassoon.

“I knew some of the concept, but not all of it until today, so and I think it’s going to be a really, really exciting exhibition!” Sennheiser co-CEO Daniel Sennheiser told PSNEurope at the launch. He noted that one of the show themes – how the 1960s have shaped how we think today – is very much in tune with his company philosophy.

In an introductory speech at the Bag O’Nails, Daniel spoke of how his grandfather’s business had mass-produced the HD414 headphones starting in 1968, and how it had gone on to be the “most sold headphone in the world”. Later, while clutching a pair based on the original ’60s design, Daniel told PSNEurope that the phones were never planned as a product but came about when some of the Sennheiser engineers were “playing around with microphone capsules” and noticed the transparency of the sound when they were placed close to the ear.

“My grandfather [Fritz Sennheiser] said, OK, let’s make a product out of it. He asked the distributor at the time how many they could sell. But no one could imagine having a hi-fi sound ‘in your head’. The distributor said, maybe 500 worldwide! But grandfather said, to make it work financially, I need to make 5,000.

“So he made 5,000 – and it was sold out in three months. And today, more than 12m pieces have been produced. And we can still sell you replacement earpads for a 1968 pair!” revealed Daniel.

Working with the exhibition’s sound designer Carolyn Downing, the Sennheiser team (led by system designer Norbert Hilbich) will be setting up two AMBEO 3D audio soundscapes at the museum. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s; the other will recreate a live concert atmosphere with upmixed audio material from the period.

Of AMBEO 3D – demonstrated in London last year but launched official at CES earlier in 2016 – Daniel says: “The idea is to transport you into a different place.

“We’re still learning how to use it and what we [can] do with it. It’s not just one technology, it’s about the capturing, the mixing, the creation of the spacial audio, then the processing and the playback. [But] that’s where Sennheiser is uniquely positioned [at the V&A]: to provide the 3D audio and create an emotional experience in an exhibition which is already emotive in its content, so it’s a really good case study and demonstration for us.”

Visitors will be accompanied through the exhibition by Sennheiser’s guidePORT system, as they were for David Bowie Is…. GuidePORT can deliver hundreds of personal, automatically triggered stereo feeds simultaneously, and will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the period. The V&A implementation will comprise 750 receiver units with premium headphones (though Daniel didn’t know which models at the time), along with several transmission and trigger units, hidden from the public eye.

David Bowie Is has been on tour ever since the March 2013 V&A launch: it’s visited Toronto, Sao Paolo, Chicago, Melbourne, the Netherlands and is about to open in Tokyo. Daniel remarks, “If [Records and Rebels] is successful, I would love it to go on tour – but that is the V&A’s decision.”

Is Daniel a big fan of music from the era? “I would have loved to have been alive at that time. I’m a big fan of Zappa, Hendrix, Bob Dylan. I play guitar and piano – but I have more passion than talent!”

www.sennheiser.com

http://www.vam.ac.uk/content/exhibitions/exhibition-you-say-you-want-a-revolution-records-and-rebels-1966-70/ "

Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song

Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over):
Monophonic High fidelity Folks! True Hi-fi

Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old

Front and Back Jon Hammond's 1968 Gibson Byrdland

Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso!

Jon Hammond 1965 Fender Bandmast Blackface on the bench

Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom

Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser

foto by Christian Burkert:

Sennheiser to open Soundscape Showroom in the Westfield World Trade Center
http://www.nydailynews.com/new-york/manhattan/daniel-sennheiser-open-soundscape-showroom-nyc-article-1.2815943 - Jon Hammond
"Daniel and Andreas Sennheiser who run the blossoming Sennheiser company, an audio business based in Germany. (CHRISTIAN BURKERT)"
BY
EBENEZER SAMUEL
NEW YORK DAILY NEWS
Monday, October 3, 2016, 2:47 PM
"Daniel Sennheiser knows exactly what he's up against.

Along with his brother Andreas, Daniel Sennheiser runs the blossoming Sennheiser company, a blossoming audio business based in Germany. But he's watched and admired New York City for a long time, come to appreciate the business challenges of the Big Apple.

And along the way, Sennheiser says, he's come to view New York City as a pivotal battleground for any business ready to go global.

"New York has been the beginning of a lot of things," Sennheiser says. "This is a melting pot, that has brought up so many things, brought up Broadway. New York is very fast-living. And that's positive in a sense that they're quick to pick up new trends and things.
"But that also means you need to make a certain amount of noise."

And now, it's time for Sennheiser to make some noise. In late October, the company will take up residence in the Big Apple, opening the Sennheiser Soundscape Showroom in the Westfield World Trade Center.

It's a venue that will be filled with Sennheiser's unique products, but the focus isn't on selling. Instead, Sennheiser is focused on introducing New Yorkers to its distinctive audio, part of a first step in establishing the company as a sound powerhouse in a nation that's spent the last few years in the midst of a great headphone awakening.

"We believe it's the right time for us to make a big splash to share our version of the future of audio with New York," says Andreas.

It's an intriguing vision from a company that's long delivered high-quality sound but has consistently lacked the profile of the bigger names in the industry. Beats by Dre and Bose own the majority of U.S. mindshare, and both companies are highly visible, utilized by both celebrities and major sports franchises.
Sennheiser has never had such presence, and that's mostly by choice. Look closely during your next NBA on TNT broadcast, and you may notice Sennheiser headsets on the play-by-play guys. But the company has historically done little marketing, preferring to let its devices shine on their own merits.

The Soundscape Showroom isn't the start of some massive ad campaign, either. But it is part of a company-wide initiative to be more visible in the United States, to draw more notice to an underrated line of products. Just a few years ago, the company set up a small pop-up store on the East Side. With the Soundscape Showroom, it's going bigger, aiming to be a national presence.

"It's to raise a little awareness. We're just not present enough," Daniel says, before talking proudly of Sennheiser's lore. "Sennheiser is the inventor of the hi-fi headphone. Not a lot of people know that."

Indeed, few realize just how potent Sennheiser products truly are. It was Sennheiser that released the first pair of open headphones way back in 1968, and it's Sennheiser that's continued to chase perfect, pure sound throughout the last few decades.

And it's Sennheiser that last year debuted the HE1 Orpheus, a handcrafted set of headphones powered by a massive amplifier built from marble and driven by gold-vaporized electrodes and platinum vaporized-diaphragms. It's a device that costs tens of thousands of dollars and is hardly for use with your iPad on the train - but it's a device that showcases Sennheiser's pursuit of high-level sound.

"Sennheiser has been on the forefront of audio strategy for years," says Daniel. "We just added the sexy aesthetics after we did the sound."

Sound remains the company's top priority, but in recent years, it's been pushing to match the more attractive headphones delivered by the likes of Beats and Bose. There's the Momentum line of headphones, a sharp-looking line of headphones with rugged leather bands that seem tailor made for the stylish Manhattanite.

And just this summer, Sennheiser released the PXC 550, a noise-canceling Bluetooth pair of cans designed to go head-to-head with Bose's QuietComfort line, but with touch controls built onto the earcups.
These products, says Daniel Sennheiser, are examples of Sennheiser's ability to adapt to culture, proof that the company's products truly can fit the New Yorker. The Sennheiser aesthetic is unique, and the Momentums are especially eye-catching units, as fashion-conscious as they come.

The hope is that consumers enter the Soundscape Showroom and see these products, falling in love with a new brand of headphone.

"The qualities (of Sennheiser headphones) are great — the material, the leather, the steal," Daniel says. "But you also have to have the opportunity to touch it. In our experience, audio is something you can't describe. You have to put it on your head.

"Sennheiser is not a brand for everyone. I think we're a brand for people who are in the know, who are creative, who really look for special things. That's why I think a place like New York is the place to be."

And that's precisely why Sennheiser is finally here, with the Soundscape Showroom as its first truly potent portal in the United States. The goal is to build from here, Andreas says, to finally aggressively cultivate the Sennheiser brand in the U.S.

It won't be easy, not with Beats and Bose dominant. But Sennheiser arrives prepared.

"We have a serious plan, but we're also nimble enough to adjust," says Daniel. "As Frank Sinatra said, 'If you can make it here, you can make it everywhere.'"

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

#WATCHMOVIE HERE: Cable Access TV Preview 1015 Jon Hammond Show Music Pictorial Special Around The World Jazz Blues Soft News

Jon's archive https://archive.org/details/CableAccessTVPreview1015JonHammondShowMusicPictorialSpecialAroundTheWorldJazzBluesSoftNews

by Jon Hammond

Cable Access TV Preview 1015 Jon Hammond Show Music Pictorial Special Around The World Jazz Blues Soft News #1015 Description JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist and developed a lasting friendship with House Speaker Tip O'Neill. He also toured the Northeast and Canada with the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show "The Jon Hammond Show" became a Manhattan Cable TV favorite. Jon's "Live on the street" video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others...#LISTEN AUDIOPHILE HERE: AUDIO Audiophile Quality Pro Tools Recordings from NDR Studio 1 on HammondCast 25 Radio Broadcast Jon's archive https://archive.org/details/HammondCast_25 Views 3,740 #3740 HammondCast 25 from organist/accordionist Jon Hammond, broadcasting from San Francisco with Clifford Brown Jr. & Chris Cortez talking about Jon's music and fresh new tracks from Jon's forthcoming record: "NDR SESSIONS Projekt" with saxophonist LUTZ BÜCHNER, trombonist JOE GALLARDO, drummer HEINZ LICHIUS and JON HAMMOND on the new Hammond XK-3 organ/bass recorded in NDR Radio's Studo 1 with NDR Engineer RUDY GROSSER at the controls..Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with Lou Colombo. Jon Hammond played Hammond organ on the Mike Myers movie "The LOVE GURU" (unseen) Paramount Pictures backing up Telma Hopkins as "Lillian Roanoke" when she sings "Star Spangled Banner" at the Hockey game.
Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Songs
http://www.HammondCast.com

Photo: At Sennheiser Headquarters Wedemark Germany: L to R Knut Benzner NDR Radio with his famous White MD 421 N Factory Restoration Perfect and Sennheiser's Norbert Hilbich - photo by Jon Hammond

Lutz Büchner, NDR Jazz, Blues and News, Radio TV Sennheiser Microphone, Headphone, MD 421 N, #XK5 #B3 #NAMM #Musikmesse #HammondOrgan

hammondcast - 8. Okt, 17:48

AUDIO Audiophile Quality Pro Tools Recordings from NDR Studio 1 on HammondCast 25 Radio Broadcast

#LISTEN AUDIOPHILE HERE: AUDIO Audiophile Quality Pro Tools Recordings from NDR Studio 1 on HammondCast 25 Radio Broadcast

Jon's archive https://archive.org/details/HammondCast_25

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HammondCast 25 from organist/accordionist Jon Hammond, broadcasting from San Francisco with Clifford Brown Jr. & Chris Cortez talking about Jon's music and fresh new tracks from Jon's forthcoming record: "NDR SESSIONS Projekt" with saxophonist LUTZ BUCHNER, trombonist JOE GALLARDO, drummer HEINZ LICHIUS and JON HAMMOND on the new Hammond XK-3 organ/bass recorded in NDR Radio's Studo 1 with NDR Engineer RUDY GROSSER at the controls. Selections include "Satin Doll", Jon's composition "Payphone Johnny", "Polka Dots and Moonbeams", "No X-Cess Baggage Blues" and news of JON HAMMOND Band's upcoming tours..

NDR Studio 1 Control Room Musicians and Engineer Rudy Grosser

NDR's Knut Benzner with Norbert Hilbich Long-Time Sennheiser Senior Staff at Sennheiser Headquarters in Wedemark Germany - Knut holding

the famous White MD-421 Sennheiser Microphone he broadcasts with on NDR Radio for many years - best sound! Industry Standard! - Jon Hammond

Visit Jon Hammond's official website: http://www.HammondCast.com *Member Local 802 & Local 6 Musicians Union / ASCAP

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Developer(s) Digidesign (now merged into Avid)
Initial release January 20, 1989; 27 years ago
Stable release
Pro Tools 12.5.2 / September 6, 2016; 30 days ago
Written in C, C++, Assembly
Operating system OS X, Windows

Jon's archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow

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Youtube https://youtu.be/63ErHjQcRGU

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Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802

Jon Hammond with ASCAP's Seth Saltzman - Protect Your Music! - ASCAP I Create Music Expo Hollywood CA

Jon Hammond in concert Behind the Beat with Landesjugendjazzorchester Mecklenburg-Vorpommern in Zeughaus Wismar

Hillary took the Trump Chump to the Shed last night! No doubt about it:

Jon Hammond television interview with the great Roy Clark in Nashville!

Jon Hammond: Late Rent
by Steve Rosenfeld
Jon Hammond says "the fingers are the singers.’" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.
Late Rent
Label: Ham-Berger-Friz Records
Genre: Jazz
All Jon Hammond profiles…
The Late Rent Story
Jon Hammond waited half his life to make this CD – starting with being an underground TV host.
Swingin’ Funky Jazz & Blues
Jon Hammond describes his style of music and how he learned to play it.
Two Hot Tracks
Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session.
Sonny’s Advice
A little advice on melody from a great sax player went a long way.
http://behindthebeat.com/2004/12/jon-hammond-late-rent/

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Jon's archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak

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Youtube https://youtu.be/o2--TIC-frk

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Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues

Note from Jon Hammond
Video: Tino Pavlis
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Tuesday April 5th 2016 celebrating 30 years
Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Totò Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic - Jon's birthday cake by Saray Pastanesi Jon Hammond Band

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Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song

Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over):
Monophonic High fidelity Folks! True Hi-fi

Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old

Front and Back Jon Hammond's 1968 Gibson Byrdland

Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso!

Jon Hammond 1965 Fender Bandmast Blackface on the bench

Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom

Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser

foto by Christian Burkert:

Remembering our good friend Lutz Büchner on this broadcast!

Jon Hammond Show preview broadcast - first segment: Lutz Büchner - first solo up: Lutz!
https://archive.org/details/PocketFunkWithNDRHornsAusterJazz
Pocket Funk With NDR Horns Auster Jazz Filmed in High Definition
by Jon Hammond
As Seen On MNN TV Manhattan Neighborhood Network The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Bar Jazz Series - musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel - Jon Hammond Organ Group - next segment filmed in Asbury Park, NJ, The Stone Pony — Monday November 16, 1987: Howard Stern on his morning show on WXRK K-Rock 92.3 FM repeatedly asking
Steve Luongo “Who is this Joe Berger?” Jon Hammond: I was there in the station with my Sony D-7 recorder, Luongo kept dodging the question
saying “Oh we can’t talk about him right now.” That only inflamed Howard’s curiosity even more.
The truth of the story is that Joe Berger is the man who not only introduced John Entwistle to Rat Race Choir band which was already dysfunctional,
he convinced John to come to Chicago Summer The NAMM Show in 1987 to play a set with them at the Vic Theatre with a little bit of help from myself
Jon Hammond as documentarian for my cable TV program on MCTV – John Entwistle was already a long-time friend of Joe Berger and we filmed
him doing an epic jam in Frankfurt Germany together with Zak Starkey on drums, Joe Berger guitar, John Entwistle bass and special guests
Jack Bruce, Steve Stevens at the Soundcheck party in Dorian Gray nightclub inside the Frankfurt Airport on the night of February 2, 1987
musikmesse Party as seen on my TV show The Jon Hammond Show. Fast forward to November ’87, here we are at The Stone Pony
Joe Berger is at the mixing console, I am filming (Jon Hammond) with a special Sony industrial camera GCS-1 like film, I went all over the
world with my GCS-1 cameras documenting musical history for cable access broadcast, we are now in our 33rd year on MNN TV Channel 1 Manhattan Neighborhood Network
and streaming worldwide. It’s time to set the record straight on who Joe Berger2 is and how he put John Entwistle together with this group
which was already broken up and somehow between Joe Berger and John Entwistle they managed to keep them together enough to play
a short tour, even though they were fighting like babies off the stage (also on camera but I prefer not to show it) Mark Hitt did a fantastic job
on the guitar, Jack Hotop keyboards also outstanding, Steve Luongo played drums and was self-appointed tour manager which caused a lot of
problems in my humble opinion – Dave Chmela vocalist and Luongo are not even on speaking terms, a lot of things went wrong but this
documentary footage was early in the tour – the answer to Howard Stern’s question “Who is this Joe Berger” is right here folks!
Rock ’n Roll history, Bill Curbishly attended the K-Rock Blood Drive gig that kicked it off at The Bottom Line, after reporting back to Pete Townshend
about the gigs with John Entwistle and Rat Race Choir thanks to Joe Berger, Pete Townshend sent a telegram to John Entwistle, John told me
that Peter said for him to stop playing with the American blokes or there would never be a Who reunion. A few weeks later The Who John Entwistle,
Pete Townshend and Roger Daltry went in to rehearsals and a subsequent reunion tour after a period of being on non-speaking terms.
So thanks to Joe Berger and in part myself after we brought the films to England and delivered them to John Entwistle at his London house
from the Vic Theatre gig and Dorian Gray Nightclub Frankfurt, John felt confident enough to fly over to New York and make the tour, this footage is directly out of
my camera folks, enjoy it and keep the Spirit of the late great John Entwistle who very sadly passed away on June 27, 2002 in Las Vegas NV
at the Hard Rock Hotel, RIP John Entwistle – sincerely, Jon Hammond - Next segment: Mike Vax Takes it Up an Octave at JEN 2016 Louisville Louisville, Kentucky!
http://kernelpanichammondcast.blogspot.de/2016/03/mourning-lutz-buchner.html

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Topics Lutz Büchner, NDR-bigband, Horns, Auster Bar, Jon Hammond Band, NDR SESSIONS Projekt, Hamburg, #CableTV #HammondOrgan #CNNiReport

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Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

Vimeo https://vimeo.com/163154149

Youtube https://youtu.be/bWUOjMJx_Cg

Tobias Hartmann & Knut Benzner NDR Jazz Redaktion Büro - NDR SESSIONS Projekt - Jon Hammond

NDR Horns on Jon Hammond Band! Michael Leuschner, Lutz Büchner, Fiete Felsch with Heinz Lichius, Joe Berger and Jon Hammond in the rhythm section

AUDIO, Audiophile Quality, NDR Studio 1, Pro Tools, Radio Broadcast, #NDRJazz #Lutz #Radio #HammondOrgan

hammondcast - 8. Okt, 04:24

Donnerstag, 6. Oktober 2016

Jon Hammond's Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song

Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over):

Jon Hammond playing his 1968 Gibson Byrdland - owned since 18 years old

Front and Back Jon Hammond's 1968 Gibson Byrdland

Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone - Roy is a long-time Gibson Byrdland virtuoso!

Jon Hammond 1965 Fender Bandmast Blackface on the bench

Jon's Bandmaster Fender Head paired with Bag End 15" coaxial speaker bottom

Jon Hammond flanked by Sennheiser co-CEO's Dr. Andreas Sennheiser and Daniel Sennheiser

foto by Christian Burkert:

Sennheiser to open Soundscape Showroom in the Westfield World Trade Center
http://www.nydailynews.com/new-york/manhattan/daniel-sennheiser-open-soundscape-showroom-nyc-article-1.2815943 - Jon Hammond
"Daniel and Andreas Sennheiser who run the blossoming Sennheiser company, an audio business based in Germany. (CHRISTIAN BURKERT)"
BY
EBENEZER SAMUEL
NEW YORK DAILY NEWS
Monday, October 3, 2016, 2:47 PM
"Daniel Sennheiser knows exactly what he's up against.

Along with his brother Andreas, Daniel Sennheiser runs the blossoming Sennheiser company, a blossoming audio business based in Germany. But he's watched and admired New York City for a long time, come to appreciate the business challenges of the Big Apple.

And along the way, Sennheiser says, he's come to view New York City as a pivotal battleground for any business ready to go global.

"New York has been the beginning of a lot of things," Sennheiser says. "This is a melting pot, that has brought up so many things, brought up Broadway. New York is very fast-living. And that's positive in a sense that they're quick to pick up new trends and things.
"But that also means you need to make a certain amount of noise."

And now, it's time for Sennheiser to make some noise. In late October, the company will take up residence in the Big Apple, opening the Sennheiser Soundscape Showroom in the Westfield World Trade Center.

It's a venue that will be filled with Sennheiser's unique products, but the focus isn't on selling. Instead, Sennheiser is focused on introducing New Yorkers to its distinctive audio, part of a first step in establishing the company as a sound powerhouse in a nation that's spent the last few years in the midst of a great headphone awakening.

"We believe it's the right time for us to make a big splash to share our version of the future of audio with New York," says Andreas.

It's an intriguing vision from a company that's long delivered high-quality sound but has consistently lacked the profile of the bigger names in the industry. Beats by Dre and Bose own the majority of U.S. mindshare, and both companies are highly visible, utilized by both celebrities and major sports franchises.
Sennheiser has never had such presence, and that's mostly by choice. Look closely during your next NBA on TNT broadcast, and you may notice Sennheiser headsets on the play-by-play guys. But the company has historically done little marketing, preferring to let its devices shine on their own merits.

The Soundscape Showroom isn't the start of some massive ad campaign, either. But it is part of a company-wide initiative to be more visible in the United States, to draw more notice to an underrated line of products. Just a few years ago, the company set up a small pop-up store on the East Side. With the Soundscape Showroom, it's going bigger, aiming to be a national presence.

"It's to raise a little awareness. We're just not present enough," Daniel says, before talking proudly of Sennheiser's lore. "Sennheiser is the inventor of the hi-fi headphone. Not a lot of people know that."

Indeed, few realize just how potent Sennheiser products truly are. It was Sennheiser that released the first pair of open headphones way back in 1968, and it's Sennheiser that's continued to chase perfect, pure sound throughout the last few decades.

And it's Sennheiser that last year debuted the HE1 Orpheus, a handcrafted set of headphones powered by a massive amplifier built from marble and driven by gold-vaporized electrodes and platinum vaporized-diaphragms. It's a device that costs tens of thousands of dollars and is hardly for use with your iPad on the train - but it's a device that showcases Sennheiser's pursuit of high-level sound.

"Sennheiser has been on the forefront of audio strategy for years," says Daniel. "We just added the sexy aesthetics after we did the sound."

Sound remains the company's top priority, but in recent years, it's been pushing to match the more attractive headphones delivered by the likes of Beats and Bose. There's the Momentum line of headphones, a sharp-looking line of headphones with rugged leather bands that seem tailor made for the stylish Manhattanite.

And just this summer, Sennheiser released the PXC 550, a noise-canceling Bluetooth pair of cans designed to go head-to-head with Bose's QuietComfort line, but with touch controls built onto the earcups.
These products, says Daniel Sennheiser, are examples of Sennheiser's ability to adapt to culture, proof that the company's products truly can fit the New Yorker. The Sennheiser aesthetic is unique, and the Momentums are especially eye-catching units, as fashion-conscious as they come.

The hope is that consumers enter the Soundscape Showroom and see these products, falling in love with a new brand of headphone.

"The qualities (of Sennheiser headphones) are great — the material, the leather, the steal," Daniel says. "But you also have to have the opportunity to touch it. In our experience, audio is something you can't describe. You have to put it on your head.

"Sennheiser is not a brand for everyone. I think we're a brand for people who are in the know, who are creative, who really look for special things. That's why I think a place like New York is the place to be."

And that's precisely why Sennheiser is finally here, with the Soundscape Showroom as its first truly potent portal in the United States. The goal is to build from here, Andreas says, to finally aggressively cultivate the Sennheiser brand in the U.S.

It won't be easy, not with Beats and Bose dominant. But Sennheiser arrives prepared.

"We have a serious plan, but we're also nimble enough to adjust," says Daniel. "As Frank Sinatra said, 'If you can make it here, you can make it everywhere.'"

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

*WATCH THE FILM HERE: Head Phone Stick with Sennheiser

Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011  namm.org/ library/ oral-history/ jon-hammond  Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Company: Jon Hammond & Associates accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians  Jon Hammond   Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.  Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a ... of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs)

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"Interview: Co-CEO Dr Andreas Sennheiser" credit: PSN Europe http://www.psneurope.com/interview-co-ceo-dr-andreas-sennheiser/

"Dr Andreas Sennheiser took over the running of his family business with his brother Daniel in May of 2013. In the three years since, the company has released some notable technology – but there have been some serious changes at the company along the way. In an wide-ranging and candid interview, Dave Robinson discovers what the young co-CEO thinks about the $50k Orpheus headphones, the restructuring of the company, the fiercely competitive marketplace and what gets him out of bed in a morning…

Let’s begin with AMBEO, your 3D, immersive audio concept.

Dr Andreas Sennheiser: At CES, we launched something we’ve been working on for the last 5-7 years: algorithms for ‘immersive audio’. When we started research, we thought it was going to be relevant: it was a gut feeling that what exists wasn’t good enough. While we did research on these algorithms, we didn’t know where it was going to go, but with big content providers such as Universal and Red Bull Media embarking in 360-degree video and immersive audio recordings in the last 12-18 months, suddenly a huge new world has opened up for us. So, we’ve started to compile all the technology into distinct solutions for recording, mixing, processing, playing back. And that’s what we showed with the AMBEO brand at CES [and NAMM and PL+S]. It’s the starting point of something we will develop with our customers.

We really are positioning ourselves to take advantage of whatever 3D format emerges, a format with a higher emotional impact. Many artists have said to us, the only way to really connect with the audience the way they want to is to play live – but if they had a format that captured that, so that users at home could listen to it in a way similar to actually being there, then they would have a higher engagement with the listeners. That’s when we got serious about bringing AMBEO to the market.

At NAMM you demonstrated a surround-style ‘tetra mic’, with its ‘virtual miking technique’ software, which could change the way things are recorded…

The interesting thing about this is that we have to combine different technologies in order to make the immersive experience perfect; to integrate different technologies to make the transition from reality to virtual reality seamless.

With third party involvement?

By presenting it in its initial stage, it’s an invitation to our customers to think ahead, whether that’s a possible approach for them, how they would use it, and to find new applications for it. It’s all software based at the moment – we have a virtualisation algorithm, an upmix algorithm – we don’t really have a hardware decoder at this point, but if we see a stronger need, we can go in that direction, too.

Let’s talk about Orpheus, the HE 1, the ‘world’s most expensive headphone’.

The HE 1 for us is a product, a statement, and an indication of our innovation culture, to a certain extent. We could have said, we still have the Orpheus from 1991, it’s still considered the best headphone in the world, why do something better? But part of our culture is to not be happy with anything that exists now, regardless of whether we invented it or not. About 10 years ago, we decided it was the time for the world to experience the next level. On one hand, it’s beyond common sense. But, on the other, by being so intensively on the limits of physics, we learn so much for other applications.

You make it sound like the Space Programme…

Yes, exactly, and this pushes the entire Sennheiser culture into new ways. Think about the effect this has at the company when a group of people bring out a flagship that will be there for another couple of decades. That has a huge motivational impact on the other employees; at the same time, it tells the industry that what exists is not good enough for Sennheiser, so we will push it forward.

I’ve heard the HE 1s. They make sound ‘visceral’, I would suggest.

People have ‘seen’ things, heard things which they haven’t heard before, or been able to describe.

Do you think they are worth $50,000?

[Immediately] Absolutely. No doubt.

What sort of reaction have you had to them?

A product like this is dividing: people who rave about it, others who say, Is it worth the money? But to me, it’s not the point: it’s about buying into an exclusivity which sets you apart, in a positive way, from the masses. It’s connoisseurship. From the feedback we’ve got, most of the customers who are interested in the HE 1 are audiophiles who say, Audio is my life.

The original Orpheus had a run of some 300 units. When HE 1 ships later this year, will that be limited to 300 too?

We are not planning any limitation this time: but it is limited by the price and the capacity – making one per day – and the level of customisation. We have significant requests for customised versions.

You mean I can have them in pink?

Someone wants it in solid jade instead of marble, for instance. The exclusivity includes the concept of a one-off product, as long as the sound properties are not affected.

How many do you think you’ll be making?

We have more than 50 ordered. I don’t believe it’s going to stop at 100 or 200. I personally believe that it’s something that’s going to be with you for life, and we will offer servicing on it so it will be with you as long as you want to enjoy it.

Turning to the other end of the market, consumer headphones: it’s an increasingly aggressive and crowded marketplace. What is Sennheiser doing there?

We’re trying to be more focused on specific target groups. With the Momentum line, for example, we are targeting a specific type of personality, people who have a certain style and way of expressing themselves. We’re not just looking at price points and shelf space, and that will set us apart from just having X metres of headphone hangers.

You put into place a ‘selective distribution’ model a couple of years ago – other makes have done that too…

It ensures that the brand is represented in the appropriate way. If [our models] were at a cash-and-carry checkout for five pounds [six euros], it would just damage the brand. You can’t credibly have a product like that and the HE 1.

Are you worried that brands like Beats are changing the market?

It’s not necessarily a concern – it is, rather, keeping us on our toes. That increasingly competitive environment was beneficial in two ways: one, it grew the market; two, it forced us to think what Sennheiser is all about, what is at our core, what is our heritage. We’re the only ones to have the 1968 invention of the open-back HD 414 headphone; we’re the only one that has the innovation culture and heritage. How can we use that to be more relevant and have a higher value for the customer? So, with the success of the Momentum line, the higher end HD 800 line, the professional headphones – the HD 25 still being an icon – this process has been healthy for us because it gave us a stronger sense of identity which we are able to communicate.

How successful has the D9000 digital wireless system been?

It’s a huge success, especially in the last year where the ‘Digital Dividend’ [spectrum sell-off] in Japan gave us extra demand and business. Digital 9000 is successful beyond our initial imagination for a simple reason: we positioned and developed it as a system to be used on stage for singers and touring, because it was so flexible. But the corporate world has discovered it, because of its high-level encryption and flexibility in use. We saw a lot of companies adopt it, such as a major American retail chain. There’s a huge market there.

Since you and your brother Daniel became joint CEOs three years ago, you’ve restructured the company. I get the impression, some of that has been easy, and some of it has been hard. Is that correct?

We went from a territorial approach to a sales channel approach. In Europe, there’s no borders for commerce. Consumer is one part, professional is another, and so on.

In a reorganisation like that, you always have a working assumption. Sometimes you assume, sometimes you just hope for the best. The reorganisation was a great success, especially with the feedback we got from our customers. Did everything work out like we planned? With a change of that magnitude, we discovered things we had to fine-tune. That was a learning experience. For us it was more important to go in the direction that makes sense for the future rather than stay with something we know but might not be any longer relevant.

Some of your ideas were quite radical: staff had to look at their roles within the company and say, this is what I do, and this is what I want to do…

You are spot on. We had hundreds of people in new roles, so there was an element of change management.

…Which can be difficult.

Absolutely! And I have empathy with people who are uncertain for a period, who have to find their role and it’s not all clear from Day One. But part of our culture is to go through changes with our employees, and that means everyone can design their future and their fate, which brings the downside of uncertainty with it.

But some people don’t want to do that.

Yes, but it’s part of our nature to involve people in their own destiny rather than giving them 100% certainty but no influence.

The impression I got from the staff video, made for the company’s 70th anniversary last year, is that your employees are pleased to be a part of the Sennheiser phenomenon. The smiles from the people in the factory were natural, not forced.

The passion and commitment, the joy of what we do is everywhere at Sennheiser. And that’s really part of my personal motivation. Seeing people committed to that extent gives me a reason to go forward.

Do you ever feel the burden of the family legacy, though? When you wake up, do you ever think, [in panicked voice] ‘Oh God, I’m running Sennheiser!’…?

[Smiling broadly] With great responsibility comes a certain weight. You have to think about what is good for the company, the customers, the employees. There are moments of doubt and pressure, but all-in-all, what makes me so confident of getting up in the morning is that I’m not alone here, there are 2,700 people who are highly committed and enjoy what they do. It’s not on my shoulders, it’s on 2,700 pairs of shoulders making their own destiny. With that in my mind, it’s easy to get up and assume that responsibility.

Good answer! What do you think you still need to do at the company?

Become quicker, more nimble to reacting to customer feedback.

Sennheiser seems to think about what it’s going to do, thinks some more, and then makes its move. It took you ages to adopt Dante, for instance. That approach can be positive – but negative too.

If 80% of our decisions are well-thought through and strategically directed, that’s exactly what we need. In hindsight, we could have taken some decisions earlier. On the other hand, ‘German engineering and thinking’ takes time. What our next challenge will be, is to preserve the thoroughness of where we want to go, but add an element of ‘start-up’ activity. A start-up culture with 70 years of experience, if you will. If we can do that, then we will be even quicker when supplying the customers with what they want.

Last question: the factory is on fire – you run in and grab three items. What are they?

First, the photo of my grandfather [Fritz Sennheiser, who started the company]. Second, the Emmy Award. [In 2013, Sennheiser was awarded the Philo T. Farnsworth Award, presented to a company whose “contributions over time have significantly impacted television technology and engineering”.] Third, my trolley, which holds all the stuff I use for daily work…

But which one product do you put on that trolley?

The D9000.

Not a classic microphone or headphone?

D9000 is a statement of innovation, and is ‘classic’ at the same time. It’s one of a kind. It’s an icon. It shows all the competency that’s in this company.

www.sennheiser.com

Sennheiser Wiki https://en.wikipedia.org/wiki/Sennheiser

Sennheiser electronic GmbH & Co. KG (/ˈsɛnhaɪzər/; branded Sennheiser) is a private German audio company specializing in the design and production of a wide range of both consumer and high fidelity products, including microphones, headphones, telephony accessories, and avionics headsets for consumer, professional, and business applications.

ndustry Audio electronics
Founded 1945 (as Labor W)
Headquarters Wedemark, Hanover, Lower Saxony, Germany
Key people
Fritz Sennheiser, founder
Daniel Sennheiser, CEO and Chairman of the Board
Products Audio electronics for consumer, professional, and business uses
Owner Sennheiser family
Number of employees
2,183 as of 2011

The company was founded in 1945, just a few weeks after the end of World War II, by Fritz Sennheiser (1912–2010)[2][3] and seven fellow engineers of the University of Hannover in a laboratory called Laboratorium Wennebostel (shortened, "Lab W"). The laboratory was named after the village of Wennebostel in the municipality of Wedemark to where it had been moved due to the war. Its first product was a voltmeter.[1] Lab W began building microphones in 1946 with the DM1, and began developing them in 1947 with the DM2. By 1955, the company had 250 employees, and had begun production of many products including but not limited to: geophysical equipment, the Noise-Compensated microphone (DM4), microphone transformers, mixers, and miniature magnetic headphones. Labor W was renamed 'Sennheiser electronic' in 1958.[citation needed]

In 1968, Sennheiser released the world's first open headphones.[4] The introduction of open headphones affected the headphone market as they were able to produce a more natural sound that many users preferred.[5]

Sennheiser was transformed into a limited partnership (KG) in 1973. In 1980, the company entered the aviation market, supplying Lufthansa with headsets.[6][7]

The company began producing modern wireless microphones in 1982, the same year when founder Fritz Sennheiser handed the management of the company over to his son, Jörg Sennheiser. In 1987, Sennheiser was awarded at the 59th Academy Awards for its MKH 816 shotgun microphone.

Also in 1991, Georg Neumann GmbH, Berlin, which builds studio microphones, became a part of Sennheiser.[8][9]

In 1996, Sennheiser received an Emmy Award for its advancements in RF wireless technology.[10] Also in 1996, Sennheiser became a private limited company (GmbH and Co. KG). Since then, Sennheiser has maintained its tradition of high quality audio technology, and still maintains those high standards today. Professor Dr. Fritz Sennheiser died in 2010.

On July 1, 2013, Daniel Sennheiser and Andreas Sennheiser were promoted to the position of CEO responsible for Sennheiser electronic GmbH & Co. KG.[11]

In October 2013, Sennheiser received the prestigious Philo T. Farnsworth Award at the 65th Primetime Emmy®Engineering Awards in Hollywood.[12] In May 2014, Sennheiser founded a new competence center for innovative streaming solutions, Sennheiser Streaming Technology GmbH (SST).
Locations

Sennheiser is headquartered in the municipality of Wedemark, Germany (near Hannover). Its United States headquarters is located in Old Lyme, Connecticut. The company has factories in Wennebostel (Wedemark, near Hanover); Tullamore, Ireland (since 1990); and Albuquerque, New Mexico (since 2000). Sennheiser's R&D facilities are located in Germany, Denmark, Switzerland, Singapore and San Francisco, California.
Products
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Sennheiser is mainly known for its consumer headphones and professional microphones. The most famous microphones by Sennheiser are the MKH 416 short shotgun, which came to be the Hollywood standard shotgun microphone, and the 816, similar in design with longer reach. Its also makes wireless microphones. Subsidiary products include aviation, multimedia and gaming headsets, micro-Hifi systems, conferencing systems, speakers and amplifiers.

Jon's archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55

Youtube https://youtu.be/uFFMVHCkZ8w

Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours

Joe Berger
Interview Date: January 20, 2012
Job Title: Musician, Product Endorser - short version here also
http://www.namm.org/library/oral-history/joe-berger
Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and "ear", Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show.
Tony Arambarri, Dan Del Fiorentino - NAMM Historians
Categories:
concert production
electric guitars
Guitars-Amps-Fretted
Jon Hammond
mixing consoles
Musicians
Musik Messe Frankfurt
NAMM Show
New York City NY
product endorsers

Run time 55 minutes 4 seconds
Audio/Visual sound

Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller

Alpha Jon Hammond - http://hammondcast.tumblr.com

Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt - Jon Hammond Band performs at 9PM

Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide

FULL HIGH DEFINITION VERSION
29th Year! Jon Hammond's musikmesse Warm Up Party jazzkeller - Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed!

Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html

MY HOME AWAY FROM HOME

Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.

JOURNAL FRANKFURT: Was war für Sie zuerst da - die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show -- Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden - wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses "lucky light on me", eine tolle Erfahrung. Seitdem nenne ich Frankfurt "My Good Luck City" und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine "Musikmesse Warm Up Party" dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das - mit einer Sondergenehmigung des US Militärs - durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN "Profile TV "-Show "Sound Police". Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich "Swinging Funky Jazz and Blues" und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

Interview: Detlef Kinsler

Jon Hammond - organ Joe Berger - guitar Peter Klohmann - saxophone Giovanni Gulino - drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ "Classic Hammond Sound...In A Suitcase!" The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound - 100% organic

As seen on MNN TV Cable TV Show The Jon Hammond Show 32nd year -- Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Journal Frankfurt, Journalkalendar, Jon Hammond, musikmesse, Warm Up Party, Hammond Organs, Frankfurt, Blues, Jazz, Soft News, MNN TV Channel 1 - Jazz Party of The Year! #JazzParty #CNNiReport

Producer Jon Hammond
Language English

Jon's archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond

by Jon Hammond

48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions!
"Head Phone" by Jon Hammond arranged by Todd Anderson
"Lydia's Tune" by Jon Hammond arranged by Todd Anderson
"Late Rent" by Jon Hammond arranged by Todd Anderson
"Pocket Funk" by Jon Hammond arranged by Todd Anderson
"Have a Nice Day Blues" by Todd Anderson arranged by Todd Anderson
*Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond's teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show "The Jon Hammond Show" still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan's East Side, 230 year old school K - 12th grade. Top sight reading musicians gather weekly - more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI

Photographs Courtesy of Elmar Lemes