Sonntag, 19. Juni 2016

Hammond USA: Sound Soul Summit V to rock Nashville NAMM - I'm on this program folks, Jon Hammond

Jon's Journal

Sound Soul Summit V to rock Nashville NAMM

http://hammondorganco.com/sound-soul-summit-v-to-rock-nashville-namm/

FOR IMMEDIATE RELEASE:

Sound Soul Summit V to rock Nashville NAMM


SummerNAMMHAMMOND ORGAN’S SOUND SOUL SUMMIT V TO ROCK NASHVILLE 



"Top Artists To Unite At NAMM Expo Launching Revolutionary New Instrument"

"HAMMOND ORGAN USA announces the lineup for the fifth Sound Soul Summit, to be held during the Summer NAMM Show on June 23, 2016. The Summit is co-sponsored by Keyboard Magazine and Soundcheck LLC, Nashville.
Following the course of previous Sound Soul Summits, Hammond Organ brings together some of their roster’s top artists playing their hits and banding together for once-in-a-lifetime jams. Previous Summits have featured such great artists as Keith Emerson, Felix Cavaliere of The Young Rascals, and Gregg Rolie of Santana and Journey.
This show is particularly significant, as it will feature the first public showing of Hammond’s new XK-5 organ and Heritage Series expanded systems, which represent the cutting edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3.
Music Director Mark Prentice will lead a top Nashville-based rhythm section (Charlie Morgan and Mike Severs) supporting the Hammond Artist All-Stars, including the living jazz legend Dr. Lonnie Smith, Grammy nominee Paul Brown, Red Young, Jon Hammond, Peter Gallinari, Kevin McKendree (Brian Setzer, Joe Bonamassa) and Yates McKendree, the Reverend Jimmie Smith, and Kim Tibbs. Robby Robinson (musical director for Frankie Valli) will be on hand, as will Jim Alfredson, Gary Swan, Christian Matthew Cullen, and this year’s DownBeat Critic’s Choice Poll winner Brian Charette, and more.
It’s very rare that this many accomplished Hammond organists get to play together, so the excitement level among the musicians is as high as it is for the audience. It’s even rarer to experience players from different genres jamming together. As in past years, some surprise guests are sure to turn up. Four years after the first Sound Soul Summit, attendees still remember it as a highlight of their NAMM experience.
The HAMMOND Sound Soul Summit V will be held Thursday, June 23r, 2016 at 7 P.M. at the Soundcheck Complex, 750 Cowan St., Nashville, TN 37207. Ticketed admission only, with tickets available at the Hammond Booth #430 on the Summer NAMM exhibit floor, or from your official Hammond factory sales representative."


"THE NEW ORIGINAL!! ANNOUNCING THE HAMMOND XK-5 »« Dr. Lonnie Smith named NEA Jazz Master for 2017"

Nashville Summer NAMM Scheduled Performance Info Jon Hammond Funk Unit Just Added: Chuggy Carter Percussion

Event https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit

I'll be playing the new Hammond XK-5 Organ in Nashville next week with some good friends at the Hammond organ event on night of June 23rd - from my good friends at Suzuki Musical Instruments​, my friend Masato Tomie is one of the main development engineers - sounds and plays just like the old B3 with multi-contact 3x3 waterfall keys...brilliant! We are going to get real funky at SoundCheck Nashville​ Studios - Jon Hammond​
Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut



With Joe Berger guitar, Kayleigh Moyer drums and Chuggy Carter percussion - hear the new XK-5 as Jon Hammond plays his hits "Get Back in The Groove" "Pocket Funk" "Late Rent" !



Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator



Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! - Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit


*WATCH THE MOVIE HERE: NAMM Showcase Believe in Music Awards Jon Hammond


Jon's archive https://archive.org/details/NAMMBelieveInMusicAwardsAndPurdieShuffleBrunchSet


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Believe in Music Awards, Roy Burns, NAMM Show, Joe Lamond, Dom Famularo, Jon Hammond, Bernard Purdie, Funky Jazz, Blues, Hammond Organ, Suzuki Musical Instruments, ASCAP Composer, Musicians Union, Associated Musicians of Greater New York, Local 802 AFM



Big thanks to The NAMM Show Team for this recognition award, beautiful plaque "Believe in Music" award! I'm afraid to hang it on the wall in case there's an earthquake...back in the box for now, Jon Hammond




Jon's archive https://archive.org/details/LATERENTJonHammondThemeSong


Youtube https://youtu.be/q9P2CLCW6RU


Vimeo https://vimeo.com/168027875

133709526657853

Facebook video https://www.facebook.com/hammondcast/videos/10153484591607102/


Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt



- LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis http://www.HammondCast.com


Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604



Event Information

Event Date:
Friday, June 24, 2016 - 2:00pm to 2:40pm
Location:
Music City Center, NAMM Nissan Stage on The Terrace
Add to Calendar

*WATCH THE FILM HERE: Acoustic Nation NAMM Concert Lydia's Tune In Nashville Tennessee Jon's archive https://archive.org/details/AcousticNationNAMMConcertLydiasTuneInNashvilleTennessee1 by Jon Hammond

Jon's archive https://archive.org/details/EnhancedAudioJonHammondShowPreviewAirTime0130AMOn0618MNNTVCableAndStreaming1


Facebook Video https://www.facebook.com/hammondcast/videos/10153524137387102/

by Jon Hammond



Jon Hammond Show with enhanced audio cable access TV program late Fri. night / early Sat. morning 01:30 AM Manhattan Neighborhood Network Channel 1 - Music Travel and Soft News with original music and stories from Jon Hammond, 34th year now streaming all over the world, Jon Hammond Band performing internationally on perpetual tour, Jon Hammond's original compositions Funky Jazz and Blues - Hammond Organist and Accordionist, piano and guitar - member AFM Local 802 and Local 6 ©JON HAMMOND International ASCAP http://www.HammondCast.com - Manhattan Neighborhood Network -MNN - Associated Musicians of Greater New York, Local 802 AFM & AFM Local 6


Producer Jon Hammond
Language English

Jon's archive https://archive.org/details/JonHammondBirdlandLydia_sTuneJonHammondBand


Missing man formation - very sadly, Lutz Büchner still on the band here - happy night in BIrldand Hamburg! - Jon Hammond
L to R Lutz, Jon, Joe, Heinz





Lydia's Tune: 
Lutz Büchner tenor saxophone, Heinz Lichius drums
, Joe Berger guitar, 
Jon Hammond organ, return engagement here at Birdland with many friends in the house. - Gärtnerstr. 122 Hamburg Eimsbuttel





NDR release: https://www.ndr.de/orchester_chor/bigband/band/Trauer-um-Lutz-Buechner,buechner146.html

Hammond Event, Players Summit, Product Showcase, XK-5, Soundcheck Nashville, #HammondOrgan #Nashville #NAMMShow

Samstag, 18. Juni 2016

Nashville Summer NAMM Scheduled Performance Info Jon Hammond Funk Unit Just Added

Nashville Summer NAMM Scheduled Performance Info Jon Hammond Funk Unit Just Added: Chuggy Carter Percussion

Event https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit

I'll be playing the new Hammond XK-5 Organ in Nashville next week with some good friends at the Hammond organ event on night of June 23rd - from my good friends at Suzuki Musical Instruments​, my friend Masato Tomie is one of the main development engineers - sounds and plays just like the old B3 with multi-contact 3x3 waterfall keys...brilliant! We are going to get real funky at SoundCheck Nashville​ Studios - Jon Hammond​
Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut



With Joe Berger guitar, Kayleigh Moyer drums and Chuggy Carter percussion - here the new XK-5 as Jon Hammond plays his hits "Get Back in The Groove" "Pocket Funk" "Late Rent" !



Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator



Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! - Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

FOR IMMEDIATE RELEASE: The Legendary Charlie Daniels Band, Country Rocker Craig Wayne Boyd and Full Line-up of Artists to take over Summer NAMM
June 8, 2016
Summer NAMM, the industry’s largest and most vibrant music products tradeshow returns to Nashville’s Music City Center June 23-25 for its biggest year yet. This year’s show will feature new and returning attendees from among the top brands in musical instruments, gear, technologies and accessories, and will include a robust line-up of artists who will perform all three days of the annual gathering. 
Thursday, the opening day of the show will end on a high note with a one-of-a kind performance from multi-instrumentalist, storyteller and living legend, Charlie Daniels. The Charlie Daniels Band is best known for their hits “The Devil Went Down to Georgia” and “The South’s Gonna Do It Again” among many others over the span of their 50+ year career. Daniels and band will treat Summer NAMM attendees to a memorable performance on the NAMM Nissan Terrace Stage starting at 6:00 p.m. 
On Saturday at 1:00 p.m., the Terrace stage will welcome Texas-born and raised country singer and multi-instrumentalist, Craig Wayne Boyd.  Boyd first came to prominence as the winner of the seventh season of The Voice (2014), where his singing voice, playing, and easy musical versatility made him a fan favorite on the show. 
Saturday also welcomes the 33rd Annual American Eagle Awards. This year’s honorees include Vince Gill, Emmylou Harris and the Grand Ole Opry. The American Eagle Awards honor individuals that have made significant contributions to the music in America. The awards are produced by the National American Music Council in cooperation with NAMM, and will be open to all Summer NAMM badge holders.
Each day of the Summer NAMM Show, the NAMM Nissan Terrace Stage will present live music beginning at 10:00 a.m. with an exciting lineup of artists with a variety of musical styles.  Thursday’s lineup includes soul/rock artist Paul Childers, country singer Lauren Alexander, and acoustic double neck guitarist Ian Ethan Case, among others. On Friday, the dynamic duo and fingerstylings of the Constable Sisters, singer/songwriter Josh Farrow, country act Brian Rhea, and more will provide for an entertaining day of live music. Saturday’s acts include guitarist Jeff Radford and pop/country duo the Truman Brothers, as well as other talented acts.

NAMM NISSAN STAGE SCHEDULE 
(All acts and times subject to change)  
Thursday, June 23
10:00a.m.       Summer Pittman (http://soundcloud.com/summerpittman/stranger)
11:00a.m.       Laura B. Whitmore (www.laurabwhitmore.com)
12:00p.m.       Paul Childers (http://paulchilders.com)
1:00p.m.         Lauren Alexander (www.laurenalexander.com)
2:00p.m.         Ian Ethan Case (www.ianethan.com)
3:00p.m.         The Depth and the Whisper (www.thedepthandthewhisper.com)
4:00p.m.         James Robert Webb (http://www.jamesrobertwebb.com)
6:00p.m.         The Charlie Daniels Band (www.charliedaniels.com)

Friday, June 24
10:00a.m.       Constable Sisters
11:00a.m.       Sally and George (www.sallyandgeorge.com)
12:00p.m.       Josh Farrow Presented by Lightning 100  (www.joshfarrow.com)
1:00p.m.         Olivia Henken (http://oliviacountry.com)
2:00p.m.         Jon Hammond Funk Unit (http://www.jonhammondband.com)
3:00p.m.         Bobby Long (www.musicbobbylong.com)
4:00p.m.         Taylor Tote Band (www.taylortote.com)
5:00p.m.         Brian Rhea (www.brianpaulrhea.com)

Saturday, June 25
10:30a.m.       Savannah Keyes
11:30a.m.       Jeff Radford (www.jeffradford.com)
1:00p.m.         Craig Wayne Boyd (www.craigwayneboyd.com)
1:00 p.m.        American Eagle Awards, honoring Vince Gill, Emmylou Harris and the Grand Ole Opry (www.musiccouncil.org/american-eagle-awards/)
3:00p.m.         Truman Brothers (www.trumanbrothers.com)

Chalise Zolezzi

NAMM 
Director of PR and Social Media 
Phone:
(760) 438-8001 
e-mail:
chalisez@namm.org 


About NAMM


The National Association of Music Merchants (NAMM) is the not-for-profit association with a mission to strengthen the $16.6 billion music products industry. NAMM is comprised of approximately 10,300 members located in 102 countries and regions. NAMM events and members fund The NAMM Foundation's efforts to promote the pleasures and benefits of music, and advance active participation in music making across the lifespan. For more information about NAMM, please visit www.namm.org, call 800.767.NAMM (6266) or follow the organization on FacebookTwitter and YouTube.
*WATCH THE MOVIE HERE: NAMM Showcase Believe in Music Awards Jon Hammond


Jon's archive https://archive.org/details/NAMMBelieveInMusicAwardsAndPurdieShuffleBrunchSet


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Believe in Music Awards, Roy Burns, NAMM Show, Joe Lamond, Dom Famularo, Jon Hammond, Bernard Purdie, Funky Jazz, Blues, Hammond Organ, Suzuki Musical Instruments, ASCAP Composer, Musicians Union, Associated Musicians of Greater New York, Local 802 AFM



Big thanks to The NAMM Show Team for this recognition award, beautiful plaque "Believe in Music" award! I'm afraid to hang it on the wall in case there's an earthquake...back in the box for now, Jon Hammond




Jon's archive https://archive.org/details/LATERENTJonHammondThemeSong


Youtube https://youtu.be/q9P2CLCW6RU


Vimeo https://vimeo.com/168027875

133709526657853

Facebook video https://www.facebook.com/hammondcast/videos/10153484591607102/


Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt



- LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis http://www.HammondCast.com


Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604





by Jon Hammond


Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm
Up Party - "Get Back in The Groove" - Peter Klohmann tenor saxo, Joe
Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond
Sk1 organ with many special friends in the house jonhammondband.com - video Tino Pavlis


Producer Jon Hammond
Language English

Youtube https://youtu.be/Tm2ZFE5V4As

Vimeo https://vimeo.com/164279506

Facebook video https://www.facebook.com/jonhammondband/videos/1271197279575733/




Getting ready for my 10th ASCAP "I Create Music" EXPO - Hollywood CA!
Jon Hammond



Event Information

Event Date:
Friday, June 24, 2016 - 2:00pm to 2:40pm
Location:
Music City Center, NAMM Nissan Stage on The Terrace
Add to Calendar

*WATCH THE FILM HERE: Acoustic Nation NAMM Concert Lydia's Tune In Nashville Tennessee Jon's archive https://archive.org/details/AcousticNationNAMMConcertLydiasTuneInNashvilleTennessee1 by Jon Hammond

Funk Unit, Nashville NAMM, Scheduled Performance, Funky Jazz, #XK-5 #HammondOrgan #NAMMShow

Sony GCS-1 SuperBetaMovie Industrial Camera in the field with Jon Hammond

Sony GCS-1 SuperBetaMovie Industrial Camera in the field with Jon Hammond - I wore out 3 of these cameras filming for my Public Access

TV Show The Jon Hammond Show on MCTV, MNN TV and now streaming - we are still on 34th year late Friday nights / early Saturday mornings

01:30 AM EST - 28 minute program, Music, Travel and Soft News

The camera was way ahead of it's time! - Jon Hammond



John Entwistle of The Who with Jon Hammond and his Sony GCS-1 - John is playing one of his custom made Warwick Buzzard basses, pure ebony





WATCH GCS-1 Vintage Jon Hammond Show Here: Jon Hammond Show


Jon's archive https://archive.org/details/JonHammondCIrca89JonHammondShowMCTVwEddieMoneyJohnEntwistleJoeBergerBonusKennyBridgeDiver


Action-packed vintage clip from the long-running (24th year) NYC cable-access TV show "The Jon Hammond Show" has classic opening with Video by LORI, Eddie Money spot filmed the night he did David Letterman with Ronnie Spector "Take Me Home Tonight". Also a spot for Joe Berger's Impromptu Video Movie with voice-over by Jon Hammond featuring John Entwistle (RIP) of the WHO & Jack Bruce of CREAM. This spot was a noble attempt at marketing that went awry. Joe unfortunately got ripped off by the people who were supposed to run the ad nation-wide 1989, but we've got it for you here..enjoy! ©2007 http://www.HammondCast.com *BONUS: Kenny the Belly-flop Bridge Swan Diver..ouch!


Betamax Wiki https://en.wikipedia.org/wiki/Betamax

Betamax (also called Beta, and referred to as such in the logo) is a consumer-level analog videocassette magnetic tape recording format developed by Sony, released in Japan on May 10, 1975. [1] The first Betamax introduced in America was the LV-1901 console, which included a 19" color monitor, and appeared in stores in early November, 1975. The cassettes contain .50 in (12.7 mm)-wide videotape in a design similar to the earlier, professional .75 in (19 mm) wide, U-matic format. The format is obsolete, having lost the videotape format war[2] to VHS. Betamax recorders ceased production in 2002, but the format's cassette tapes were available until March 2016, when Sony discontinued them.[3]

Like the rival videotape format VHS (introduced in Japan by JVC in October 1976[4] and in the United States by RCA in August 1977[5]), Betamax had no guard band and used azimuth recording to reduce crosstalk. According to Sony's own history webpages, the name came from a double meaning: beta being the Japanese word used to describe the way signals were recorded onto the tape, and from the fact that when the tape ran through the transport, it looked like the Greek letter beta (β). The suffix -max, from the word "maximum", was added to suggest greatness.[6] In 1977, Sony came out with the first long play Betamax VCR, the SL-8200. This VCR had two recording speeds: normal, and the newer half speed. This provided two hours recording time on the L-500 Beta videocassette. The SL-8200 was to compete against the VHS VCRs which had 2 or 4 hours of recording time.[7]

Sanyo marketed a version as Betacord, but this was also referred to casually as "Beta". In addition to Sony and Sanyo, Beta-format video recorders were manufactured and sold by Toshiba, Pioneer, Murphy, Aiwa, and NEC. The Zenith Electronics Corporation and WEGA Corporations contracted with Sony to produce VCRs for their product lines. Department stores like Sears (in the United States and Canada) and Quelle (Germany) sold Beta-format VCRs under their house brands, as did the RadioShack chain of electronic stores. Betamax and VHS competed in a fierce format war, which saw VHS come out on top in most markets.

n early 1985, Sony would introduce a new feature, High Band or SuperBeta, by again shifting the Y carrier—this time by 800 kHz. This improved the bandwidth available to the Y sideband and increased the horizontal resolution from 240 to 290 lines on a regular-grade Betamax cassette. Since over-the-antenna and cable signals were only 300–330 lines resolution, SuperBeta could make a nearly identical copy of live television. However, the chroma resolution still remained relatively poor, limited to just under 0.4 MHz or approximately 30 lines resolution, whereas live broadcast chrominance resolution was over 100 lines. The heads were also narrowed to 29 μm to reduce crosstalk, with a narrower head gap to play back the higher carrier frequency at 5.6 MHz. Later, some models would feature further improvement, in the form of Beta-Is, a high band version of the Beta-I recording mode. There were some incompatibilities between the older Beta decks and SuperBeta, but most could play back a high band tape without major problems. SuperBeta decks had a switch to disable the SuperBeta mode for compatibility purposes. (SuperBeta was only marginally supported outside of Sony, as many licensees had already discontinued their Betamax line.)[19][20]

In 1988, Sony would again push the envelope with ED Beta, or "Extended Definition" Betamax, capable of up to 500 lines of resolution, that equaled DVD quality (480 typical). In order to store the ~6.5 MHz-wide luma signal, with the peak frequency at 9.3 MHz, Sony used a metal formulation tape borrowed from the Betacam SP format (branded "ED-Metal") and incorporated some improvements to the transport to reduce mechanically induced aberrations in the picture. Beta ED also featured a luminance carrier deviation of 2.5 MHz, as opposed to the 1.2 MHz used in SuperBeta, improving contrast with reduced luminance noise.[21]

Sony introduced two ED decks and a camcorder in the late 1980s. The top end EDV-9500 (EDV-9300 in Canada) deck was a very capable editing deck, rivaling much more expensive U-Matic set-ups for its accuracy and features, but did not have commercial success due to lack of timecode and other pro features. Sony did market Beta ED to "semiprofessional" users, or "prosumers". One complaint about the EDC-55 ED CAM was that it needed a lot of light (at least 25 lux), due to the use of two CCDs instead of the typical single-CCD imaging device. The Beta ED lineup only recorded in BII/BIII modes, with the ability to play back BI/BIs.[22]

Despite the sharp decline in sales of Betamax recorders in the late 1980s and subsequent halt in production of new recorders by Sony in 2002, both Betamax and SuperBetamax are still being used by a small number of people. New cassettes are still available for purchase at online shops and used recorders are often found at flea markets, thrift stores or on Internet auction sites. Early format BetaCam cassettes—which are physically based on the Betamax cassette—continue to be available for use in the professional media.

Comparison with other video formats[edit]

Size comparison between a Betamax cassette (top) and a VHS cassette (bottom).
Below is a list of modern, digital-style resolutions (and traditional analog "TV lines per picture height" measurements) for various media. The list only includes popular formats. All values are approximate NTSC resolutions. For PAL systems, replace "480" with "576". Note that listed resolution applies to luminance only, with chroma resolution usually halved in each dimension for digital formats, and significantly lower for analog formats.

Resolution based on the quality with a standard Kell factor of 0.7:[citation needed]

350×480 (250 lines per picture height): Umatic, Betamax, VHS, Video8
420×480 (300 lines per picture height): Super Betamax, Betacam (professional)
460×480 (330 lines per picture height): Analog Broadcast
590×480 (420 lines per picture height): LaserDisc, Super VHS, Hi8
700×480 (500 lines per picture height): Extended Definition Betamax
Pal Systems,

350×576 (250 lines per picture height): Umatic, Betamax, VHS, Video8
420×576 (300 lines per picture height): Super Betamax, Betacam (professional)
460×576 (330 lines per picture height): Analog Broadcast
590×576 (420 lines per picture height): LaserDisc, Super VHS, Hi8
700×576 (500 lines per picture height): Extended Definition Betamax
[23][not in citation given]

Digital formats Quality based on the resolution with a standard Kell factor of 0.7:[citation needed]

352×240 (240 lines per picture height): Video CD
480×480 (330 lines per picture height): SVCD
720×480 (504 lines per picture height): 4:3 DVD, Anamorphic Widescreen DVD, DV, miniDV, Digital8
720×360 (504 lines per picture height): Letterbox Widescreen DVD
1280×720 (896 lines per picture height): AVCHD-lite (720p)
1440×1080 (1080 lines per picture height): miniDV (high-def variant)
1920×1080 (1344 lines per picture height): (1080i/p) AVCHD, Blu-ray, HD DVD
Tape lengths[edit]
Both NTSC and PAL/SECAM Betamax cassettes are physically identical (although the signals recorded on the tape are incompatible). However, as tape speeds differ between NTSC and PAL/SECAM, the playing time for any given cassette will vary accordingly between the systems. Other unusual lengths were produced from time to time, such as L-410.

For NTSC only, BI is standard speed, BII is 1/2 speed, BIII is 1/3 speed
Common tape lengths
Tape label Tape length Recording time
ft m BI BII BIII PAL/SECAM
L-125 125 38 15 min 30 min 45 min 32 min
L-165 166 2/3 51 20 min 40 min 60 min (1 h) 43 min
L-250 250 76 30 min 60 min (1 h) 90 min (1:30 h) 65 min (1:05 h)
L-370 375 114 45 min 90 min (1:30 h) 135 (2:15 h) 96 min (1:36 h)
L-500 500 152 60 min (1 h) 120 min (2 h) 180 min (3 h) 130 min (2:10 h)
L-750 750 229 90 min (1:30 h) 180 min (3 h) 270 min (4:30 h) 195 min (3:15 h)
L-830 833 1/3 254 100 min (1:40 h) 200 min (3:20 h) 300 min (5 h) 216 min (3:36 h)
Home movies [edit]
Two-piece camera/VCR systems rapidly displaced Super 8 mm film as the medium of choice for shooting home movies and amateur films. These units included a portable VCR, which the videographer would carry by a shoulder strap, and a separate camera, which was connected to the VCR by a special cable. At this point, Beta had several advantages over VHS systems. The smaller Beta cassette made for smaller and lighter VCRs.

However, consumers wanted a one-piece solution. The first one-piece consumer camcorder, the Betamovie, came from Sony. A major requirement for a one-piece camcorder was miniaturizing the recording head drum, and Sony's solution to this involved a nonstandard video signal which would become standard only when played back on full-sized VCRs. A side effect of this was that Beta camcorders were record-only: consumers saw this as a major limitation.

VHS manufacturers found a better solution to drum miniaturization (it involved four heads doing the work of two). Because it used standard video signals, VHS camcorders could review footage in the camcorder and copy to another VCR for editing. This shifted the home movie advantage dramatically away from Beta, and was a primary reason for the loss of Beta market share: owners of Beta VCRs found that a VHS camcorder would allow them to copy and edit footage to their Beta deck – something that Betamovie could not do. If rental movies were not available in Beta, they could rent them in VHS and use their camcorder to play them. Owners of VHS VCRs could also choose a variant camcorder format called VHS-C. This used a miniaturized cassette to make a camcorder smaller and lighter than any Betamovie.

Sony could not duplicate the functionality of VHS-C camcorders, and seeing the rapid loss of market share, eventually introduced the Video8 format. Their hope was that Video8 could replace both Beta and VHS for all uses. For more information, see the article on camcorders.[24]

End of production[edit]
On November 10, 2015 Sony announced [25] that it would no longer be producing Betamax video cassettes. Production and sales ended March 2016 after nearly 41 years of continuous production.


Jon's archive https://archive.org/details/6842260604


Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV - First segment: Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis - Second segment: First playing of the Todd Anderson arrangement of "Lydia's Tune" by Jon Hammond - Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra - #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school established on Manhattan's East Side - David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com/
TV Producers of Manhattan Neighborhood Network [MNN]​ - Manhattan Neighborhood Network​ - Associated Musicians of Greater New York, Local 802 AFM​ of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary.
3rd segment: Jon Hammond Band​ - Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis
Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic
©JON HAMMOND International - JJ Guitars​ Suzuki Musical Instruments​
4th segment: As Seen On MNN TV The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Jazz Series - musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel #hammondcast


Producer Jon Hammond
Language English


Youtube https://youtu.be/HHyh9Hqj_bE

Jon Hammond with his trusty Sennheiser HD 25-1 headphones

x

Duo Gig today: Marc Baum & Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it's a wrap folks!



Jon's archive https://archive.org/details/HeadPhoneLateRentYachtklubLife


Jon Hammond Band - Head Phone Late Rent Yachtklub Life! Hans Romanov Presents:



Giovanni Totò Gulino drums, Peter Klohmann tenor sax, Joe Berger guitar, Jon Hammond Sk1 Hammond organ - Video: Tino Pavlis, Photos by Andreas Meer, Audio: Johannes Napp,
Silvio Cappucci http://www.HammondCast.com

Producer Jon Hammond
Language English

Attribution-Noncommercial-No Derivative Works 3.0

Youtube https://youtu.be/eIXnz0ZkaVI


Vimeo https://vimeo.com/166112020


Facebook video https://www.facebook.com/jonhammondband/videos/1282307858464675/








I'll be playing the new Hammond XK-5 Organ in Nashville next week with some good friends at the Hammond organ event on night of June 23rd - from my good friends at Suzuki Musical Instruments​, my friend Masato Tomie is one of the main development engineers - sounds and plays just like the old B3 with multi-contact 3x3 waterfall keys...brilliant! We are going to get real funky at SoundCheck Nashville​ Studios - Jon Hammond​
Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut



With Joe Berger guitar, Kayleigh Moyer drums and Chuggy Carter percussion - here the new XK-5 as Jon Hammond plays his hits "Get Back in The Groove" "Pocket Funk" "Late Rent" !



Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator



Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! - Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

Jon's archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Jon’s archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Masato Tomie is also guitarist of Black Market Band with Kunio Miyauchi !



Youtube https://youtu.be/VF7WXWHv1a4


Jon Hammond Band​ getting funky with Head Phone Live in Jazzkeller​ - Jon's annual musikmesse​ Warm Up Party with Giovanni Totò Gulino​ drums, Joe Berger​ guitar, Peter Klohmann​ tenor saxophone, Jon Hammond​ at the Hammond Sk1 organ - Jon Hammond uses Sennheiser​ Momentum headphones with in-line mic remote http://www.HammondCast.com - Video Directed by Tino Pavlis​ Sennheiser Momentum​


Michael Falkenstein with Prototype Hammond Flexi-B



Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator

Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-kampl

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA by Holda Paoletti-kampl

http://www.accordions.com/news.aspx?d=27-May-2016&lang=en#art11769







Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt



Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse

Accordion Radio News http://accordionradio.com/news.html



Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-Kampl

Jon Hammond's Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.

The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).

Jon Hammond wrote:
"Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ - both Joe and myself are officially from New York City, although I am also in California a lot - I’m still a New Yorker!

There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.

Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.

Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded."

Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBand


Jon Hammond Band Facebook https://www.facebook.com/video.php?v=940444542651010


Youtube http://youtu.be/eKZ8vQGJq8Y


Jon Hammond's composition "Get Back in The Groove" very special performance Jon Hammond Band in Jazzkeller Frankfurt Jon's annual musikmesse Warm Up Party with many close friends in attendance - Tony Lakatos on tenor saxophone, Joe Berger guitar, Giovanni Totò Gulino drums, special guest Lee Oskar harmonica, Jon Hammond organ / bass





Jon's archive https://archive.org/details/6842260604


Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV - First segment: Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis - Second segment: First playing of the Todd Anderson arrangement of "Lydia's Tune" by Jon Hammond - Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra - #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school established on Manhattan's East Side - David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com/
TV Producers of Manhattan Neighborhood Network [MNN]​ - Manhattan Neighborhood Network​ - Associated Musicians of Greater New York, Local 802 AFM​ of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary.
3rd segment: Jon Hammond Band​ - Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis
Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic
©JON HAMMOND International - JJ Guitars​ Suzuki Musical Instruments​
4th segment: As Seen On MNN TV The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Jazz Series - musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel #hammondcast


Producer Jon Hammond
Language English


Youtube https://youtu.be/HHyh9Hqj_bE

Jon Hammond with his trusty Sennheiser HD 25-1 headphones

x

Duo Gig today: Marc Baum & Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it's a wrap folks!



Sony Betamax, Super Betamax, Public Access TV, Jon Hammond Show, #HammondOrgan #NAMM #musikmesse #Nashville

Donnerstag, 16. Juni 2016

I'll be playing the new Hammond Flexi-B XK-5 Organ in Nashville next week - Jon Hammond

I'll be playing the new Hammond XK-5 Organ in Nashville next week with some good friends at the Hammond organ event on night of June 23rd - from my good friends at Suzuki Musical Instruments​, my friend Masato Tomie is one of the main development engineers - sounds and plays just like the old B3 with multi-contact 3x3 waterfall keys...brilliant! We are going to get real funky at SoundCheck Nashville​ Studios - Jon Hammond​
Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut



With Joe Berger guitar, Kayleigh Moyer drums and Chuggy Carter percussion - here the new XK-5 as Jon Hammond plays his hits "Get Back in The Groove" "Pocket Funk" "Late Rent" !



Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator



Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! - Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

WATCH VIDEO: Michael Falkenstein And Jon Hammond Musikmesse


Jon's archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Jon’s archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Masato Tomie is also guitarist of Black Market Band with Kunio Miyauchi !



Youtube https://youtu.be/VF7WXWHv1a4


Jon Hammond Band​ getting funky with Head Phone Live in Jazzkeller​ - Jon's annual musikmesse​ Warm Up Party with Giovanni Totò Gulino​ drums, Joe Berger​ guitar, Peter Klohmann​ tenor saxophone, Jon Hammond​ at the Hammond Sk1 organ - Jon Hammond uses Sennheiser​ Momentum headphones with in-line mic remote http://www.HammondCast.com - Video Directed by Tino Pavlis​ Sennheiser Momentum​


Michael Falkenstein with Prototype Hammond Flexi-B



Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator

Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-kampl

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA by Holda Paoletti-kampl

http://www.accordions.com/news.aspx?d=27-May-2016&lang=en#art11769







Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt



Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse

Accordion Radio News http://accordionradio.com/news.html



Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-Kampl

Jon Hammond's Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.

The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).

Jon Hammond wrote:
"Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ - both Joe and myself are officially from New York City, although I am also in California a lot - I’m still a New Yorker!

There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.

Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.

Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded."

Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBand


Jon Hammond Band Facebook https://www.facebook.com/video.php?v=940444542651010


Youtube http://youtu.be/eKZ8vQGJq8Y


Jon Hammond's composition "Get Back in The Groove" very special performance Jon Hammond Band in Jazzkeller Frankfurt Jon's annual musikmesse Warm Up Party with many close friends in attendance - Tony Lakatos on tenor saxophone, Joe Berger guitar, Giovanni Totò Gulino drums, special guest Lee Oskar harmonica, Jon Hammond organ / bass





Jon's archive https://archive.org/details/6842260604


Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV - First segment: Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis - Second segment: First playing of the Todd Anderson arrangement of "Lydia's Tune" by Jon Hammond - Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra - #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school established on Manhattan's East Side - David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com/
TV Producers of Manhattan Neighborhood Network [MNN]​ - Manhattan Neighborhood Network​ - Associated Musicians of Greater New York, Local 802 AFM​ of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary.
3rd segment: Jon Hammond Band​ - Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis
Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic
©JON HAMMOND International - JJ Guitars​ Suzuki Musical Instruments​
4th segment: As Seen On MNN TV The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Jazz Series - musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel #hammondcast


Producer Jon Hammond
Language English


Youtube https://youtu.be/HHyh9Hqj_bE

Jon Hammond with his trusty Sennheiser HD 25-1 headphones

x

Duo Gig today: Marc Baum & Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it's a wrap folks!



http://jonhammondband.com/blog.html/


AFM Local 6 Member Profile JON HAMMOND: "WHERE'S THE GIG?" -- by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”


“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”


Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.


Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond


n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs



Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center -- photo by Cheryl Fippen Local 6





XK-5, Flexi-B, SoundCheck Nashville, Top Secret, Musikmesse, Hammond Event, #HammondOrgan #NAMMShow

Mittwoch, 15. Juni 2016

Purdie Shuffle dedicated to Bernard Purdie's children on Jon Hammond Band Jon's Journal

Purdie Shuffle dedicated to Bernard Purdie's children on Jon Hammond Band

*WATCH THE VIDEO HERE: Bernard Purdie Dedication to his Kids Late Rent Closer at Mikell's

http://archive.org/details/BernardPurdieDedicationToHisKidsLateRentCloserAtMikells

Youtube: http://youtu.be/B5qGwUgEyvM

New York NY -- Flashback to August 1989 - Studio drummer Bernard Purdie takes the microphone on last set at Mikell's with Jon Hammond and The Late Rent Session Men band to dedicate the performance to his children Phyllis and Anthony. Theme song for the long-running cable TV program The Jon Hammond Show "Late Rent" original composition with
Jon Hammond at his 1959 B3 organ
Bernard Purdie drums
Chuggy Carter percussion
Alex Foster alto saxophone
Barry Finnerty guitar
*Note: This historic clip is photographic proof that the actual location of Mikell's was 760 Columbus Avenue at 97th and not 808 Columbus as the current Whole Foods near the old location claims, highly interesting!
This is some of the rare surviving footage from Mikell's, in the house that night all night long was Hugh Masekela, Cornell Dupree and many musicians as Mikell's was the traditional hang for all New York Studio Musicians until it's closing.
http://en.wikipedia.org/wiki/Mikell's
As seen on The Jon Hammond Show cable TV program now in 28th year
Camera: Joe Berger
http://www.HammondCast.com





Vimeo: http://vimeo.com/49363343


Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-kampl

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA by Holda Paoletti-kampl

http://www.accordions.com/news.aspx?d=27-May-2016&lang=en#art11769







Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt



Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse

Accordion Radio News http://accordionradio.com/news.html



Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-Kampl

Jon Hammond's Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.

The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).

Jon Hammond wrote:
"Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ - both Joe and myself are officially from New York City, although I am also in California a lot - I’m still a New Yorker!

There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.

Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.

Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded."

Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBand


Jon Hammond Band Facebook https://www.facebook.com/video.php?v=940444542651010


Youtube http://youtu.be/eKZ8vQGJq8Y


Jon Hammond's composition "Get Back in The Groove" very special performance Jon Hammond Band in Jazzkeller Frankfurt Jon's annual musikmesse Warm Up Party with many close friends in attendance - Tony Lakatos on tenor saxophone, Joe Berger guitar, Giovanni Totò Gulino drums, special guest Lee Oskar harmonica, Jon Hammond organ / bass





Jon's archive https://archive.org/details/6842260604


Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV - First segment: Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis - Second segment: First playing of the Todd Anderson arrangement of "Lydia's Tune" by Jon Hammond - Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra - #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school established on Manhattan's East Side - David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com/
TV Producers of Manhattan Neighborhood Network [MNN]​ - Manhattan Neighborhood Network​ - Associated Musicians of Greater New York, Local 802 AFM​ of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary.
3rd segment: Jon Hammond Band​ - Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis
Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic
©JON HAMMOND International - JJ Guitars​ Suzuki Musical Instruments​
4th segment: As Seen On MNN TV The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Jazz Series - musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel #hammondcast


Producer Jon Hammond
Language English


Youtube https://youtu.be/HHyh9Hqj_bE

Jon Hammond with his trusty Sennheiser HD 25-1 headphones

x

Duo Gig today: Marc Baum & Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it's a wrap folks!



http://jonhammondband.com/blog.html/


AFM Local 6 Member Profile JON HAMMOND: "WHERE'S THE GIG?" -- by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”


“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”


Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.


Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond


n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs



Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center -- photo by Cheryl Fippen Local 6




Purdie Shuffle, Jon Hammond Band, Mikell's, NAMM Show, Accordions Worldwide, #BernardPurdie #HammondOrgan #NAMMShow

Dienstag, 14. Juni 2016

Enhanced Audio Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming

*WATCH THE TV SHOW HERE: Enhanced Audio Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming


Jon's archive https://archive.org/details/EnhancedAudioJonHammondShowPreviewAirTime0130AMOn0618MNNTVCableAndStreaming1


Facebook Video https://www.facebook.com/hammondcast/videos/10153524137387102/

by Jon Hammond



Jon Hammond Show with enhanced audio cable access TV program late Fri. night / early Sat. morning 01:30 AM Manhattan Neighborhood Network Channel 1 - Music Travel and Soft News with original music and stories from Jon Hammond, 34th year now streaming all over the world, Jon Hammond Band performing internationally on perpetual tour, Jon Hammond's original compositions Funky Jazz and Blues - Hammond Organist and Accordionist, piano and guitar - member AFM Local 802 and Local 6 ©JON HAMMOND International ASCAP http://www.HammondCast.com - Manhattan Neighborhood Network -MNN - Associated Musicians of Greater New York, Local 802 AFM & AFM Local 6


Producer Jon Hammond
Language English

Jon's archive https://archive.org/details/JonHammondBirdlandLydia_sTuneJonHammondBand


Missing man formation - very sadly, Lutz Büchner still on the band here - happy night in BIrldand Hamburg! - Jon Hammond
L to R Lutz, Jon, Joe, Heinz





Lydia's Tune: 
Lutz Büchner tenor saxophone, Heinz Lichius drums
, Joe Berger guitar, 
Jon Hammond organ, return engagement here at Birdland with many friends in the house. - Gärtnerstr. 122 Hamburg Eimsbuttel





NDR release: https://www.ndr.de/orchester_chor/bigband/band/Trauer-um-Lutz-Buechner,buechner146.html


Stand: 12.03.2016 15:00 Uhr - Lesezeit: ca.4 Min.
Trauer um Lutz Büchner

"Lutz Büchner wurde 47 Jahre alt.

Der Saxofonist Lutz Büchner ist am 11. März während einer Japan-Tour der NDR Bigband im Alter von 47 Jahren an den Folgen eines Herzinfarkts verstorben. Es war ein großes Glück für die NDR Bigband, den Menschen und Musiker Lutz Büchner seit 22 Jahren in ihren Reihen zu haben. Er war ein grandioser, ein wahrhaft bedeutender Saxofonist mit einer unverkennbaren, einzigartigen Spielweise, die selbst dem ältesten und schon oft gehörten Jazzstandard immer wieder neue Seiten abgewinnen konnte. Vor allem aber brachte er auch seine Persönlichkeit in die Band ein: seinen Humor, sein ausgeglichenes Temperament und sein großes Interesse an allen Dingen des Lebens, das weit über die Musik hinaus reichte. Lutz Büchner war ein echter Teamplayer, vor und hinter den Kulissen.

Knuth: "Er lebte leidenschaftlich für und mit Musik"

Joachim Knuth, NDR Programmdirektor Hörfunk: "Die Nachricht vom Tod Lutz Büchners macht mich sehr betroffen. Ich habe ihn als einen liebenswürdigen Menschen erlebt, der leidenschaftlich mit und für Musik lebte. Lutz Büchner hatte den Jazz im Blut. Er liebte den spielerischen Umgang mit der Musik, die Improvisation. Der Tod dieses beeindruckenden Saxofonisten ist für die NDR Bigband, für den NDR, ein großer Verlust. Meine Gedanken sind in diesen Stunden bei der Familie und den Freunden Lutz Büchners."

Fasziniert von Miles Davis
Lutz Büchner wurde am 5. August 1968 in Bremen geboren. Er interessierte sich schon früh für Musik, bekam klassischen Klarinettenunterricht und entdeckte als Teenager nach einem Konzertbesuch den Jazz. Als er den Trompeter Miles Davis hörte, faszinierte ihn die Möglichkeit, sich auch jenseits der geschrieben Noten auf eine ganz persönliche Weise ausdrücken zu können. Dieser improvisierten, sich immer neu erfindenden Musik wollte er sich widmen.

Lutz Büchner kam nach Hamburg und studierte Saxofon bei Herb Geller, dem damals bekanntesten Solisten der NDR Bigband. Schon bald spielte er dort im Saxofonsatz - zunächst als Gast, seit 1994 als festes Mitglied. In den Mittelpunkt zog es ihn, den eher besonnen Menschen, dabei nicht so sehr. Aber wenn das Scheinwerferlicht auf ihn zeigte und er zum Solo ansetzte, dann entwickelte sein Spiel eine ganz besondere Wirkung: Mit geschlossenen Augen stand er da, die Töne flossen ebenso überraschend wie logisch aus seinem Instrument, sein ganzer Körper schien sich dabei in Musik zu verwandeln.

In seinem Spiel steckte besondere Tiefe
Viele Gäste der NDR Bigband haben ihn und sein Spiel so erlebt und geschätzt: Jazzgrößen wie Al Jarreau, Bobby McFerrin, João Bosco, Omar Sosa oder Abdullah Ibrahim genossen es, wenn Lutz Büchner neben ihnen spielte. Der Amerikaner Dale Wilson widmete ihm und seinem Saxofon-Kollegen Fiete Felsch eine ganze Big-Band-Suite, und die Komponistin Maria Schneider wollte ihn nach einem Besuch bei der NDR Bigband am liebsten gleich nach New York mitnehmen. Es waren nicht nur seine technischen Fertigkeiten und seine nahezu grenzenlosen Ausdrucksmöglichkeiten, mit denen Lutz Büchner so begeisterte. In seinem Spiel steckte eine besondere Tiefe. "Es ist sein Sound", sagte Maria Schneider einmal, "Lutz berührt mich."

Solistische Höhenflüge und zarte Lyrik
In der Improvisation spiegelt sich ja immer der ganze Mensch. So konnte Lutz Büchner auf dem Tenorsaxofon unendlich packend, mitreißend und kraftvoll spielen. Unvergessen ist sein solistischer Höhenflug in der Duke-Ellington-Hommage "Diminuendo, crescendo and crescendissimo in blue", in der er minutenlang ein loderndes Feuer immer neu entfachte, bis die Zuschauer bei einem Auftritt der NDR Bigband in New York am Schluss buchstäblich aus den Sitzen gerissen wurden. Seine andere, lyrische Seite war besonders stark auf der Klarinette zu hören, auf der er zu den außergewöhnlichsten Stimmen des modernen Jazz zählte, vielleicht sogar weltweit. Intim und zart, wie gehaucht schwebten die Töne in die Luft, jeder von ihnen hatte Bedeutung.

Nicht nur in der NDR Bigband, auch in eigenen Formationen waren sein ausgeprägtes Spiel und seine ausgefeilten Kompositionen zu hören. Mit seinem Quartett (mit Sandra Hempel, Heinz Lichius und Pepe Berns) trat Lutz Büchner 2005 bei den 2. Hamburger Jazztagen in der Kampnagel-Fabrik auf. Im selben Jahr entstand mit dem Trio Connex (mit Björn Lücker und Philipp Steen) ein gleichnamiges Album, und 2006 erschien seine vielbeachtete, von der Kritik hochgelobte CD "Ring".

"Mein Ziel ist es", hat Lutz Büchner einmal gesagt, "ganz im Moment zu spielen." Wir verdanken ihm viele unvergessliche Momente. Mit ihm verlieren wir einen lieben Menschen, einen großen Künstler und einen wunderbaren Kollegen.

Stefan Gerdes
Redaktion NDR Bigband/Jazzredaktion

Enhanced Audio, Public Access TV, Jon Hammond Show, Funky Jazz, Original Music, Bernard Purdie, Joe Berger, Eddie Money, #HammondOrgan #NAMMShow #Facebook

Montag, 13. Juni 2016

Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming

*WATCH THE TV SHOW HERE: Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming


Jon's archive https://archive.org/details/JonHammondShowPreviewAirTime0130AMOn0618MNNTVCableAndStreaming


Youtube https://youtu.be/Xyb0IgMQDNM



Jon Hammond Show cable access TV program late Fri. night / early Sat. morning 01:30 AM Manhattan Neighborhood Network Channel 1 - Music Travel and Soft News with original music and stories from Jon Hammond, 34th year now streaming all over the world, Jon Hammond Band performing internationally on perpetual tour, Jon Hammond's original compositions Funky Jazz and Blues - Hammond Organist and Accordionist, piano and guitar - member AFM Local 802 and Local 6 ©JON HAMMOND International ASCAP http://www.HammondCast.com - Manhattan Neighborhood Network -MNN - Associated Musicians of Greater New York, Local 802 AFM & AFM Local 6


Jon's archive https://archive.org/details/6842260507

Youtube https://youtu.be/eX6lmFrd1cU

Facebook video https://www.facebook.com/jonhammondband/videos/1276595532369241/

Billboard Magazine Flashback - March 1984 article by Kim Freeman



Billboard Magazine Article about The Jon Hammond Show TV Show from March 17 1984, now The Jon Hammond Show
is in 34th year

Jon Hammond Show Public Access Cable TV Show Preview 05/07
First segment - opener Yachtklub Life James Wes Opener Jon Hammond Band - Hans Romanov Presents
Peter Klohmann tenor saxo
Joe Berger guitar
Giovanni Totò Gulino drums
Jon Hammond Sk1 Hammond organ & bass
Video Tino Pavlis
Audio Johannes Napp, Silvio Cappucci
On the Main River - Frankfurt am Main



2nd segment Hollywood CA -- Interview Allison Iraheta and Matthew Hager aka Halo Circus with Jon Hammond at the 11th annual ASCAP "I Create Music" EXPO for Jon Hammond Show - special thanks Kelly MacGaunn kelleemack pr, ‪#‎bobbimarcuspr‬

Jon's archive https://archive.org/details/AcousticNationNAMMConcertLydiasTuneInNashvilleTennessee1


by Jon Hammond ©JON HAMMOND International ASCAP


Summer NAMM 2016 https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Jon Hammond Funk Unit

Performance Info
Event Information:

Event Date:
Friday, June 24, 2016 - 2:00pm to 2:40pm
Location:
Music City Center, NAMM Nissan Stage on The Terrace
Add to Calendar




Frankfurt -- Lydia's Tune Live in Yachtklub Frankfurt - Hans Romanov Presents




with Dedication to Lutz Büchner long-time member saxophonist of Jon Hammond Band



Lydia's Tune Live in Yachtklub Frankfurt


Hollywood -- Jon's archive https://archive.org/details/InterviewAllisonIrahetaAndMatthewHagerAkaHaloCircus


Youtube https://youtu.be/yGND5modU8Q


Facebook video https://www.facebook.com/hammondcast/videos/10153441552957102/?l=6086248925586335229


Vimeo https://vimeo.com/165043267


Hollywood CA -- Interview Allison Iraheta and Matthew Hager aka Halo Circus with Jon Hammond at the 11th annual ASCAP "I Create Music" EXPO for Jon Hammond Show - special thanks Kelly MacGaunn kelleemack pr, ‪#‎bobbimarcuspr‬ ‪#‎halocircus‬ ‪#‎ASCAPExpo‬ ‪#‎OurASCAP‬ http://www.hammondcast.com


Producer Jon Hammond
Language English

Allison's wiki https://en.wikipedia.org/wiki/Allison_Iraheta

Allison Iraheta (born April 27, 1992) is an American singer from Los Angeles, California, who was the fourth place finalist on the eighth season of American Idol.[2] Prior to Idol, Iraheta won the Telemundo competition Quinceañera: Mamá Quiero Ser Artista.[3] Following the conclusion of Idol, Iraheta was signed to a record deal with 19 Entertainment and Jive Records.[4] Her debut album Just Like You was released on December 1, 2009.[5] She is currently the lead singer in the band Halo Circus.
April 27, 1992 (age 24)
Glendale, California
Origin Los Angeles, California, U.S.
Genres Pop rock
Occupation(s) Singer
Instruments
Vocals guitar
Iraheta was born in Glendale, California, to Salvadoran immigrants who moved to the United States before she was born.[3] She is the youngest in the family, with two older siblings, Jacki and Carlos Iraheta.[6] According to her family, she has been singing since she was a toddler.[7] In 2001, she began taking voice lessons with Raphael Enriquez at the Los Angeles Music and Art School, a non-profit community school of the arts in East Los Angeles.[8] Before rising to prominence, she was a frequent performer at the local Latin Electronics Store La Curaçao and the Los Angeles Music and Art School's annual benefit concert, Stars for the Arts.[6] Iraheta attended Los Angeles' Animo Ralph Bunche Charter High School.[9]

Quinceañera: Mamá Quiero Ser Artista (2006-09)[edit]
In 2007, Iraheta won the reality show, “Quinceañera: Mama Quiero Ser Artista” (Sweet Fifteen: Mom, I Want to be an Artist), a reality TV singing competition that was produced and broadcast in 2006-2007 on Telemundo, where she sang in both English and Spanish.[3]

On the show, a group of teenage girls such as Olivia Bonilla, Brissia Mayagoitia, and others of Hispanic and Latino American background competed in a singing competition for the main prize of $50,000 and a record deal.[10] Iraheta was the first (and only) winner of the competition and received the grand prize, but due to legal problems of the show the recording contract was never finalized and the production of the show was closed...



Matthew's wiki https://en.wikipedia.org/wiki/Matthew_Hager

Matthew Hager is a multi platinum American record producer, musician and songwriter

Originally from Houston, Texas Hager now lives in Los Angeles. Before moving to Los Angeles, Hager studied at the prestigious Berklee College Of Music. Since then, he has written and produced several number one hit singles as well as several critically acclaimed albums and has worked with many major recording artists. He has achieved unusual success crossing many genres from hard rock to jazz to teen pop.

While working with the Backstreet Boys in the late '90's, he was introduced to Mandy Moore and soon became Moore's musical director. He went on to write and produced her song "When I Talk To You" which is featured on Mandy Moore's multi-platinum album "Mandy Moore" along with her song "Split Chick" that he also produced. In addition, he produced several acoustic versions of her chart topping hits including "Walk Me Home" and "I Wanna Be With You" and arranged all live versions of her biggest hits for her us and international television performances and touring for her albums "So Real", "I Wanna Be With You", "Mandy Moore", and "A Walk To Remember".

After his years with Mandy Moore, Hager became a sought after songwriter in Los Angeles and wrote and produced the #1 hit song "Lucy's", which was the longest running #1 single for any debut artist in history on the Contemporary Jazz R&R chart, as well as the #1 singles "True Blue" and "Bloom". He also wrote and produced the Hot AC hit "Stars" for #1 Billboard artist Mindi Abair as well as her top 5 hits "Come As You Are", "Flirt" and "Smile". He also wrote and produced her song "Every Time" which was featured in the movie "License To Wed" and "I Can Remember" was featured in the popular Spelling Television series "Summerland". He wrote and produced the holiday smash "I Can't Wait For Christmas" with Mindi Abair that has sold nearly a million copies to date. Her chart topping and critically acclaimed albums "It Just Happens That Way", "Come As You Are", "Life Less Ordinary" and "Stars" Hager produced in their entirety.

Hager recorded "Cry Baby Cry" produced by Timbaland and "Falling Down" produced by Justin Timberlake for Duran Duran's album Red Carpet Massacre. He wrote and produced the international hit "6000 Miles" with John Taylor from Duran Duran and produced and wrote a majority of his solo album "Techno For Two". He produced the U.S. hit "Perfect Love" for Simply Red. He wrote and produced the top 20 hit "How Does It Feel" for Columbia recording artist Peter White and also performed his own song "Enough" under his name in the hit movie A Walk to Remember.

He wrote and produced the Radio Disney hit Make History by Alyson Stoner. Make History is also the opening song being performed on the Jonas Brothers, Demi Lovato, Camp Rock world tour. He also wrote and produced the single "Strange Life" for the rock band Tickle Me Pink.

According to John Taylor, Matthew is working on tracks for the February 2011 release "All You Need Is Now" from the band Duran Duran..





http://www.ascap.com/audioportraits/h/jon_hammond_ndr.aspx



Jon Hammond: The NDR Sessions Projekt
The NDR Sessions Projekt
Jon Hammond's "The NDR Sessions Projekt" brings the soulful jazz organist back to Hamburg to record a collection of standards and originals featuring Lutz Buchner on saxophones, Joe Gallardo on trombone and Heinz Lichius on drums. Recorded in one of Germany's best studios, the quartet present rich, heartfelt perfomances and infuse the music with a fresh and vibrant sound.





ASCAP Audio Portrait: Jon Hammond http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx




Summer NAMM Show Nashville



L to R Shuji Suzuki, Billy Cox bass player with Jimi Hendrix, Jon Hammond, Yu Beniya



Original Music, Funky Jazz, Public Access TV, MNN TV, Jon Hammond, Bernard Purdie, Joe Berger, #HammondOrgan #musikmesse #NAMMShow

Samstag, 11. Juni 2016

Wishing Bernard Purdie another very happy healthy birthday folks! June 11 - Jon Hammond

Bernard Purdie Happy Birrthday (June 11 today 2016) - - here on Jon Hammond Band at Mikell's
Photo ©JON HAMMOND International - Wishing Bernard Purdie another very happy healthy birthday folks!
Here on my band on a hot summer night in Manhattan at good old Mikell's! - Jon Hammond
https://en.wikipedia.org/wiki/Bernard_Purdie
Bernard Lee "Pretty" Purdie (born June 11, 1941) is an American groove drummer, and is considered an influential and innovative exponent of funk.[1] He is known for his precise musical time keeping[2] and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle."[3] He was inducted into the Modern Drummer Hall of Fame in 2013...



Photo ©JON HAMMOND International - Bernard Purdie on Jon Hammond Band at Mikell's - circa August 28, 1989



*LISTEN TO THE AUDIO HERE: HammondCast 7 KYOU Radio Dot Org

Jon's archive http://kyouradio.org/music-14.html


JON HAMMOND: Music
HammondCast 7 *note: Crank it WAY up, these are very old recordings!


Going in to the Jon Hammond Archives, live recordings with Bernard Purdie on the Jon Hammond Band, my old rock band HADES from a 1971 recording in Provo Park Berkeley CA. Get Back In The Groove with Frank Biner on vocals from a DTI Records recording 1981 and dedicated to the hurricane victims...and a track I recorded with Eddie Money: "I've Been Lovin' You Too Long".
HammondCast 7 http://www.HammondCast.com


On HammondCast 7 you'll hear some great pieces from my archives with Bernard Purdie live on my band at Kimball's East in Emeryville California, also a live recording from my old rock band HADES that was recorded live in Provo Park Berkeley CA all the way back in 1971..before some of you were born I'm sure. And a track with EDDIE MONEY and also a song I wrote and recorded for DTI Records that I'd like to dedicate to the recent victims of Hurricanes Katrina & RIta...HammondCast 7 - spcl. thanks KALX Anthony Bonet © 2015 JON HAMMOND



*Note: Entire 51 minutes in KALX from Jon Hammond *LINK: https://archive.org/details/InStudioRadioInterviewWithJonHammondAndBernardPurdieAtKalxWith


In Studio Radio Interview with Jon Hammond and Bernard Purdie at KALX with Anthony Bonet
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics bernard purdie, jon hammond, soul music, kalx, anthony bonet, interview, radio, cocodrie, kimball's east, drums, b3 organ
Run time 50 minutes 37 seconds
Producer Jon Hammond
Audio/Visual sound

51 Minutes In-Studio Radio Interview with organist Jon Hammond and studio drummer Bernard Purdie with host producer Anthony Bonet aka "Sex 14s". This interview took place
on October 8th 1998 the day before Jon Hammond and The Late Rent Session Men performed 2 concerts at Cocodrie Club in North Beach San Francisco and at Kimball's East Nightclub and Restaurant in Emeryville, both clubs are closed now. Hear Jon and
Bernard talk about their long musical careers and the music and musicians on the band the next day, saxophonist Bennett Friedman, guitarist Barry Finnerty, Bernard Purdie aka "Pretty Purdie" or "The Hit Maker" on drums and Jon Hammond at the B3 organ.
Very special thanks to host producer Anthony Bonet aka "Sex 14s" of KALX and Bottom of The Hill club for having us in and also to Scott Rootenberg of The Cocodrie Club,
Jon Hammond
http://www.jonhammondband.com
Note: Bernard Purdie is perhaps the most recorded drummer in the music business
http://en.wikipedia.org/wiki/Bernard_Purdie
Bernard Lee "Pretty" Purdie (born June 11, 1939) is an American session drummer, and is considered an influential and innovative exponent of funk. He is known for his strict musical time keeping and "The Purdie Shuffle"
James Brown, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin, Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair, Sgt. Pepper's Lonely Hearts Club Band (soundtrack), Jon Hammond Late Rent album
Behind The Beat Story of Late Rent http://behindthebeat.com/2004/12/jon-hammond-late-rent/

Jon Hammond: Late Rent - by Steve Rosenfeld

Jon Hammond says "the fingers are the singers.’" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.



The Late Rent Story
Jon Hammond waited half his life to make this CD – starting with being an underground TV host.
Swingin’ Funky Jazz & Blues
Jon Hammond describes his style of music and how he learned to play it.
Two Hot Tracks
Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session.
Sonny’s Advice
A little advice on melody from a great sax player went a long way.


HammondCast 41 Jon Hammond's Journal http://kyouradio.org/blog.html/hammondcast_41_jon_hammonds_journal/

Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-kampl

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA by Holda Paoletti-kampl

http://www.accordions.com/news.aspx?d=27-May-2016&lang=en#art11769







Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt



Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse

Accordion Radio News http://accordionradio.com/news.html



Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-Kampl

Jon Hammond's Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.

The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).

Jon Hammond wrote:
"Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ - both Joe and myself are officially from New York City, although I am also in California a lot - I’m still a New Yorker!

There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.

Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.

Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded."

Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBand


Jon Hammond Band Facebook https://www.facebook.com/video.php?v=940444542651010


Youtube http://youtu.be/eKZ8vQGJq8Y


Jon Hammond's composition "Get Back in The Groove" very special performance Jon Hammond Band in Jazzkeller Frankfurt Jon's annual musikmesse Warm Up Party with many close friends in attendance - Tony Lakatos on tenor saxophone, Joe Berger guitar, Giovanni Totò Gulino drums, special guest Lee Oskar harmonica, Jon Hammond organ / bass





Jon's archive https://archive.org/details/6842260604


Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV - First segment: Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt - LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis - Second segment: First playing of the Todd Anderson arrangement of "Lydia's Tune" by Jon Hammond - Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra - #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school established on Manhattan's East Side - David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com/
TV Producers of Manhattan Neighborhood Network [MNN]​ - Manhattan Neighborhood Network​ - Associated Musicians of Greater New York, Local 802 AFM​ of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary.
3rd segment: Jon Hammond Band​ - Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis
Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic
©JON HAMMOND International - JJ Guitars​ Suzuki Musical Instruments​
4th segment: As Seen On MNN TV The Jon Hammond Show - Filmed in High Definition - Pocket Funk with NDR Horns - Jon Hammond Band special Auster Jazz Series - musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt - support from Musik Rotthoff, Joe Berger is playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments - Auster Bar Hamburg Eimsbüttel #hammondcast


Producer Jon Hammond
Language English


Youtube https://youtu.be/HHyh9Hqj_bE

Jon Hammond with his trusty Sennheiser HD 25-1 headphones

x

Duo Gig today: Marc Baum & Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it's a wrap folks!



http://jonhammondband.com/blog.html/


AFM Local 6 Member Profile JON HAMMOND: "WHERE'S THE GIG?" -- by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”


“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”


Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.


Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond


n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs



Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center -- photo by Cheryl Fippen Local 6


Location:
NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage
Jon Hammond Funk Unit

Event Date:
Thursday, January 21, 2016 - 9:00pm to 9:40pm
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://www.facebook.com/jonhammondband
Add to Calendar
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Artist Info
Jon
Jon Hammond
Organ / Organist Leader
Joe
Joe Berger
guitar / guitarist



#TheNAMMShow #HammondOrgan #NAMM #Sheraton - The NAMM Show








Event Date:
Thursday, January 21, 2016 - 9:00pm to 9:40pm
Add to Calendar


Jon's archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer


CNN iReport http://ireport.cnn.com/docs/DOC-1263982


Youtube https://youtu.be/2AX5CRnBWkA


Producer Tino's Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis - by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary



Tino's Hammond Organ 80th Anniversary Film Documentary Trailer with cameo appearances Michael Falkenstein, Joe Berger, Jon Hammond, Shuji Suzuki and Suzuki Musical Instuments Hammond Organ Team, Bernie Capicchiano Bernies Music Land Australia Hammond Distributor, Jon Hammond's annual musikmesse Warm Up Party in world famous historic jazzkeller Frankfurt - Outro music "Organ Meets Bigband" Jon Hammond with Landesjugendjazzorchester LaJazzO MV orchestra - Director/Producer: Tino Pavlis, co-producer Joe Berger http://www.HammondCast.com


Producer Jon Hammond
Language English


Jon's archive https://archive.org/details/OrganMeetsBigbandRostockKlostergarten


by Jon Hammond

Published August 8, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics LaJazzO MV, Organ Meets Bigband, Klostergarten, Rostock, Jazz Orchestra, Jimmy Smith, Steve Gray, Michael Leuschner, Landesjugendorchester Mecklenburg-Vorpommern, #HammondOrgan #Jazz #Blues


„Organ meets Bigband“ das LaJJazzO M-V LandesJugendJazzOrchester Mecklenburg-Vorpommern https://www.facebook.com/events/846845685410695/ Am 01.08.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond wieder im Klostergarten Rostock zu Gast. Covering Jimmy Smith's Back at The Chicken Shack and The Sermon - Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel "Organ meets Big Band" wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Gray - eine Leihgabe aus dem Archiv der NDR-Bigband.

Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen 'Jon Hammond Show' spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. "The Jon Hammond Show" is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith.
http://www.HammondCast.com
Programm: "Organ meets Bigband"
Leitung: Michael Leuschner
Samstag, d. 01.08.2015, 20:30 Klostergarten Rostock


Producer Jon Hammond
Language English


Facebook video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1105371389491657/?type=3&theater


Youtube https://youtu.be/gX-6UczeyII


Vimeo https://vimeo.com/135785907


CNN iReport http://ireport.cnn.com/docs/DOC-1262828

Leader Michael Leuschner and Jon Hammond with the famous poster for "Organ Meets Bigband" - NDR Jazz archives special arrangements of Steve Gray come back to life here:








Bernard Purdie, Pretty Purdie, June 11, Jon Hammond, Interview, #PrettyPurdie #NAMMShow #HammondOrgan #Drums

HammondCast 60 Hosted by Jon Hammond KYOU Radio

*LISTEN TO THE AUDIO HERE: HammondCast 60


Jon's archive http://kyouradio.org/music-70.html KYOU Radio Dot Org

Special show from Jon Hammond with the late great Al Jazzbo Collins aka Al Jazzbeaux Collins



Jon Hammond plays Miss Jones and original Train Song at the B3 Organ - also Special In-Studio Guest: KENNY BURRELL

special thanks Stephen Page and Jon Russell CBS Radio San Francisco - Jon Hammond's Afternoon Slide and early morning broadcast 4 years every day.

L to R Stephen Page, Jon Hammond, Jon Russell



Jon's archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4


Sennheiser (headphones) Momentum series




with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond's 20th annual Musikmesse Session in Jazzkeller Hofheim - funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ - Jon's keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team - special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1



Vimeo https://vimeo.com/163154149


Youtube https://youtu.be/bWUOjMJx_Cg


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Momentum Headphones, Funky Jazz, Musikmesse, Session, Hofheim am Taunus, Jazzkeller Hofheim, Bespeco Professional, #HammondOrgan #CNNiReport

Suzuki "The Name You Know" - Kartoffel - Breakfast of Champions (and lunch and dinner)!



Dankeschön Philipp for the Audio - and my favorite old Peavey Bass Amp!



Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator



Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! - Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

Jon's archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse









Jon's archive https://archive.org/details/TopSecretHeadPhoneLiveInJazzkeller


Youtube https://youtu.be/VF7WXWHv1a4


Jon Hammond Band​ getting funky with Head Phone Live in Jazzkeller​ - Jon's annual musikmesse​ Warm Up Party with Giovanni Totò Gulino​ drums, Joe Berger​ guitar, Peter Klohmann​ tenor saxophone, Jon Hammond​ at the Hammond Sk1 organ - Jon Hammond uses Sennheiser​ Momentum headphones with in-line mic remote http://www.HammondCast.com - Video Directed by Tino Pavlis​ Sennheiser Momentum​


Michael Falkenstein with Prototype Hammond Flexi-B




Masato Tomie Suzuki Hammond Engineer and Guitarist of Black Market Band with Hammond Flexi-B Top Secret Organ Prototype Debut musikmesse




Vimeo https://vimeo.com/162021573 Top Secret Head Phone Live in jazzkeller!


Jon Hammond flanked by Sennheiser CEO's Dr. Andreas Sennheiser and Daniel Sennheiser - stick with Sennheiser folks! - Jon Hammond



Jon's archive https://archive.org/details/6842260214


Vimeo http://vimeo.com/119225355


Youtube http://youtu.be/fgVsJt4KIIw


CNN iReport http://ireport.cnn.com/docs/DOC-1214567


Dailymotion http://www.dailymotion.com/video/x2gvvy7_jon-hammond-show-mnn-tv-channel-1-02-14-2015-32nd-year_music

Jon Hammond Show for broadcast on MNN TV Channel 1 Community Channel, 33rd year on Cable Access TV - Funk Soul Blues and Soft News - just back from NAMM Show, Jon Hammond Show with Bernard Purdie and Jon's coverage of annual NAMM Memorial Tribute to industry leaders lost last year including Jeff Golub, Joe Wilder, Gerald Wilson, Johnny Winter, with original music from Jon Hammond "Lydia's Tune" Jon Hammond Band in Hilton Hotel Lobby "Head Phone" Sound Soul Summit Funk Masterpiece Jon Hammond Band in jazzkeller Frankfurt Jon's annual musikmesse Warm Up Party and more - ©JON HAMMOND International ASCAP



http://www.HammondCast.com


Jon's archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc


Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,



Jon at Mr. Nobuki Kuwahara's Hammond Sk2 organ with house musicians - Kenichi Toyoda piano



- special thanks to Nico, Shannon, Letitia - Superlux Taiwan,



P. Mauriat Europe Pmauriat Albest Team!



http://www.HammondCast.com/ - Jazz Spot Swing


Vimeo http://vimeo.com/110027287


CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208





Jon's archive https://archive.org/details/LateRentJonHammondThemeSong2014



Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon's birthday



with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ - Late Rent is the theme song for Jon's long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com - special thanks to Frank Poehl for operating the camera - Jon Hammond Band

Jon's archive https://archive.org/details/LateRentJonHammondThemeSong2014




Radio Broadcast, HammondCast, Afternoon Slide, Jon Hammond, #HammondOrgan #Jazzbo #Classic

Freitag, 10. Juni 2016

FOR IMMEDIATE RELEASE: The Legendary Charlie Daniels Band, Country Rocker Craig Wayne Boyd and Full Line-up of Artists to take over Summer NAMM

FOR IMMEDIATE RELEASE: The Legendary Charlie Daniels Band, Country Rocker Craig Wayne Boyd and Full Line-up of Artists to take over Summer NAMM
June 8, 2016
Summer NAMM, the industry’s largest and most vibrant music products tradeshow returns to Nashville’s Music City Center June 23-25 for its biggest year yet. This year’s show will feature new and returning attendees from among the top brands in musical instruments, gear, technologies and accessories, and will include a robust line-up of artists who will perform all three days of the annual gathering. 
Thursday, the opening day of the show will end on a high note with a one-of-a kind performance from multi-instrumentalist, storyteller and living legend, Charlie Daniels. The Charlie Daniels Band is best known for their hits “The Devil Went Down to Georgia” and “The South’s Gonna Do It Again” among many others over the span of their 50+ year career. Daniels and band will treat Summer NAMM attendees to a memorable performance on the NAMM Nissan Terrace Stage starting at 6:00 p.m. 
On Saturday at 1:00 p.m., the Terrace stage will welcome Texas-born and raised country singer and multi-instrumentalist, Craig Wayne Boyd.  Boyd first came to prominence as the winner of the seventh season of The Voice (2014), where his singing voice, playing, and easy musical versatility made him a fan favorite on the show. 
Saturday also welcomes the 33rd Annual American Eagle Awards. This year’s honorees include Vince Gill, Emmylou Harris and the Grand Ole Opry. The American Eagle Awards honor individuals that have made significant contributions to the music in America. The awards are produced by the National American Music Council in cooperation with NAMM, and will be open to all Summer NAMM badge holders.
Each day of the Summer NAMM Show, the NAMM Nissan Terrace Stage will present live music beginning at 10:00 a.m. with an exciting lineup of artists with a variety of musical styles.  Thursday’s lineup includes soul/rock artist Paul Childers, country singer Lauren Alexander, and acoustic double neck guitarist Ian Ethan Case, among others. On Friday, the dynamic duo and fingerstylings of the Constable Sisters, singer/songwriter Josh Farrow, country act Brian Rhea, and more will provide for an entertaining day of live music. Saturday’s acts include guitarist Jeff Radford and pop/country duo the Truman Brothers, as well as other talented acts.

NAMM NISSAN STAGE SCHEDULE 
(All acts and times subject to change)  
Thursday, June 23
10:00a.m.       Summer Pittman (http://soundcloud.com/summerpittman/stranger)
11:00a.m.       Laura B. Whitmore (www.laurabwhitmore.com)
12:00p.m.       Paul Childers (http://paulchilders.com)
1:00p.m.         Lauren Alexander (www.laurenalexander.com)
2:00p.m.         Ian Ethan Case (www.ianethan.com)
3:00p.m.         The Depth and the Whisper (www.thedepthandthewhisper.com)
4:00p.m.         James Robert Webb (http://www.jamesrobertwebb.com)
6:00p.m.         The Charlie Daniels Band (www.charliedaniels.com)

Friday, June 24
10:00a.m.       Constable Sisters
11:00a.m.       Sally and George (www.sallyandgeorge.com)
12:00p.m.       Josh Farrow Presented by Lightning 100  (www.joshfarrow.com)
1:00p.m.         Olivia Henken (http://oliviacountry.com)
2:00p.m.         Jon Hammond Funk Unit (http://www.jonhammondband.com)
3:00p.m.         Bobby Long (www.musicbobbylong.com)
4:00p.m.         Taylor Tote Band (www.taylortote.com)
5:00p.m.         Brian Rhea (www.brianpaulrhea.com)

Saturday, June 25
10:30a.m.       Savannah Keyes
11:30a.m.       Jeff Radford (www.jeffradford.com)
1:00p.m.         Craig Wayne Boyd (www.craigwayneboyd.com)
1:00 p.m.        American Eagle Awards, honoring Vince Gill, Emmylou Harris and the Grand Ole Opry (www.musiccouncil.org/american-eagle-awards/)
3:00p.m.         Truman Brothers (www.trumanbrothers.com)

Chalise Zolezzi

NAMM 
Director of PR and Social Media 
Phone:
(760) 438-8001 
e-mail:
chalisez@namm.org 


About NAMM


The National Association of Music Merchants (NAMM) is the not-for-profit association with a mission to strengthen the $16.6 billion music products industry. NAMM is comprised of approximately 10,300 members located in 102 countries and regions. NAMM events and members fund The NAMM Foundation's efforts to promote the pleasures and benefits of music, and advance active participation in music making across the lifespan. For more information about NAMM, please visit www.namm.org, call 800.767.NAMM (6266) or follow the organization on FacebookTwitter and YouTube.
*WATCH THE MOVIE HERE: NAMM Showcase Believe in Music Awards Jon Hammond


Jon's archive https://archive.org/details/NAMMBelieveInMusicAwardsAndPurdieShuffleBrunchSet


Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Believe in Music Awards, Roy Burns, NAMM Show, Joe Lamond, Dom Famularo, Jon Hammond, Bernard Purdie, Funky Jazz, Blues, Hammond Organ, Suzuki Musical Instruments, ASCAP Composer, Musicians Union, Associated Musicians of Greater New York, Local 802 AFM



Big thanks to The NAMM Show Team for this recognition award, beautiful plaque "Believe in Music" award! I'm afraid to hang it on the wall in case there's an earthquake...back in the box for now, Jon Hammond




Jon's archive https://archive.org/details/LATERENTJonHammondThemeSong


Youtube https://youtu.be/q9P2CLCW6RU


Vimeo https://vimeo.com/168027875


Facebook video https://www.facebook.com/hammondcast/videos/10153484591607102/


Jon Hammond's annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt



- LATE RENT Jon Hammond Theme Song - Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ - Video: Tino Pavlis http://www.HammondCast.com


Jon's archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604





by Jon Hammond


Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm
Up Party - "Get Back in The Groove" - Peter Klohmann tenor saxo, Joe
Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond
Sk1 organ with many special friends in the house jonhammondband.com - video Tino Pavlis


Producer Jon Hammond
Language English

Youtube https://youtu.be/Tm2ZFE5V4As

Vimeo https://vimeo.com/164279506

Facebook video https://www.facebook.com/jonhammondband/videos/1271197279575733/




Getting ready for my 10th ASCAP "I Create Music" EXPO - Hollywood CA!
Jon Hammond



#ASCAPExpo ASCAP Audio Portrait: Jon Hammond http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx


Jon Hammond
Late Rent
Jon Hammond says "the fingers are the singers.'" The latest CD from this exceptional and soulful Hammond organist is the proof. "Late Rent" draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.

Jon Hammond Rent
The Late Rent Story
Swingin' Funky Jazz & Blues
Two Hot Tracks
Sonny's Advice

11th edition of the ASCAP "I Create Music" EXPO, April 28th - 30th, 2016 in Los Angeles at the Loews Hollywood Hotel

American Association of Independent Music (A2IM)
American Composers Forum (ACF)
American Federation of Musicians (AFM)
Association of Independent Music Publishers (AIMP)
Berklee College of Music Alumni Association
Berklee Online
California Copyright Conference (CCC)
Canadian Music Week
Foreign Performing Rights Organizations (PRO)
Girls Rock & Girls Rule
GoGirlsMusic.com
International Film Festival Summit (IFFS)
International Music Festival Conference (IMFCON)
International Songwriting Competition (ISC)
Los Angeles Women in Music (LAWIM)
Music Publishers Association (MPA)
Nashville Songwriters Association International (NSAI)
National Music Publishers Association (NMPA)
New Music USA
The Recording Academy (NARAS)
Regional/State/Local Songwriter Associations
SAG-AFTRA
SOCAN
Society of Composers and Lyricists (SCL)
SongNet
Songwriters Guild of America (SGA)
Songwriters Hall of Fame (SHOF)
Student/University Music Programs
TAXI
USA Songwriting Competition
West Coast Songwriters





Jon's archive https://archive.org/details/6842260423


AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/


JON HAMMOND: “WHERE’S THE GIG?” - Alex Walsh

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.



“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”



Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.



Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs



For more info visit www.jonhammondband.com


Jon Hammond Funk Unit https://www.namm.org/summer/2015/events/jon-hammond-funk-unit


JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O'Neill. He also toured the Northeast and Canada with the successful show revue "Easy Living", and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show "The Jon Hammond Show" became a Manhattan Cable TV favorite. Jon's "Live on the street" video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it's 30th year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon's show as "The Alternative to MTV". LINK http://youtu.be/7TApELTO1XI Head Phone - Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon's Band Featuring Bernard Bernard "Pretty" Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group

funky jazz

http://www.journal-frankfurt.de/funkyjazz


Tuesday, April 5 at 9 PM Musikmesse Warm Up Party celebrating 30 years


Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years



Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years


Jon's archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller


Jon Hammond – organ

Joe Berger – guitar

Peter Klohmann – saxophone

Giovanni Totò Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic


"Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht)."

Interview: Detlef Kinsler



Immediate Release, Nissan Stage, Nashville, #SummerNAMM #HammondOrgan #Legendary

Enhanced Audio Head Phone Hilton Hotel Jon Hammond at The B3 Organ Anaheim and Nashville

Enhanced Audio Head Phone Hilton Hotel Jon Hammond at The B3 Organ


*WATCH THE MOVIE HERE: Head Phone Hilton Hotel


Jon's archive https://archive.org/details/HeadPhoneHiltonHotel


Youtube https://youtu.be/Z_z8CXY_OfY



Enhanced Audio - NAMM Show Special: Jon Hammond Band plays Jon's funk composition "Head Phone" at the Anaheim Hilton Hotel with Bernard Purdie drums, Koei Tanaka chromatic harmonica, Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond at the Hammond B3 http://www.HammondCast.com ©JON HAMMOND International


Vimeo https://vimeo.com/169866926


FOR IMMEDIATE RELEASE:
Jeanne M. O'Keefe
Vice President
The Lippin Group:



The Legendary Charlie Daniels Band, Country Rocker Craig Wayne Boyd and Full Line-up of Artists
to take over Summer NAMM

CARLSBAD, Calif. – June 9, 2016 – Summer NAMM, the industry’s largest and most vibrant music products tradeshow returns to Nashville’s Music City Center June 23-25 for its biggest year yet. This year’s show will feature new and returning attendees from among the top brands in musical instruments, gear, technologies and accessories, and will include a robust line-up of artists who will perform all three days of the annual gathering.

Thursday, the first day of the show will end on a high note with a one-of-a kind performance from multi-instrumentalist, storyteller and living legend, Charlie Daniels. The Charlie Daniels Band is best known for their hits “The Devil Went Down to Georgia” and “The South’s Gonna Do It Again” among many others over the span of their 50+ year career. Daniels and band will treat Summer NAMM attendees to a memorable performance on the NAMM Nissan Terrace Stage starting at 6:00 p.m.

On Saturday at 1:00 p.m., the Terrace stage will welcome Texas-born and raised country singer and multi-instrumentalist, Craig Wayne Boyd. Boyd first came to prominence as the winner of the seventh season of The Voice (2014), where his singing voice, playing, and easy musical versatility made him a fan favorite on the show.

Saturday also welcomes the 33rd Annual American Eagle Awards. This year’s honorees include Vince Gill, Emmylou Harris and the Grand Ole Opry. The American Eagle Awards honor individuals that have made significant contributions to the music in America. The awards are produced by the National American Music Council in cooperation with NAMM, and will be open to all Summer NAMM badge holders.

Each day of the Summer NAMM Show, the NAMM Nissan Terrace Stage will present live music beginning at 10:00 a.m. with an exciting lineup of artists with a variety of musical styles. Thursday’s lineup includes soul/rock artist Paul Childers, country singer Lauren Alexander, and acoustic double neck guitarist Ian Ethan Case, among others. On Friday, the dynamic duo and fingerstylings of the Constable Sisters, singer/songwriter Josh Farrow, country act Brian Rhea, and more will provide for an entertaining day of live music. Saturday’s acts include guitarist Jeff Radford and pop/country duo the Truman Brothers, as well as other talented acts.

NAMM Nissan Stage Schedule
(All acts and times subject to change)

Thursday, June 23
10:00a.m. Summer Pittman (http://soundcloud.com/summerpittman/stranger)
11:00a.m. Laura B. Whitmore (www.laurabwhitmore.com)
12:00p.m. Paul Childers (http://paulchilders.com)
1:00p.m. Lauren Alexander (www.laurenalexander.com)
2:00p.m. Ian Ethan Case (www.ianethan.com)
3:00p.m. The Depth and the Whisper (www.thedepthandthewhisper.com)
4:00p.m. James Robert Webb (http://www.jamesrobertwebb.com)
6:00p.m. The Charlie Daniels Band (www.charliedaniels.com)

Friday, June 24
10:00a.m. Constable Sisters
11:00a.m. Sally and George (www.sallyandgeorge.com)
12:00p.m. Josh Farrow Presented by Lightning 100 (www.joshfarrow.com)
1:00p.m. Olivia Henken (http://oliviacountry.com)
2:00p.m. Jon Hammond Funk Unit (http://www.jonhammondband.com)
3:00p.m. Bobby Long (www.musicbobbylong.com)
4:00p.m. Taylor Tote Band (www.taylortote.com)
5:00p.m. Brian Rhea (www.brianpaulrhea.com)

Facebook video https://www.facebook.com/jonhammondband/videos/1304222282939899/



Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-kampl

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA by Holda Paoletti-kampl

http://www.accordions.com/news.aspx?d=27-May-2016&lang=en#art11769







Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt



Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse

Accordion Radio News http://accordionradio.com/news.html



Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee - USA
by Holda Paoletti-Kampl

Jon Hammond's Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.

The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).

Jon Hammond wrote:
"Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ - both Joe and myself are officially from New York City, although I am also in California a lot - I’m still a New Yorker!

There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.

Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.

Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded."

AFM Local 6 Member Profile JON HAMMOND: "WHERE'S THE GIG?" -- by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”


“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”


Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.


Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond


n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs




Jon Hammond at Summer NAMM in Nashville Music City Center



Jon Hammond's KALX Photos - 90.7 FM

Jon Hammond's KALX photos in the historic studios of UC Berkeley's radio station that first went on-air in the year of 1962 - broadcasting from the famous 'cigar box' transmitter - JH
KALX's wiki https://en.wikipedia.org/wiki/KALX
KALX (90.7 FM) is an FM radio station that broadcasts from the University of California, Berkeley in Berkeley, California. KALX, a community and student-run radio station licensed to the University of California, Berkeley, broadcasts in stereo with 500 watts of power. The station employs three full-time paid staff members, but is largely run by its nearly 300 volunteers, including Berkeley students and other members of the local community.
City Berkeley, California
Broadcast area San Francisco Bay Area
Frequency 90.7 MHz
Format College radio
ERP 500 watts
HAAT 238 meters
Class A
Facility ID 68999


The station originally began broadcasting in 1962, as a carrier current station. By 1966, KALX (then known as Radio KAL, the call letters being derived from Berkeley's nickname "Cal") had moved from Berkeley's dormitories to Dwinelle Hall on campus, and Berkeley administrators began investigating the possibility of applying for a broadcast frequency for the station. KALX received its broadcast license and made its first FM broadcast, with 10 watts of power, in 1967. The studio in the basement of Dwinelle was modest, a small chamber sequestered off from a sizable library of albums.

In the 1970s, KALX was taken off the air for a short period by the faculty oversight Radio Policy Board after the station manager and friends had abused their use of university automobiles for private use and run up large bills for long distance phone calls to their contacts in Los Angeles and elsewhere. After an investigation, the station was put back on the air with new management.

In 1981, the station began a successful fundraising drive to boost its power level to the present-day 500 watts, a level that was reached in 1982.[1]

KALX became the official radio station for the Oakland Athletics just days before the season opener in April 1978. Larry Baer, a junior political science major who was the station's sports director and business manager, negotiated the agreement with team owner Charlie Finley. The situation was made possible because of the Athletics' subpar on-field performance and attendance and the uncertainty surrounding Finley's threats to move the ballclub to Denver.[1] Baer, who would later serve as a San Francisco Giants executive beginning in December 1992, was the play-by-play announcer.[2] Sophomore mass communications major Bob Kozberg and station producer/engineer Steve Blum also worked on the broadcasts.

The arrangement lasted only sixteen games. One month into the season, Finley decided to keep the Athletics in Oakland and awarded the broadcast rights to KNEW.[1][3] Nonetheless, the setup made the A's a laughingstock in the Bay Area. At the time, KALX only operated at 10 watts, rendering it practically unlistenable more than 10 miles from Oakland Coliseum. This led one fan to joke about the A's radio network stretching all the way to Hawaii by asking, "Honolulu? How about here?
KALX offers a diverse range of public affairs programming. KALX offers many kinds of Public Service Announcements throughout its daily broadcast.
KALX has provided a training ground for numerous individuals who have had careers in television and radio. These include Lisa Stark of ABC News,[5] Sarah Wallace, Andrew Reimer, Kristen Sze, Bob Sarlatte,[6] and Robert "Doc" Pelzel.



Jon's archive https://archive.org/details/MarshallStaxSpinsJonHamondBandOnKALX90.7FM


Youtube https://youtu.be/HOLGBg5TORU


Marshall Stax host of "Next Big Thing" program spins "Pocket Funk" by Jon
Hammond Band on KALX 90.7 FM - Musicians: Lutz Büchner saxophone,
Ernst-Friedrich Fiete Felsch saxophone, Michael Leuschner trumpet, Joe
Berger guitar, Heinz Lichius drums, Jon Hammond organ http://www.HammondCast.com/
Hosted by Marshall Stax. Every Monday night from 6 pm to 7 pm http://kalx.berkeley.edu/


#HiltonHotel
Facebook video https://www.facebook.com/hammondcast/videos/10153495668612102/

Wishing the great jazz guitarist educator Rick Stone (left) a successful recovery - here with Jon Hammond in Atlanta Georgia at JEN conference


Jon Hammond Funk Unit - Summer NAMM Show Special Nashville Music City Center Nissan Stage
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit



Enhanced Audio, Head Phone, Hilton Hotel, Nashville, #HammondOrgan #NAMMShow #SummerNAMM
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