Jon Hammond -- Then and Now
Jon Hammond -- Then and Now
Then and Now Jon Hammond playing custom electric Giulietti Classic 127 accordion in Topanga Canyon CA
and in Times Square New York playing his custom Excelsior AC/R with Sennheiser electronics http://www.accordionradio.com/
Then and Now Jon Hammond playing Giulietti and Excelsior accordions http://www.accordionradio.com/
Then and Now Bernard Purdie and Jon Hammond playing in Zanzibar and Grill NYC 1990, Bernard and Jon 2010 Winter NAMM Show http://www.HammondCast.com/ — with Bernard Purdie and Bernard Purdie
Jon Hammond Trio Opener at Bill Graham's Fillmore Auditorium San Francisco
*WATCH THE VIDEO: http://ia700503.us.archive.org/21/items/JonHammondFillmoreAuditoriumIntroductiontoPocketFunkJonHammondTrio/FillmoreIntroductiontoPocketFunk.m4v
http://www.archive.org/details/JonHammondFillmoreAuditoriumIntroductiontoPocketFunkJonHammondTrio
http://www.youtube.com/watch?v=4oZ6D_T0YAU
Jon Hammond and The Late Rent Session Men (Trio) special edition opening for Sons of Champlin at Fillmore Auditorium
San Francisco June 4, 1999 original composition(s) Late Rent - Introduction to Pocket Funk Jon Hammond organ and bass, Barry Finnerty guitar, James Preston of Sons of Champlin band drums special thanks Bob Barsotti
© http://www.jonhammondband.com
Hammond Artist http://www.hammondorganco.com/index.php?option=com_content&view=article&id=157:jon-hammond-sk1-in-germany&catid=35:events
Jon Hammond hair illuminated in the Fillmore lights like a hair aura standing at his trusty Hammond XB-2 organ going through the house system via 2 direct input boxes
L to R: James Preston - drums, Jon Hammond - organ, Barry Finnerty - guitar in Jon's dressing room
backstage at The Fillmore. Jon is holding a surprise bucket of Moet Champagne with card sent back
to him by old friend Bob Barsotti of Bill Graham Presents, thanks a million Bob!
The card said: Dear Jon: Welcome to The Fillmore!
Jon Hammond touching sign with his own name on his dressing room door backstage at Bill Graham's
Fillmore Auditorium in San Francisco CA
FLASH! Jazz Great Jon Hammond takes the new Hammond SK1 on its maiden voyage onstage in Germany. Congratulations to Jon for being the first ever to play our new model on a gig! Great job, Jon, and your band too!
http://www.youtube.com/watch?v=Fd3XEp0-BaE
Jon Hammond First Road Test Sk1 Pocket Funk
http://www.youtube.com/watch?v=vp7pNTp6seo
Jon began his musical career at age 12 in the San Francisco Bay Area playing organ and accordion in bands and solo engagements, first recording studio dates 1968 when he met Robert Moog who personally delivered the Moog III to San Francisco Radical Laboratories where Jon was working at the time and jamming daily with members of Quicksilver Messenger Service, he next joined original rock band Hades with which he played until moving East to attend Berklee.
Playing 7 nights a week in Boston's notorious Combat Zone next lead to touring with successful show band Easy Living and then became house organist at the exclusive Wychmere Harbor Club Cape Cod MA where he played private parties for Tip O'Neill Speaker of The House. Returning to SF for a reunion concert in 1980 with Eddie Money and members of Tower of Power, next Jon moved to Europe where he lived and played for a number of years, still playing annually where he has an enthusiastic following. Jon began hosting his own TV show "The Jon Hammond Show" in 1984 and is now in 27th year on cable TV in Manhattan and heard daily on KYOU Radio HammondCast Show with regular appearances at international trade shows.
http://www.vimeo.com/13954517
http://www.archive.org/details/JonHammondFillmoreAuditoriumIntroductiontoPocketFunkJonHammondTrio/
Fillmore Auditorium, Bill Graham Presents, Jon Hammond, Sons Of Champlin, Organ, Funky, James Preston, ASCAP, HammondCast, KYOU Radio, MNNTV
To mark the 500th performance of the HAIR Musical Revival Show, they generously gave away 500
tickets to the 500 'early birds' such as myself, photo: standing on line 8AM for 10AM open
box office:
While I was standing on the line the CBS MoneyWatch field reporter Megan Jordan came walking up
the line with her camera man interviewing people on the line.
http://moneywatch.bnet.com/about/?tag=header;utility
I told Megan about my audition for the first San Francisco cast of HAIR in 1968 when I had a lot
of hair. They told me, You look perfect...then they had me sing and it was over real fast!
Jon Hammond circa 1968 :
The sound for the show was excellent, the band is all top Local 802 Musicians Union musicians. I
checked out the audio mixing console during intermission
After the highly energetic show the cast comes right in to the audience
Sadly they just announced that they will be closing the show on June 27th after a highly
successful run of over 500 performances
*Note: Paula Abdul of American Idol was sitting nearby me in the Orchestra Section on this night.
http://www.nytimes.com/2010/06/10/theater/10arts-001.html?scp=1&sq=broadway%20losing%20its%20hair&st=cse
"ARTS, BRIEFLY
Hammond shown here with Bernard Purdie and Jerry Jemmott backstage at HAIR
Bernard “Pretty” Purdie, Jon Hammond, Jerry Jemmott backstage at Hair Show
L to R: Bernard “Pretty” Purdie, Jon Hammond, Jerry Jemmott aka Gerald “Fingers” Jemmott backstage at Hair Show at the Al Hirschfeld Theater on Broadway NYC.
Jon Hammond says: Be sure and catch the HAIR Show while you can at the Al Hirschfeld Theatre, the
show is very relevant and the cast and musicians are top notch.
USA Tour Dates TBA (to be announced) A strong anti-war statement, the 60's Spirit Lives onstage nightly at the Al Hirschfeld Theatre. Meet the Tribe http://www.hairbroadway.com/tribe
http://en.wikipedia.org/wiki/Hair_(musical)
with music by Galt MacDermot, Hair was conceived by actors James Rado and Gerome Ragni.
Peace, Anti-war, Local 802 Musicians Union, Bernard Purdie, Wilbur Bascomb, Jon Hammond, HammondCast, Al Hirschfeld Theatre, Galt MacDermot, Aquarius, Vietnam, Be-in, Rock Musical
Summer Concert Jazzkeller Frankfurt Soon I Will Be Free Jon Hammond Band
*WATCH THE VIDEO HERE: Jon Hammond Band Summer Concert Jazzkeller Frankfurt SOON I WILL BE FREE
http://ia700408.us.archive.org/21/items/JonHammondJonHammondBandSummerConcertJazzkellerFrankfurtSOONIWILLBEFREE/JonHammondBandSummerConcertJazzkellerFrankfurt.m4v
http://www.archive.org/details/JonHammondJonHammondBandSummerConcertJazzkellerFrankfurtSOONIWILLBEFREE/
Frankfurt Germany -- Jon Hammond getting picked up for the gig - Blip TV http://blip.tv/jon-hammond/jon-hammond-s-59th-birthday-party-musikmesse-warm-up-finale-song-6182466 — at Victoria Hotel Frankfurt
Ulrich Vormehr
Yashko Golembiovsky
Académie Royale des Beaux-Arts de Bruxelles (ACA)
Marco Wriedt
Paul Rachman
Director/Producer at Film DIrector - AMERICAN HARDCORE
Harry Petersen
U. of Colorado
Hamburg Germany -- Head Phone
Jon Hammond Band Blip TV
http://blip.tv/jon-hammond/head-phone-newessbar-hamburg-jon-hammond-band-6068555
Jon Hammond Band in concert in Newessbar Hamischa - L to R: Lutz Buechner tenor sax, Joe Berger guitar, Heinz Lichius drums, Jon Hammond at Sk1 Hammond organ
http://www.facebook.com/photo.php?fbid=10150609337502102&set=a.10150603399857102.376340.558692101 Youtube http://www.youtube.com/watch?v=b13jUY8WR_A
Newessbar Hamischa Hamburg Get Back In The Groove Tribute to 9/11 Jon Hammond Band
Lutz Buechner tenor sax
Heinz Lichius drums
Joe Berger guitar
Jon Hammond Sk1 Hammond organ
Original composition by Jon Hammond International ASCAP
Thanks Olaf and Roman Kumutat
It's almost time for the 4 Amigos World Guitar Show again folks, this time in San Mateo CA July 14-15 in the San Mateo County Event Center - photo Marc Baum at last year's show - Jon Hammond
http://jonhammondband.blogspot.com/2012/01/jam-session-day-1-california-world.html
http://www.facebook.com/photo.php?fbid=10150908519762102&set=at.61160682101.82732.558692101
San Francisco CA -- Newly renovated famous Golden Gate Park Windmills - Jon Hammond
http://www.golden-gate-park.com/windmills.html
http://www.pressdemocrat.com/article/20110913/WIRE/110919869
San Francisco windmill restoration marks milestone
By ASSOCIATED PRESS
SAN FRANCISCO — Crews restoring the Murphy Windmill in San Francisco's Golden Gate Park are celebrating a milestone.
Crowds watch as workers place a 64-ton dome on the historic landmark Murphy windmill during its repair in Golden Gate Park in San Francisco, Monday, Sept. 12, 2011. The windmill was constructed in 1905 and is one of the largest windmills in the world. It originally served to irrigate the park. The dome was repaired in Holland. The flags below the American and San Francisco flags are the Dutch and Irish flags.
The windmill's 68-ton copper dome was placed back on top of the structure on Monday after undergoing nearly a decade of restoration.
The work is part of a multi-million dollar project to bring the six-story windmill, which once pumped water to the rest of the park, back online. Built in 1905, the windmill languished for decades until the restoration work began in 2002.
The project is expected to be completed by the middle of 2012, when the windmill's sails and gears should be back on and the area around it landscaped.
The project is being funded by public and private money. — at Dutch Windmill
San Francisco CA -- The entrance to Baker Beach - Jon Hammond
http://en.wikipedia.org/wiki/Baker_Beach
Baker Beach is a public beach on the peninsula of San Francisco, California, U.S.. The beach lies on the shore of the Pacific Ocean to the northwest of the city. It is roughly a half mile (800 m) long, beginning just south of Golden Gate Point (where the Golden Gate Bridge connects with the peninsula), extending southward toward the Seacliff peninsula, the Palace of the Legion of Honor and the Sutro Baths. The northern section of Baker Beach is "frequented by clothing-optional sunbathers". As such it is considered a nude beach.History
Baker Beach is part of the Presidio, which was a military base from the founding of San Francisco by the Spanish in 1812 until 1997. In 1904, it was fortified with disappearing gun installations known as Battery Chamberlin, which can still be viewed today. When the Presidio was decommissioned as a U.S. Army base, it became part of the Golden Gate National Recreation Area, which is administered by the National Park Service.
From 1986 to 1990, the north end of Baker Beach was the original site of the Burning Man art festival. In 1990, park police allowed participants to raise the traditional large statue but not to set it on fire, since the beach enforces a limit on the size of any campfires. Subsequent Burning Man events have taken place in Black Rock Desert, Nevada.
A fatal shark attack occurred on Baker Beach on May 7, 1959[5] when 18-year old Albert Kogler Jr. was attacked by a great white shark while he was 15 feet deep in water. This was the only shark attack recorded on Baker Beach.
Large outcrops of serpentine cliffs occur along the Pacific coast near Baker Beach. When rising from the land surface, serpentine produces a low-calcium, high-magnesium soil that can allow for rare species of plants to develop in the vicinity. This may explain the presence of Hesperolinon congestum (the Marin Dwarf Flax, a threatened plant) in surrounding areas — at Baker Beach.
Baker Beach - Jon Hammond
Musikmesse Frankfurt -- Barrie Freeman of Hammond Suzuki UK & Jon Hammond - I've been to 26 Musikmesse's (consecutively) but Barrie's got me beat! - JH
http://www.hammondorgan.co.uk/ Hammond Organ UK FaceBook http://www.facebook.com/pages/Hammond-Organ-UK/284971118200473
*Michael Michael Falkenstein takin' care of biz by the organ http://hammond.de/ Germany
http://www.HammondCast.com/ — with Michael Falkenstein and Barrie Freeman at Musikmesse Frankfurt
Moscow Russia -- Ed Zizak taking a killer solo on my Theme Song "Late Rent"
Youtube http://www.youtube.com/watch?v=kOMLzIdc82g
Jon Hammond Trio in Moscow Russia with Igor Butman tenor sax Eduard Zizak drums Jon Hammond organ, full power Late Rent break song with
amazing psychedelic solo from Eduard on James and Wess Blues dedicated to organist Jimmy Smith. Special thanks Faina Cobham, Hammond Suzuki, Camera: Jennifer http://www.jonhammondband.com/ — with Ed Zizak at Verkhnjaja Radishchevskaya St. 21 Moscow Russia
Vadim Eilenkrig
Moscow, Russia
Севастьянов Дмитрий
Moscow, Russia
Алексей Беккер
Гнес
1976 Honda Civic CVCC my very first brand-new car - Jon Hammond *wearing one of my custom Panama Hats from Arthur at Hand The Hatter of Boston Combat Zone
http://www.facebook.com/photo.php?fbid=10150944323417102&set=a.61160682101.82732.558692101
Combat Zone Boston MA -- Hand The Hatter, Arthur was one of the greatest hatters of all times. I had all my hats custom made by him when I was playing Hammond organ 7 nights a week in the Zone - at World Famous 2 O'Clock Club, Picadilly, Mouse Trap and some of the other 'continuous adult entertainment' clubs back in the 70's - Jon Hammond
http://www.csmonitor.com/1988/1011/rhat.html
By David Holmstrom, Staff writer of The Christian Science Monitor / October 11, 1988
Boston
IT'S a hot day on LaGrange Street. Across from the gaudy Club New Orleans, on the shady side of this street in Boston's notorious ``combat zone,'' Arthur Stephens takes a small paring knife out of his pocket. He carefully cuts through the black threads of time. ``Six and seven-eighths,'' he says quietly. In his hand is a beige man's hat. No measuring, no guessing the size. He knows hats, this hat, any hat. The knife cuts the threads holding the old, black hatband. It falls to the floor.
``This is a good beaver hat,'' says Mr. Stephens, twirling it over the knuckles of one hand. He will spend the next hour or so in loving restoration of another man's favorite hat.
For 54 years, inside a narrow LaGrange Street shop darkened by time and steam, and filled with the rakishness of hats on pegs everywhere, Stephens has plied the almost forgotten art of a hatter. Like a poet polishing verbs, Stephens makes, restores, and repairs fine hats. During the half-century he has been motivated by the axiom ``A man doesn't looked dressed unless he wears a hat.''
``My sisters were hat trimmers,'' he says proudly, ready to nurture just about any stained, drooping hat into new sheen and bearing. ``My father was a hatter, and my brothers were hatters, too. See, I like what I'm doing. You gotta like what you're doing. I'm 80 going on 81.
Arthur Stephens is the only bona fide, art-for-the-sake-of-art hatter left in Boston. Once there were dozens. Ernesto Marrone has been a customer for 10 years. ``You can't get this kind of service anywhere else,'' he says, ``not even in New York. I wear hats because I grew up in an old Italian neighborhood where hats were customary.''
Long before Stephens bought the shop on LaGrange, a man named Hand first opened it on a downtown Boston street. The year was 1860, the year Abraham Lincoln was elected President, and Mr. Hand proclaimed his shop ``Hand the Hatter.''
The shop thrived down one century to another, satisfying Bostonian gentlemen who wore homburgs, panamas, top hats, trilbies, derbys, westerns, fedoras, and even boaters. And when the young and ambitious Stephens bought the shop in 1934, he kept the name.
Today, above the door, slightly weathered and melancholy, a black-and-white sign still says, ``Hand the Hatter.''
The small shop window - protected by a steel grate - is so dusty and gray there is no seeing through it. One step up and through the open door and into the musty shop, and you have entered a time warp sliced from a faded calendar, circa 1930, with hats, hats, and more hats.
``You walk in here and say, `How come all this junk is here?''' says Stephens, a small man with rounded shoulders and a gruff, sentimental voice. ``But everything is ready for any kind of hat. You never know when you're going to use this stuff.''
``This stuff'' lying about is a Noah's ark of the hatter's craft. Shelves and tables full of wooden hat blocks, shelves full of wooden flanges to shape brims, a 40-year-old hissing copper boiler (steam for steaming the hats), ancient cans of ``luring'' grease (to bring out the sheen of hats), an old ``ironing'' machine that heats and shapes the crown of hat while it spins slowly on a block, and off in one corner a bulbous, heated ``sand'' machine (a flannel bag filled with heated beach sand) to lower over a hat on a flange to shape or reshape the brim.
``I used to work until 2 in the morning,'' says Stephens, recalling the heady, quicker pace of the 1930s. ``Saturdays, Sundays. I'd go out to eat, take a shower at a hotel, come back here, and go to work again. I could knock off maybe 40 to 50 hats a day. Today if I do eight or 10 I'm doing a big day's work.''
Stephens acknowledges that it was probably a hatless President named John Kennedy who helped take the steam out of the men's hat business. That and all the vets returning from World War II as men who refused to wear hats anymore. Add the long hair of men in the 1960s, and hats had a dim future.
``Kennedy didn't wear a hat,'' says Stephens, ``and everybody stopped wearing them. Men are wearing all different kinds of hats now, but still not like they used to. Do I wear hats? Sure. I keep a couple in my car.''
He pauses by the ironing machine, watching the blocked brown hat turning as the hot ``iron'' moves automatically and slowly around it, squeaking all the way. On a shelf a fan pushes the hot air around.
His voice lowers. ``Way back I made hats for Jimmy Durante,'' he says. ``His valet used to come here and get them. He'd say, `Jimmy needs a couple of hats,' and I'd know just what he wanted. Basil Rathbone used to buy hats from me, too.''
A new hat from Stephens will cost from $125 to $150. A restoration begins about $20 and often ends there, no matter how long it takes. ``I never really check the time, to tell you the truth,'' he says. ``I like the work, and when it's done, it's done.''
In the late afternoon a customer of 35 years comes in: a stocky, older man named Mitch with a straw hat needing the brim smoothed and stiffened. Stephens repairs the hat in minutes, using the sand machine and some deftly applied glue.
``I bought my first custom-made hat here in 1950,'' says Mitch, standing at the small counter near an enormous old cash register with a hand crank. ``I got one he made me a few years ago, and a couple of others,'' says Mitch. He says he would like another, a light gray this time.
He and Stephens strike an accord. A price of $85, with $40 down. Stephens fills out an order. Mitch peels off two $20 bills on the counter. ``I don't want you pushing yourself,'' he says to Stephens. They both laugh and agree that three weeks should be long enough to fashion the hat. They shake hands. Mitch says warmly, ``I need you. Don't push yourself on this.''
Minutes later, a young man in a leather vest and tie enters and picks up a custom-made hat, a tan, narrow-brimmed trilby. Stephens packs the hat in a new Stetson hat box and tosses in a cluster of small red and yellow feathers for the hatband. When the young man leaves, Stephens says: ``If you're any kind of a businessman, you throw a man a few feathers.''
Late in the afternoon he sits in one of the four old chairs just inside the front door in a pensive mood. ``These are all old customers now,'' he says quietly. ``They know I won't sell them a bad hat. If I had said a $100 for the hat, Mitch would have paid it. No arguments.'' — at Combat Zone
Combat Zone Boston MA -- Hand The Hatter, Arthur was one of the greatest hatters of all times. I had all my hats custom made by him when I was playing Hammond organ 7 nights a week in the Zone - at World Famous 2 O'Clock Club, Picadilly, Mouse Trap and some of the other 'continuous adult entertainment' clubs back in the 70's - Jon Hammond
http://www.csmonitor.com/1988/1011/rhat.html
By David Holmstrom, Staff writer of The Christian Science Monitor / October 11, 1988
BB King's, eddiemoney, HammondCast, house, Jesse Money, Jon Hammond, New York, rocks, vocals
Then and Now Jon Hammond playing custom electric Giulietti Classic 127 accordion in Topanga Canyon CA
and in Times Square New York playing his custom Excelsior AC/R with Sennheiser electronics http://www.accordionradio.com/
Then and Now Jon Hammond playing Giulietti and Excelsior accordions http://www.accordionradio.com/
Then and Now Bernard Purdie and Jon Hammond playing in Zanzibar and Grill NYC 1990, Bernard and Jon 2010 Winter NAMM Show http://www.HammondCast.com/ — with Bernard Purdie and Bernard Purdie
Jon Hammond Trio Opener at Bill Graham's Fillmore Auditorium San Francisco
*WATCH THE VIDEO: http://ia700503.us.archive.org/21/items/JonHammondFillmoreAuditoriumIntroductiontoPocketFunkJonHammondTrio/FillmoreIntroductiontoPocketFunk.m4v
http://www.archive.org/details/JonHammondFillmoreAuditoriumIntroductiontoPocketFunkJonHammondTrio
http://www.youtube.com/watch?v=4oZ6D_T0YAU
Jon Hammond and The Late Rent Session Men (Trio) special edition opening for Sons of Champlin at Fillmore Auditorium
San Francisco June 4, 1999 original composition(s) Late Rent - Introduction to Pocket Funk Jon Hammond organ and bass, Barry Finnerty guitar, James Preston of Sons of Champlin band drums special thanks Bob Barsotti
© http://www.jonhammondband.com
Hammond Artist http://www.hammondorganco.com/index.php?option=com_content&view=article&id=157:jon-hammond-sk1-in-germany&catid=35:events
Jon Hammond hair illuminated in the Fillmore lights like a hair aura standing at his trusty Hammond XB-2 organ going through the house system via 2 direct input boxes
L to R: James Preston - drums, Jon Hammond - organ, Barry Finnerty - guitar in Jon's dressing room
backstage at The Fillmore. Jon is holding a surprise bucket of Moet Champagne with card sent back
to him by old friend Bob Barsotti of Bill Graham Presents, thanks a million Bob!
The card said: Dear Jon: Welcome to The Fillmore!
Jon Hammond touching sign with his own name on his dressing room door backstage at Bill Graham's
Fillmore Auditorium in San Francisco CA
FLASH! Jazz Great Jon Hammond takes the new Hammond SK1 on its maiden voyage onstage in Germany. Congratulations to Jon for being the first ever to play our new model on a gig! Great job, Jon, and your band too!
http://www.youtube.com/watch?v=Fd3XEp0-BaE
Jon Hammond First Road Test Sk1 Pocket Funk
http://www.youtube.com/watch?v=vp7pNTp6seo
Jon began his musical career at age 12 in the San Francisco Bay Area playing organ and accordion in bands and solo engagements, first recording studio dates 1968 when he met Robert Moog who personally delivered the Moog III to San Francisco Radical Laboratories where Jon was working at the time and jamming daily with members of Quicksilver Messenger Service, he next joined original rock band Hades with which he played until moving East to attend Berklee.
Playing 7 nights a week in Boston's notorious Combat Zone next lead to touring with successful show band Easy Living and then became house organist at the exclusive Wychmere Harbor Club Cape Cod MA where he played private parties for Tip O'Neill Speaker of The House. Returning to SF for a reunion concert in 1980 with Eddie Money and members of Tower of Power, next Jon moved to Europe where he lived and played for a number of years, still playing annually where he has an enthusiastic following. Jon began hosting his own TV show "The Jon Hammond Show" in 1984 and is now in 27th year on cable TV in Manhattan and heard daily on KYOU Radio HammondCast Show with regular appearances at international trade shows.
http://www.vimeo.com/13954517
http://www.archive.org/details/JonHammondFillmoreAuditoriumIntroductiontoPocketFunkJonHammondTrio/
Fillmore Auditorium, Bill Graham Presents, Jon Hammond, Sons Of Champlin, Organ, Funky, James Preston, ASCAP, HammondCast, KYOU Radio, MNNTV
To mark the 500th performance of the HAIR Musical Revival Show, they generously gave away 500
tickets to the 500 'early birds' such as myself, photo: standing on line 8AM for 10AM open
box office:
While I was standing on the line the CBS MoneyWatch field reporter Megan Jordan came walking up
the line with her camera man interviewing people on the line.
http://moneywatch.bnet.com/about/?tag=header;utility
I told Megan about my audition for the first San Francisco cast of HAIR in 1968 when I had a lot
of hair. They told me, You look perfect...then they had me sing and it was over real fast!
Jon Hammond circa 1968 :
The sound for the show was excellent, the band is all top Local 802 Musicians Union musicians. I
checked out the audio mixing console during intermission
After the highly energetic show the cast comes right in to the audience
Sadly they just announced that they will be closing the show on June 27th after a highly
successful run of over 500 performances
*Note: Paula Abdul of American Idol was sitting nearby me in the Orchestra Section on this night.
http://www.nytimes.com/2010/06/10/theater/10arts-001.html?scp=1&sq=broadway%20losing%20its%20hair&st=cse
"ARTS, BRIEFLY
Broadway Is Losing Its ‘Hair’
The current Broadway production of “Hair,” which won the 2009Tony Award for best musical revival, will close on June 27, its producers said on Wednesday. “Hair” began turning a profit in August, after recouping its capitalization costs of $5.76 million"
Hammond shown here with Bernard Purdie and Jerry Jemmott backstage at HAIR
Bernard “Pretty” Purdie, Jon Hammond, Jerry Jemmott backstage at Hair Show
L to R: Bernard “Pretty” Purdie, Jon Hammond, Jerry Jemmott aka Gerald “Fingers” Jemmott backstage at Hair Show at the Al Hirschfeld Theater on Broadway NYC.
Jon Hammond says: Be sure and catch the HAIR Show while you can at the Al Hirschfeld Theatre, the
show is very relevant and the cast and musicians are top notch.
USA Tour Dates TBA (to be announced) A strong anti-war statement, the 60's Spirit Lives onstage nightly at the Al Hirschfeld Theatre. Meet the Tribe http://www.hairbroadway.com/tribe
http://en.wikipedia.org/wiki/Hair_(musical)
with music by Galt MacDermot, Hair was conceived by actors James Rado and Gerome Ragni.
Peace, Anti-war, Local 802 Musicians Union, Bernard Purdie, Wilbur Bascomb, Jon Hammond, HammondCast, Al Hirschfeld Theatre, Galt MacDermot, Aquarius, Vietnam, Be-in, Rock Musical
Summer Concert Jazzkeller Frankfurt Soon I Will Be Free Jon Hammond Band
*WATCH THE VIDEO HERE: Jon Hammond Band Summer Concert Jazzkeller Frankfurt SOON I WILL BE FREE
http://ia700408.us.archive.org/21/items/JonHammondJonHammondBandSummerConcertJazzkellerFrankfurtSOONIWILLBEFREE/JonHammondBandSummerConcertJazzkellerFrankfurt.m4v
http://www.archive.org/details/JonHammondJonHammondBandSummerConcertJazzkellerFrankfurtSOONIWILLBEFREE/
Frankfurt Germany -- Jon Hammond getting picked up for the gig - Blip TV http://blip.tv/jon-hammond/jon-hammond-s-59th-birthday-party-musikmesse-warm-up-finale-song-6182466 — at Victoria Hotel Frankfurt
Ulrich Vormehr
Yashko Golembiovsky
Académie Royale des Beaux-Arts de Bruxelles (ACA)
Marco Wriedt
Paul Rachman
Director/Producer at Film DIrector - AMERICAN HARDCORE
Harry Petersen
U. of Colorado
Hamburg Germany -- Head Phone
Jon Hammond Band Blip TV
http://blip.tv/jon-hammond/head-phone-newessbar-hamburg-jon-hammond-band-6068555
Jon Hammond Band in concert in Newessbar Hamischa - L to R: Lutz Buechner tenor sax, Joe Berger guitar, Heinz Lichius drums, Jon Hammond at Sk1 Hammond organ
http://www.facebook.com/photo.php?fbid=10150609337502102&set=a.10150603399857102.376340.558692101 Youtube http://www.youtube.com/watch?v=b13jUY8WR_A
Newessbar Hamischa Hamburg Get Back In The Groove Tribute to 9/11 Jon Hammond Band
Lutz Buechner tenor sax
Heinz Lichius drums
Joe Berger guitar
Jon Hammond Sk1 Hammond organ
Original composition by Jon Hammond International ASCAP
Thanks Olaf and Roman Kumutat
It's almost time for the 4 Amigos World Guitar Show again folks, this time in San Mateo CA July 14-15 in the San Mateo County Event Center - photo Marc Baum at last year's show - Jon Hammond
http://jonhammondband.blogspot.com/2012/01/jam-session-day-1-california-world.html
http://www.facebook.com/photo.php?fbid=10150908519762102&set=at.61160682101.82732.558692101
San Francisco CA -- Newly renovated famous Golden Gate Park Windmills - Jon Hammond
http://www.golden-gate-park.com/windmills.html
http://www.pressdemocrat.com/article/20110913/WIRE/110919869
San Francisco windmill restoration marks milestone
By ASSOCIATED PRESS
SAN FRANCISCO — Crews restoring the Murphy Windmill in San Francisco's Golden Gate Park are celebrating a milestone.
Crowds watch as workers place a 64-ton dome on the historic landmark Murphy windmill during its repair in Golden Gate Park in San Francisco, Monday, Sept. 12, 2011. The windmill was constructed in 1905 and is one of the largest windmills in the world. It originally served to irrigate the park. The dome was repaired in Holland. The flags below the American and San Francisco flags are the Dutch and Irish flags.
The windmill's 68-ton copper dome was placed back on top of the structure on Monday after undergoing nearly a decade of restoration.
The work is part of a multi-million dollar project to bring the six-story windmill, which once pumped water to the rest of the park, back online. Built in 1905, the windmill languished for decades until the restoration work began in 2002.
The project is expected to be completed by the middle of 2012, when the windmill's sails and gears should be back on and the area around it landscaped.
The project is being funded by public and private money. — at Dutch Windmill
San Francisco CA -- The entrance to Baker Beach - Jon Hammond
http://en.wikipedia.org/wiki/Baker_Beach
Baker Beach is a public beach on the peninsula of San Francisco, California, U.S.. The beach lies on the shore of the Pacific Ocean to the northwest of the city. It is roughly a half mile (800 m) long, beginning just south of Golden Gate Point (where the Golden Gate Bridge connects with the peninsula), extending southward toward the Seacliff peninsula, the Palace of the Legion of Honor and the Sutro Baths. The northern section of Baker Beach is "frequented by clothing-optional sunbathers". As such it is considered a nude beach.History
Baker Beach is part of the Presidio, which was a military base from the founding of San Francisco by the Spanish in 1812 until 1997. In 1904, it was fortified with disappearing gun installations known as Battery Chamberlin, which can still be viewed today. When the Presidio was decommissioned as a U.S. Army base, it became part of the Golden Gate National Recreation Area, which is administered by the National Park Service.
From 1986 to 1990, the north end of Baker Beach was the original site of the Burning Man art festival. In 1990, park police allowed participants to raise the traditional large statue but not to set it on fire, since the beach enforces a limit on the size of any campfires. Subsequent Burning Man events have taken place in Black Rock Desert, Nevada.
A fatal shark attack occurred on Baker Beach on May 7, 1959[5] when 18-year old Albert Kogler Jr. was attacked by a great white shark while he was 15 feet deep in water. This was the only shark attack recorded on Baker Beach.
Large outcrops of serpentine cliffs occur along the Pacific coast near Baker Beach. When rising from the land surface, serpentine produces a low-calcium, high-magnesium soil that can allow for rare species of plants to develop in the vicinity. This may explain the presence of Hesperolinon congestum (the Marin Dwarf Flax, a threatened plant) in surrounding areas — at Baker Beach.
Baker Beach - Jon Hammond
Musikmesse Frankfurt -- Barrie Freeman of Hammond Suzuki UK & Jon Hammond - I've been to 26 Musikmesse's (consecutively) but Barrie's got me beat! - JH
http://www.hammondorgan.co.uk/ Hammond Organ UK FaceBook http://www.facebook.com/pages/Hammond-Organ-UK/284971118200473
*Michael Michael Falkenstein takin' care of biz by the organ http://hammond.de/ Germany
http://www.HammondCast.com/ — with Michael Falkenstein and Barrie Freeman at Musikmesse Frankfurt
Moscow Russia -- Ed Zizak taking a killer solo on my Theme Song "Late Rent"
Youtube http://www.youtube.com/watch?v=kOMLzIdc82g
Jon Hammond Trio in Moscow Russia with Igor Butman tenor sax Eduard Zizak drums Jon Hammond organ, full power Late Rent break song with
amazing psychedelic solo from Eduard on James and Wess Blues dedicated to organist Jimmy Smith. Special thanks Faina Cobham, Hammond Suzuki, Camera: Jennifer http://www.jonhammondband.com/ — with Ed Zizak at Verkhnjaja Radishchevskaya St. 21 Moscow Russia
Vadim Eilenkrig
Moscow, Russia
Севастьянов Дмитрий
Moscow, Russia
Алексей Беккер
Гнес
1976 Honda Civic CVCC my very first brand-new car - Jon Hammond *wearing one of my custom Panama Hats from Arthur at Hand The Hatter of Boston Combat Zone
http://www.facebook.com/photo.php?fbid=10150944323417102&set=a.61160682101.82732.558692101
Combat Zone Boston MA -- Hand The Hatter, Arthur was one of the greatest hatters of all times. I had all my hats custom made by him when I was playing Hammond organ 7 nights a week in the Zone - at World Famous 2 O'Clock Club, Picadilly, Mouse Trap and some of the other 'continuous adult entertainment' clubs back in the 70's - Jon Hammond
http://www.csmonitor.com/1988/1011/rhat.html
By David Holmstrom, Staff writer of The Christian Science Monitor / October 11, 1988
Boston
IT'S a hot day on LaGrange Street. Across from the gaudy Club New Orleans, on the shady side of this street in Boston's notorious ``combat zone,'' Arthur Stephens takes a small paring knife out of his pocket. He carefully cuts through the black threads of time. ``Six and seven-eighths,'' he says quietly. In his hand is a beige man's hat. No measuring, no guessing the size. He knows hats, this hat, any hat. The knife cuts the threads holding the old, black hatband. It falls to the floor.
``This is a good beaver hat,'' says Mr. Stephens, twirling it over the knuckles of one hand. He will spend the next hour or so in loving restoration of another man's favorite hat.
For 54 years, inside a narrow LaGrange Street shop darkened by time and steam, and filled with the rakishness of hats on pegs everywhere, Stephens has plied the almost forgotten art of a hatter. Like a poet polishing verbs, Stephens makes, restores, and repairs fine hats. During the half-century he has been motivated by the axiom ``A man doesn't looked dressed unless he wears a hat.''
``My sisters were hat trimmers,'' he says proudly, ready to nurture just about any stained, drooping hat into new sheen and bearing. ``My father was a hatter, and my brothers were hatters, too. See, I like what I'm doing. You gotta like what you're doing. I'm 80 going on 81.
Arthur Stephens is the only bona fide, art-for-the-sake-of-art hatter left in Boston. Once there were dozens. Ernesto Marrone has been a customer for 10 years. ``You can't get this kind of service anywhere else,'' he says, ``not even in New York. I wear hats because I grew up in an old Italian neighborhood where hats were customary.''
Long before Stephens bought the shop on LaGrange, a man named Hand first opened it on a downtown Boston street. The year was 1860, the year Abraham Lincoln was elected President, and Mr. Hand proclaimed his shop ``Hand the Hatter.''
The shop thrived down one century to another, satisfying Bostonian gentlemen who wore homburgs, panamas, top hats, trilbies, derbys, westerns, fedoras, and even boaters. And when the young and ambitious Stephens bought the shop in 1934, he kept the name.
Today, above the door, slightly weathered and melancholy, a black-and-white sign still says, ``Hand the Hatter.''
The small shop window - protected by a steel grate - is so dusty and gray there is no seeing through it. One step up and through the open door and into the musty shop, and you have entered a time warp sliced from a faded calendar, circa 1930, with hats, hats, and more hats.
``You walk in here and say, `How come all this junk is here?''' says Stephens, a small man with rounded shoulders and a gruff, sentimental voice. ``But everything is ready for any kind of hat. You never know when you're going to use this stuff.''
``This stuff'' lying about is a Noah's ark of the hatter's craft. Shelves and tables full of wooden hat blocks, shelves full of wooden flanges to shape brims, a 40-year-old hissing copper boiler (steam for steaming the hats), ancient cans of ``luring'' grease (to bring out the sheen of hats), an old ``ironing'' machine that heats and shapes the crown of hat while it spins slowly on a block, and off in one corner a bulbous, heated ``sand'' machine (a flannel bag filled with heated beach sand) to lower over a hat on a flange to shape or reshape the brim.
``I used to work until 2 in the morning,'' says Stephens, recalling the heady, quicker pace of the 1930s. ``Saturdays, Sundays. I'd go out to eat, take a shower at a hotel, come back here, and go to work again. I could knock off maybe 40 to 50 hats a day. Today if I do eight or 10 I'm doing a big day's work.''
Stephens acknowledges that it was probably a hatless President named John Kennedy who helped take the steam out of the men's hat business. That and all the vets returning from World War II as men who refused to wear hats anymore. Add the long hair of men in the 1960s, and hats had a dim future.
``Kennedy didn't wear a hat,'' says Stephens, ``and everybody stopped wearing them. Men are wearing all different kinds of hats now, but still not like they used to. Do I wear hats? Sure. I keep a couple in my car.''
He pauses by the ironing machine, watching the blocked brown hat turning as the hot ``iron'' moves automatically and slowly around it, squeaking all the way. On a shelf a fan pushes the hot air around.
His voice lowers. ``Way back I made hats for Jimmy Durante,'' he says. ``His valet used to come here and get them. He'd say, `Jimmy needs a couple of hats,' and I'd know just what he wanted. Basil Rathbone used to buy hats from me, too.''
A new hat from Stephens will cost from $125 to $150. A restoration begins about $20 and often ends there, no matter how long it takes. ``I never really check the time, to tell you the truth,'' he says. ``I like the work, and when it's done, it's done.''
In the late afternoon a customer of 35 years comes in: a stocky, older man named Mitch with a straw hat needing the brim smoothed and stiffened. Stephens repairs the hat in minutes, using the sand machine and some deftly applied glue.
``I bought my first custom-made hat here in 1950,'' says Mitch, standing at the small counter near an enormous old cash register with a hand crank. ``I got one he made me a few years ago, and a couple of others,'' says Mitch. He says he would like another, a light gray this time.
He and Stephens strike an accord. A price of $85, with $40 down. Stephens fills out an order. Mitch peels off two $20 bills on the counter. ``I don't want you pushing yourself,'' he says to Stephens. They both laugh and agree that three weeks should be long enough to fashion the hat. They shake hands. Mitch says warmly, ``I need you. Don't push yourself on this.''
Minutes later, a young man in a leather vest and tie enters and picks up a custom-made hat, a tan, narrow-brimmed trilby. Stephens packs the hat in a new Stetson hat box and tosses in a cluster of small red and yellow feathers for the hatband. When the young man leaves, Stephens says: ``If you're any kind of a businessman, you throw a man a few feathers.''
Late in the afternoon he sits in one of the four old chairs just inside the front door in a pensive mood. ``These are all old customers now,'' he says quietly. ``They know I won't sell them a bad hat. If I had said a $100 for the hat, Mitch would have paid it. No arguments.'' — at Combat Zone
Combat Zone Boston MA -- Hand The Hatter, Arthur was one of the greatest hatters of all times. I had all my hats custom made by him when I was playing Hammond organ 7 nights a week in the Zone - at World Famous 2 O'Clock Club, Picadilly, Mouse Trap and some of the other 'continuous adult entertainment' clubs back in the 70's - Jon Hammond
http://www.csmonitor.com/1988/1011/rhat.html
By David Holmstrom, Staff writer of The Christian Science Monitor / October 11, 1988
BB King's, eddiemoney, HammondCast, house, Jesse Money, Jon Hammond, New York, rocks, vocals
hammondcast - 7. Jul, 17:10
